Brad Guigar, creator of Evil Inc., has been putting his comics on the Web for over 20 years, and this week he’s here to talk about how he made that his day job, the challenges of promoting your work in a changing media environment, how making an erotic comic (his Patreon-only spinoff Evil Inc. After Dark) forced him to up his game, and his new project to help NSFW comics creators support each other and find new readers!
Samuel Edme’s comic The Shapes is… a bit hard to pin down. It looks like notebook scribblings, it has its faults, but it seems to have found an audience, which is all a comics creator can ask for. Bad? No. Not for us? Probably. Tim and Adam attempt to describe it anyway.
If you’ve ever felt like your city left you before you left your city, Jason McNamara’s Ghost Band is for you. Tim and Emmet discuss this post-apocalyptic look at San Francisco. Jason then taps in to explain the inspiration for the book and what happened to artist Vincent Gladnick 2/3 of the way through.
Meanwhile, in Nigeria, the Grim Reaper has an apprentice, and he saves a girl’s life — temporarily. Grimm’s Assistant, by Mamode Ogbewele and Chigozie Amadi, might be a little too stingy with important story info, but sharp art and interesting ideas make it worth Tim and Jason’s time reviewing it.
Friend of the show Irene Strychalski, former artist of such Marvel titles as Gwenpool and Silk, has been focused on her original title Fiendish, a lushly drawn (and colored, by Carlos Nicolas Zamudio) fantasy story. This week, Tim and Patrick discuss the first two volumes.
Also, Tim presents a mini-review of Safer Places by Kit Anderson, another book from our friends at Avery Hill.
Back in 2009, Tim talked with web cartoonist Tracy Butler about her beautiful, sepia-toned 1920s-with-cats strip Lackadaisy, and whether she’d ever quit her day job to focus on the strip. Since then, she has gone full-time on the comic, and recently embraced her first love, animation! The Lackadaisy 27-minute animated “pilot” has attracted a lot of attention the past few weeks, and the quality of the production had Tim thinking, “How was this even possible??” So this week, Tracy returns to the podcast to talk about the pilot, the now-full-color strip, and what the future of the title might be.
What happens when a group of people must work in the middle of nowhere, with virtually no supervision or accountability? Generally it’s not a good situation, as Kate Beaton, now well-known as the creator of the web comic Hark! A Vagrant, found in her younger years when she got a job on Alberta’s oil sands. This week, Kumar and Dana discuss her memoir of the experience, entitled Ducks: Two Years on the Oil Sands.
Alexandra (her friends call her “Ax”) is trying to get in touch with hero team Steamgear Defenders; she wants to become a member. But will they turn out to be all they’re cracked up to be? Will she even get there, with so many people getting in her way? The comic is Steamgear Inc. by Snuffy Sam, with the most unusual art Tim or Adam have ever seen. Does that mean it’s good? We discuss.
During the U.S. Civil War, a confederate soldier is changed into a dangerous creature by a mysterious woman. His comrade, now a marshal, tracks him after the war as he takes more innocent victims. But is everything as it appears? Tim and Jason enjoy the twist in Rougarou, by Giles Clark and Jose Rondon.
Our second entry takes us further back in history, to 1790, when poet-painter William Blake claims to have met a horrific lizardlike creature, the Ghost of a Flea. GE Gallas’ The Poet and the Flea presents a take on Blake’s work and experiences. Emmet joins Tim to school all of us in Blake. What kind of image does it give us of Blake, and is it accurate? And, is this comic of interest to non-Blake fans?
Everyone is Tulip got an Eisner nomination! Hear our review and creator interview here.