Ann Nocenti is a journalist and filmmaker who also has had quite a career in comics. She wrote Daredevil for several years and created the character of Typhoid Mary. In this interview with Koom, she talks about why writing ol’ horn head was difficult for her at first, and why she created Typhoid Mary, as well as her two new comics “Ruby Falls” and “The Seeds.”

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Klaus Janson has a long and storied career, working for both Marvel and DC as a writer, penciller, and inker, including some famous collaborations with Frank Miller and John Romita Jr. His latest series, Sacred Creatures, is a creator-owned collaboration with artist Pablo Raimondi. In this extended-length episode, he tells Koom about the ideas explored in the new series, and shares musings on the artistic process.

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Horror writer H.P. Lovecraft understood that it was more upsetting to let the reader imagine the horrific thing, than to actually show it. So, can one really do Lovecraft in comics effectively?

In volume 1 of his comics adaptation of Lovecraft’s H.P. Lovecraft’s At the Mountains of Madness Volume 1 (Manga), Gou Tanabe (so far) hasn’t spoiled the reveal in the way some other comics creators have, in other Lovecraft-based comics. Emmet and Kumar discuss.

Plugs

Kumar’s novel: Tanuja Ramachandran: Hunter-Seeker

Emmet’s short comics story: Something Wicked 2019

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This week, Critiquing Comics favorite Kristin Tipping talks about the background to Evil Witch Allie and A Book for Sad Pets. Why did her art style change on Evil Witch Allie, and why did volume two seem more confident than volume one? Why is the tone of A Book for Sad Pets so desperate? Plus, her experience in going to school to make comics, and more.

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Roger Casement is known in the UK and Ireland as a British diplomat who joined the Irish Nationalists and, in 1916, was convicted of treason and executed. But the rest of the world is less familiar with his name. Enter Fionnuala Doran, who has released a graphic novel about him called The Trial of Roger Casement. In this episode, she talks with Emmet about the book, its protagonist, and the issues surrounding him, as well as some chat about Preacher and the new status quo in the X-men books.

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Jorge Munoz has been a favorite of ours for a while. Recently he sent in several recent works (Longdog, Quin Reyes and Hao Delivery, a sketchbook, Yon Kuma, Sea), and this episode we sit down and take a look at them.

Also, Mulele recounts his visit to a New York exhibit called Illustrating Batman. (switch to grid view to browse)

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In the manga world. Katsuhiro Otomo’s Akira has Watchmen-like status. But, as with Alan Moore, the work that caused a sensation overshadows the creator’s excellent previous work. In this case, that’s Domu: A Child’s Dream, originally published in Japanese in 1980-81, and (criminally) out of print in English for nearly two decades now. In this episode, Alberto Melendez (co-creator of the recently-critiqued AntFarm) joins Tim to discuss this forgotten gem.

Review by Seth T. Hanhe on goodokbad.com

Review by Evan Krell on anigamers.com

Reviews on Goodreads

Read Domu on super-cheesy site Kissmanga

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Critiquing Comics returns to discuss the following comics:

• Gabriel Dunston’s Purgatory Pub presents an angel and a devil having a philosophical discussion. Tim and Mulele have very different levels of tolerance for that concept, and yet come to the same conclusion about this story.
• David Dye’s Amazing Tales gives us “stories of an Australian nature,” as the cover warns (his word, not ours!). While we might not understand every word of this, we’d sure like to see more of the art.

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Daniel Clowes’ 1990s series Ghost World became a movie in 2001. Will Weaver, a professor at John Carroll University, says that each version of the story was what it needed to be for that medium. Why did those choices, such as adding Seymour, make sense for the movie? Could a film version have worked without Seymour? And what’s the deal with that bus, anyway? Will joins Tim to discuss these questions and more.

Comic Journal review of the movie, by Michael Dean

Daniel Clowes interview in Salon

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In part two of Tim’s interview with longtime comics writer Dan Mishkin, Dan talks about writing Warren Commission Report: A Graphic Investigation into the Kennedy Assassination with artists Ernie Colon and Jerzy Drozd; explores the reasons for Marvel’s breakout success in the 1960s, and compares working for DC vs working for Marvel; explains the concept of his web comic with Jerzy Drozd, Amazon Academy; and remembers working with the late Ernie Colon.

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