drawing – Deconstructing Comics

#506 Drawing, Translating, Podcasting

Podcast co-founder Brandon talks about building a daily drawing regimen, using Scott Robertson’s How to Draw.

Then Kumar tells us about each of the various manga titles he’s recently translated. Looking for some good manga to read? Here are some ideas!

Finally, Tim talks about attempting to make podcasting profitable, and his self-published English study book and comic.

Below: a timetable of the episode, and more art from Brandon.

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#422 A Friendly Sketcher and an Evil Diva

While Chris Taylor goes by the pen name “Sketchfro“, he no longer has an afro and he does a whole lot more than sketch. An American living in Tokyo, he does freelance art, his own comics, and pro-level digital coloring. In this episode he talks about getting digital coloring right, drawing women with sex appeal, and the work he’ll be promoting at Tokyo’s International Comics Fest later this month.

evildiva When last we checked in on the Web comic Evil Diva, an artist needed to be paid and fans were being asked to cough up cash before the next page could be drawn. Now the comic is being published as a graphic novel, and will even get a cameo in an upcoming movie. Are the comics gods finally smiling on Evil Diva? Let’s ask the strip’s creator, Peter Menotti, and see.

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#356 On Backgrounds

Drawing backgrounds is seldom the most enjoyable part of drawing a comic. Many artists dislike it, and might try to give it short shrift. But it’s an important part of telling your story, so you’ve got to do it right. Tim and Mulele discuss some important points to keep in mind when drawing your backgrounds — and a few things to avoid.

Sean Gordon Murphy’s background tips

Drawinghowtodraw.com (beware of the popup ad!)

idrawdigital.com: backgrounds tutorial

Schweizercomics: tangents

The Mindgator: invisible Coke machine in last panel

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Critiquing Comics #042: “Zombuu”

Zombuu The two main components of a comic are, of course, story and art. Your comic needs to be on point with both to work. This week’s comic totally brings one, and largely wings the other. We discuss Zombuu by Curtis “Artzuu” Hamilton.

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#049 “Batman/Tarzan: Claws of the Catwoman” & figure-drawing class

Tim & Brandon discuss “Batman/Tarzan: Claws of the Catwoman” by Ron Marz and Igor Kordey! Also: Brandon talks about an online figure-drawing class he took, and we different philosophies of how to become a versatile artist. Is it better to start with figure-drawing training, or is it better to figure out your style on your own? How important is it to have experience drawing “Bigfoot” funny comics? (originally published November 13, 2006)

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#228 Ruben Bolling

Ruben Bolling is a comic strip creator who admits that he’s less interested in drawing than he used to be. Known as the brains behind the hilarious, and sometimes absurd, weekly strip “Tom the Dancing Bug,” Bolling does want to continue the strip, but also concentrate more effort on writing, and to move into other types of creative pursuits. One such pursuit may be a movie project with New Line Cinema. In an interview with Tim, Bolling talks about the movie, his influences, his tools, and his characters, as well as answering questions from listeners!

Interview in Tufts Magazine

Also in this episode, Tim, Mulele, and Kumar discuss the upcoming WeirdCrimeTheater.com and Tim’s ongoing paid drawing gig (see his finished works below the break).

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#227 dharbin.com, and Developing Your Own Style

Tim and Mulele set out to review dharbin.com, but “the gold of the site” is hidden. Mulele explains where to find Dustin Harbin’s best work.

Then an interview with (former) Tokyo resident Ed Siemienkowicz and a discussion of how to develop your own style. Tim continues to struggle with this as he is paid (!) (by an English school) to do some illustrations.

Finally, Mulele has a few words about WordPress plugin ComicPress, and why he’s switching to InkBlot — er, no, sorry, Webcomic 2.1

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#171 “Blacksad” and the Fibonacci numbers

3/16/09 “Blacksad” and the Fibonacci numbers

What are the Fibonacci numbers, and how do they relate to European comic “Blacksad”? Mulele explains it to Tim. Also: the latest on Mulele’s quest to publish a comic in Japan; and what lessons does Tim’s (non-comics) publishing experience have for any creator looking for a publisher?