Tag: Image Comics

#725 Jim Rugg on “Street Angel” “Hulk: Grand Design” and more!

Street Angel

Jim Rugg is known for his indy hit Street Angel, for being half of the duo hosting the super-prolific Cartoonist Kayfabe videos series, and for illustrating other works such as Cecil Castellucci’s The Plain Janes. Now he’s about to be known for the Hulk retrospective Hulk: Grand Design. This time, Kumar talks with him about how the Hulk work came about, the development of Street Angel, his ever-changing artistic process, the making of Cartoonist Kayfabe, and more!

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#609 “Saga” (a non-gushing review)

Saga

FLASHBACK! Saga, by Brian K. Vaughan and Fiona Staples, has been a bestselling book for Image Comics for years, and fawned over by critics and readers alike. While Emmet finds a fair number of things to like about it, hardly anything about it is to Kumar’s taste. For this episode, both of them have read all the issues published to date — 54 of them!– and present this somewhat out-of-the-mainstream review.

(Originally published October 1, 2018)

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#687 “Crowded”

Crowded

Is it annoying or brilliant? A smart commentary on internet culture? Too trendy for the oldsters who make this podcast? Is it plausible enough to stand alongside the best in science fiction? Emmet and Kumar ask these questions and more in their review of Crowded  by Christopher Sebela, Ro Stein, Ted Brandt, Trina Farrell, and Cardinal Rae.

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#685 Hilary Barta interview

Where Monsters Smell

Hilary Barta has been drawing (and sometimes writing) comics for decades, for nearly any publisher you can name. He even worked with the great Alan Moore on “Splash Branigan.” In this week’s show he talks to Koom about working with Moore, his Plastic Man stint, and his new humor story with Doug Rice “When Monsters Smell” in Marvel #4. And, the utility of drugs to the creative process is debated.

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#642 Klaus Janson and “Sacred Creatures”

Klaus Jansen and "Sacred Creatures"

Klaus Janson has a long and storied career, working for both Marvel and DC as a writer, penciller, and inker, including some famous collaborations with Frank Miller and John Romita Jr. His latest series, Sacred Creatures, is a creator-owned collaboration with artist Pablo Raimondi. In this extended-length episode, he tells Koom about the ideas explored in the new series, and shares musings on the artistic process.

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#611 “Infidel”

Infidel

Infidel, by Pornsak Pichetshote, Aaron Campbell, and Jose Villarubia, has drawn comparisons to the film Get Out for its mixing of horror with social issues. In this episode, Kumar and Dana discuss what they enjoyed in the comic and what they were irritated by, and brave the minefield of talking about this book on a podcast!

Also, Tim reads the lengthy response from Derf Backderf to our recent review of the film version of My Friend Dahmer.

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#609 “Saga” (a non-gushing review)

Saga

Saga, by Brian K. Vaughan and Fiona Staples, has been a bestselling book for Image Comics for years, and fawned over by critics and readers alike. While Emmet finds a fair number of things to like about it, hardly anything about it is to Kumar’s taste. For this episode, both of them have read all the issues published to date — 54 of them!– and present this somewhat out-of-the-mainstream review.

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#596 “Paper Girls”

Paper Girls

Paper Girls is an intricately-plotted time-travel story by Brian K. Vaughan and Cliff Chiang. Scientist and comics nerd Ryan Haupt joins Tim to talk about the series’ unanswered questions, animals (Tardigrades! Giant sloths!), character arcs, and more.

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Critiquing Comics #121: “Void Trip”

Void Trip

Ryan O’Sullivan, whose writing on Warhammer 40,000: Dawn of War we discussed a few months back, returns with a new Image book called Void Trip, with art by Plaid Klaus. The story features a couple of stoners traveling through space, with a mysterious pursuer. But what, exactly, is it about? Tim and Mulele ponder.

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#572 Barbara Schulz on MCAD’s Comic Art Program

Barbara Schulz

The number of schools offering comic art programs in the US is small but increasing. This time we look at the Minneapolis College of Art and Design (MCAD). John Bivens and Eliot Rahal give us some background, and then we talk to one of the primary faculty members teaching in their comic art program, Barbara Schulz. She gives us her thoughts on choosing the best comic art program for you, challenges facing anyone trying to get started in comics (such as self-promotion, unscrupulous publishers, and more.

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