#410 Marvel Comics: Telling the Untold Story

FLASHBACK! If you’re into American comics at all, you undoubtedly know how Stan Lee, Jack Kirby, Steve Ditko and others changed the industry with their work in the 1960s, and set the template for kinds of stories Marvel still publishes today.

That’s just part of the story that Sean Howe researched for his 2012 book Marvel Comics: The Untold Story. Through interviews, research of media reports, and of course tons of comics reading, Howe uncovered the backgrounds of many comics stories and rumors that longtime readers may have wondered about. There’s plenty of intra-creator acrimony to be found in its pages, yet Howe found that the book helped some of those involved to move on from decades-old wounds.

This week Tim talks to Sean Howe about the research, the reaction, and what this book has to say to aspiring creators. (Originally published July 7, 2014.)

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#851 Jack Kirby’s “Cap and Falcon” 212-213: “I love you, baby!”

Captain America and the Falcon #212 concludes the Arnim Zola/Red Skull storyline in somewhat perfunctory fashion, and gives a living castle with big teeth much less P.R. than it deserved! In #213 we meet the strange and underutilized assassin the Night Flyer! (Underwhelming name? Must’ve been named by Jack Kirby!) Tim and Emmet discuss both issues in this episode.

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#846 Pow! Crack! Breaking down comics sound effects

Art by Don Martin
Art by Don Martin

POW! ZAP! Comics may not be for kids anymore, but they still have sound effects! Our own Patrick Ijima-Washburn noticed that Japanese editions of American comics left the sound effects untranslated, and decided to put together a book on how common English sound effects should be translated. Life being what it is, it took well over a decade, but the book is finally out digitally, in both Japanese and English! This time Patrick joins Tim to talk about the genesis of the book, some sound effects trivia (what comic strip first used “ZZZZ” for snoring? Who originated adding “ker-“ to the beginning of a sound effect?), and take a quiz from Tim: if quoted a sound effect from an actual Marvel comic, can he guess what action it’s supposed to represent?

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#689 Priest’s “Black Panther”

Priest's Black PantherFLASHBACK! In 1998, under the “Marvel Knights” banner, Christopher Priest began the first ongoing Black Panther title in nearly two decades. Panther was a relatively unknown character to many Marvel readers at the time. With the aid of “Emperor of Useless White Boys” Everett K. Ross, and artists like Mark Texeira and Joe Jusko, Priest (a.k.a. Jim Owsley) made Panther a must-read and brought the nature of his character into sharper focus. Kumar and Tim discuss the first 17 issues (the ones included in Black Panther by Christopher Priest: The Complete Collection Volume 1) and see if it still stands up 23 years later. (This episode was originally published March 10, 2021.)

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“Guardians of the Galaxy, Vol. 2” (2017)

Guardians of the Galaxy vol 2

“TIM CATCHES UP WITH THE MCU” continues: Peter Quill (whose name we both blanked on while recording the show!) and the gang are back (yeah, BACK in 2017) and Tim (feeling encouraged by being a mere 2.5 years behind on MCU movies) and Mulele discuss the film. And Star Wars.

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#732 “The Immortal Hulk”

The Immortal HulkThe Immortal Hulk won a fair amount of praise, including for Al Ewing‘s writing (although also censure for the hate speech hidden in Joe Bennett‘s art). Is the praise earned? Or is the book interesting exactly because of the things that don’t work in it? Our own Emmet, and guest Dr. Matt Finch, are leaning a bit in the latter direction. Join them this time for a wide-ranging discussion, including how Ewing’s coming out as bisexual affected the direction of the story, how the zeitgeist of the 2010s is apparent in the comic, how this version of the Hulk compares to Greg Pak‘s, the humor in Ewing’s run, and more.

Kickstarter for The BeBop #2: Bao

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#715 Comics adaptations: “Dune” (1984) and “Bram Stoker’s Dracula” (1992)

Dune and Dracula

Sometimes comics adaptations of movies can have as much, or more, significance than the films themselves. Marvel‘s 1984 adaptation of David Lynch‘s Dune film, for example, marked Bill Sienkiewicz‘s upgrade from the realistic art he did on Moon Knight, to the mind-blowing, weird work he became known for on New Mutants. It’s also arguable that Ralph Macchio‘s script is better than that of the film.

Likewise, Topps‘ 1992 adaptation of the Francis Ford Coppola film Bram Stoker’s Dracula, written by Roy Thomas, marks a turn for artist Mike Mignola from Batman to more supernatural work, leading straight into his magnum opus, Hellboy.

Kumar and Jordan, patiently awaiting the delayed Australian release of the new Dune film, decided to indulge their obsession by doing this week’s episode, discussing both films.

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#711 Tom Scioli’s “Kirby”

Kirby-Scioli

Tom Scioli’s Jack Kirby: The Epic Life of the King of Comics is a bio in comics form and written in the first person, from Kirby’s perspective. Why did Scioli handle it that way, and does it work? Why does Kirby look like a Tezuka character surrounded by normal humans? Was the tension between Lee and Kirby a case of Stan messing up Jack’s story, or modifying it to better connect with the reader? Tim and Emmet discuss those questions, some of the many revelations this book brought us, and more.

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#702 “Black Widow”: is the MCU losing the magic?

Black Widow

It’s been a long time since Tim “caught up with the MCU” in our Patreon podcast series with Mulele; certainly longer without an MCU film than anyone intended it to be! But at last, Black Widow is out. How does it stack up against the movies that have gone before? Tim and Mulele are back to sift through the Red Room wreckage.

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#692 “Stan Lee and the Rise and Fall of the American Comic Book”

Raphael/Spurgeon book on Stan Lee

Tim and Emmet begin a series on Stan Lee biographies with the 2003 book Stan Lee and the Rise and Fall of the American Comic Book by Jordan Raphael and the late, great Tom Spurgeon. What’s the tone of this book, and how does it portray Stan? How much of the Marvel Universe is he actually responsible for, and what were his motivations for taking more credit than he deserved? We discuss, and then Tim gets some background on the making of the book from co-author Jordan Raphael!