Comics commentary from our podcast regulars.
Jack Kirby wraps up his run on Captain America and the Falcon with issue 214, the rather underwhelming conclusion of the Night Flyer story. But wait! Kirby also did a couple of annuals, so we dig into annual #3 from 1976. Yeaahhhh, that’s the stuff! If you haven’t been getting enough PULSE-POUNDING ACTION in your comics, this is the issue for you!
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Roy Beckwith and the Cursed Continent is a western series by Nick Patch, Jarret Katz, and Fabi Marques. It looks great but it runs at a breakneck pace and seems to be introducing a few too many elements. Tim and Jason discuss.
A French Expat in the U.K., by Agathe Montagnon, was sold through the LDC Online Comics Fair last summer. It’s a quick and evenhanded look at some of the differences between the British and French cultures, as experienced by the author herself. American expats in Japan Tim and Adam take a look.
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What if your first Star Wars movie were Return of the Jedi? You’d have questions! That’s how Tim felt once he got started reading Robotech II: The Sentinels volume 1, a comics continuation of the animated Robotech show that hit the U.S. in 1985. Robotech was a combination of three different anime — why?? And why is it that, after all these years, the Robotech story doesn’t really progress? Tim discusses with longtime Robotech fan Erik Amaya of Comicon.com.
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One of the most highly-regarded English-language strips of all time is George Herriman’s Krazy Kat, featuring the odd love/hate triangle of Krazy, Ignatz, and Officer Pupp. Why was Krazy so gender-ambiguous? How did Herriman’s (somewhat mysterious) racial background influence the strip? Tim and Kumar discuss this and much more. (Originally published September 2, 2013.)
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From 1942 to 1966, many of the Donald Duck comic books published by Dell Comics were written and drawn by Carl Barks. Like most comic book creators at the time, his name was unknown; the Duck comics were all credited to Walt Disney. Fans only knew that his work was by the GOOD duck artist. Barks created Scrooge McDuck and many of the other duck characters that are taken for granted as part of Disney canon today.
What made Barks the standout Duck artist? Were they meant to be satirical, or simply enjoyable stories? Tim, Kumar, and Tom Spurgeon discuss Barks’ work, particularly the Fantagraphics volume Lost in the Andes. (Originally published June 3, 2013.)
Comics Journal review of Lost in the Andes
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Captain America and the Falcon #212 concludes the Arnim Zola/Red Skull storyline in somewhat perfunctory fashion, and gives a living castle with big teeth much less P.R. than it deserved! In #213 we meet the strange and underutilized assassin the Night Flyer! (Underwhelming name? Must’ve been named by Jack Kirby!) Tim and Emmet discuss both issues in this episode.
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Joe Mallard, a favorite of Tim and Jason’s from a year ago, is back! Creator Asante Amani has sent us issues 4-6 of this crime series. Did it go over with us as well as the first two issues did?
Ky Lawrence has created a trippy graphic novel about survivor’s guilt. In Dream Machine, our protagonist dreams he can sacrifice himself to bring his cancer victim twin back to life. Tim and Adam critique.
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This week, Koom interviews Wahab Algarmi, author of Almost Sunset, a graphic novel about a Muslim American boy’s search for balance between his family traditions and the demands of life in Middle School. Koom and Wahab discuss their international family backgrounds as well as the merits or demerits of 1990s Image comics!
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Ben Wickey has created a graphic novel, More Weight: A Salem Story, that gives us a very deep dive into the Salem witch trials: why they happened, who was to blame, and how the city has dealt with their legacy. This week Koom gets the scoop on what inspired Ben, why his art style seems to vary depending on what point in the past he’s writing about, and more.
More Weight: A Salem Story on Amazon.com
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This week, a look at two great new comics submitted by their creators:
God Summoner, by Dio Zogaris and Manos Laouvardos, is a story in the fantasy genre. Tim and Jason thought “Meh” until they actually read it! This is a well-written story with beautiful black and white art.
The Keluarga Cable Ship Company, by Mereida Fajardo, gives us a father and son with communication problems, and a ship that lays down undersea cable through which, well, communication flows. Or doesn’t flow. But what makes the book stand out is its very unusual format that shows great thought and planning on the author’s part. Tim and Adam critique.
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