In the year 2038, invisible drones are sent to the past to pick up any event you want to see, if you have the money to pay for it. One woman using the service discovers a secret that puts her in danger in the present. Our friend Jason McNamara, author of such graphic novels as The Rattler and The Martian Confederacy, is back with the forthcoming Past Tense, his first work from Dark Horse, with art by Alberto Massaggia. Jason joins Tim to talk about the book, and then Kumar and Tim review it.
Kumar also fills us in on how his resignation as translator of Cipher Academy, a nearly untranslatable manga, went viral.
Also, Alex Squiers tells Tim about his audio drama The StarWell Foundation, in which a company which recruits superheroes and other celebrities to meet sick kids and the like, deals with one kid’s unusual request: they want to meet a villain.
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Although it’s currently only available digitally, Adora and the Distance, by Marc Bernardin, Ariela Kistantina, Bryan Valenza, and Bernardo Brice, has garnered a fair amount of mainstream attention (
A story originally conceived as an Incredible Hulk tale in — really — the 1980s, Barry Windsor-Smith‘s Monsters has finally seen the light of day. How is it? Kumar and Dana find it a joy to look at, and containing a number of astonishing scenes and mind-blowing plot points, but also to have some serious drawbacks. Does the good outweigh the bad? Here’s their review.
Most people have some dreams of fame and fortune. A certain portion of those people make their way to Hollywood in hopes of getting that big break. But how much are you willing to give up to achieve that goal? And what if the fame isn’t as great as you expected? These are the questions arising from the forthcoming graphic novel 
, a moving account of May 1-4, 1970, through the eyes of those who lost their lives.
Many of us have dreamed of getting paid to make comics. Except in rare cases, working in American comics means being a freelancer. While a creative career can be rewarding, there are plenty of downsides, too.