#518 Joe Dator, New Yorker cartoonist

Joe Dator - manspreading

Single-panel cartoons, while not sequential art, certainly have some things in common with sequential art, and some cartoonists (Hank Ketcham, Bil Keane) have alternated between the two in their daily work. This week, in the first of two interviews with single-panel creators, Tim talks with New Yorker cartoonist Joe Dator.

What’s it like trying to get your joke across in exactly one panel — and get the darn thing published in a highly competitive venue like the pages of the New Yorker? How did the Far Side influence single-panels? (Perhaps less than you think!) What is the Mount Everest of cartooning? What cartoonists influenced Joe most? And – why does he spend his free time making a comedy podcast about classic rock?

#516 Irene jumps in the freelance (Gwen)pool

gwenpoolIrene Strychalski makes her fourth appearance on the podcast — this time as a full-time freelancer getting work from Marvel! We’ll talk about her depressing early comic, drawing from her own scripts vs. someone else’s, things people say to her when she draws in cafes, and more.

#515 Box Brown talks “Tetris”

TetrisIn his new nonfiction graphic novel Tetris: The Games People Play, Box Brown explores not only the amazing story of the creation of the popular game and the fight over the rights to it, but the larger point of how and why humans began to play games.

In this episode, Box Brown also talks with Tim about his publishing imprint, his earlier book on Andre the Giant, and more.

#511 Photo Reference Dos and Don’ts

Photo reference

Most comics artists use photo reference at some point. But some artists can make it melt into their work fluidly, while others end up with stiff drawing or a glorified fumetti. They might also end up with a copyright lawsuit if they don’t choose their reference wisely.

One source of photo reference is Buddy Scalera, who has published several reference books, including Comic Artist’s Essential Photo Reference: People and Poses. Buddy joins Tim to talk about how he got into making photo reference books, choosing poses to shoot, and more.

Then, Stephen Bissette joins us with plenty of examples of the use and misuse of photo reference, the ups and downs of casting celebrities as your characters (Sting, anyone?), and more.

 

#509 Comic Art Tokyo 2016!

CAT

Comic Art Tokyo (CAT), organized by Adam Pasion of Big Ugly Robot Press and James Stacey of Black Hook Press, was held at 3331 Arts Chiyoda in Tokyo on July 31, 2016. Tim was there, recorder in hand, talking to tablers!

Continue reading #509 Comic Art Tokyo 2016!

#506 Drawing, Translating, Podcasting

Brandon_dragonPodcast co-founder Brandon talks about building a daily drawing regimen, using Scott Robertson’s How to Draw.

Then Kumar tells us about each of the various manga titles he’s recently translated. Looking for some good manga to read? Here are some ideas!

Finally, Tim talks about attempting to make podcasting profitable, and his self-published English study book and comic.

Below: a timetable of the episode, and more art from Brandon.

Continue reading #506 Drawing, Translating, Podcasting

#505 Tiny Daredevil Hands and a Potato-Powered Bike

This week (and next), we turn the mic back on ourselves. What, in terms of comics, are we doing?

Frank Miller’s Daredevil and the Ends of HeroismFirst up, Paul, To the Batpoles co-host and occasional DCP contributor, talks about his book Frank Miller’s Daredevil and the Ends of Heroism , which will be out soon! In it, Paul reflects on how Miller’s Daredevil changed comics — and Paul.

 

 

The Mindgator

 

Then, Mulele catches us up on The Mindgator — soon to be Kickstarting volume 2 — and the new edition of his black cat comic Elbis!

#504 Kawai Shen: The Internet in comics, tabling for introverts, and more

Kawai ShenOn the Cute Juice Comics blog, Kawai Shen recently wrote a post about problems with representing the Internet in comics and other media. On this week’s show she talks with Tim about the Net in comics, this year’s TCAF, convention tabling for introverts, following up on convention contacts, the Dirty Diamonds anthology, and Canadian government grants for artists… even comics artists!

PLUS: Simon Fraser, co-creator of the Nikolai Dante series in 2000 A.D., talks about the Dare2Draw project, and the involvement of Mike Baron and Steve Rude’s Nexus in their proposed anthology.

Become a patron! If you pledge at least $3 a month through Patreon, you can access additional audio of Tim’s talk with Kawai Shen, on writing about members of marginalized groups — or simply about cultures the writer isn’t familiar with. Example: Fifty Shades of Grey!

#501 The Billy Ireland Museum

The Billy Ireland Cartoon Library and Museum The Billy Ireland Cartoon Library and Museum, on the campus of Ohio State University, houses the world’s largest collection of comic strip tear sheets and clippings, and also archives original art, manuscript materials, and other comics-related items. This week Caitlin McGurk, Associate Curator at the museum, talks to Tim about Milton Canniff’s connection to the museum, the challenges of art preservation, some highlights of the museum’s holdings, and more.

#500 Stephen Bissette: Comics, Movies, and Creator Credits

Steve Bissette with Tim and PaulFive hundred episodes?! Where’d the time go? As has been typical of recent “landmark” episodes, a topic discussion is in order, this time among Tim, Paul, and famed artist, writer, and comics educator Stephen Bissette.

Steve talks about favorite film versions of comics; Mario Bava’s Diabolik; and what would have been a better way to make a Dick Tracy movie? How have certain films utilized “comics” language — even if they weren’t based on actual comics stories? What were some of our most traumatic moments in childhood TV viewing/comics reading?

Then we move on to the struggles that creators of Marvel and DC characters and storylines have had in getting proper credit for the film versions of their stories — especially focusing on Frank Miller and Daredevil. And, why do some fans have so much vitriol for Miller?