Klaus Janson has a long and storied career, working for both Marvel and DC as a writer, penciller, and inker, including some famous collaborations with Frank Miller and John Romita Jr. His latest series, Sacred Creatures, is a creator-owned collaboration with artist Pablo Raimondi. In this extended-length episode, he tells Koom about the ideas explored in the new series, and shares musings on the artistic process.
Infidel, by Pornsak Pichetshote, Aaron Campbell, and Jose Villarubia, has drawn comparisons to the film Get Out for its mixing of horror with social issues. In this episode, Kumar and Dana discuss what they enjoyed in the comic and what they were irritated by, and brave the minefield of talking about this book on a podcast!
Also, Tim reads the lengthy response from Derf Backderf to our recent review of the film version of My Friend Dahmer.
Saga, by Brian K. Vaughan and Fiona Staples, has been a bestselling book for Image Comics for years, and fawned over by critics and readers alike. While Emmet finds a fair number of things to like about it, hardly anything about it is to Kumar’s taste. For this episode, both of them have read all the issues published to date — 54 of them!– and present this somewhat out-of-the-mainstream review.
Paper Girls is an intricately-plotted time-travel story by Brian K. Vaughan and Cliff Chiang. Scientist and comics nerd Ryan Haupt joins Tim to talk about the series’ unanswered questions, animals (Tardigrades! Giant sloths!), character arcs, and more.
Ryan O’Sullivan, whose writing on Warhammer 40,000: Dawn of War we discussed a few months back, returns with a new Image book called Void Trip, with art by Plaid Klaus. The story features a couple of stoners traveling through space, with a mysterious pursuer. But what, exactly, is it about? Tim and Mulele ponder.
The number of schools offering comic art programs in the US is small but increasing. This time we look at the Minneapolis College of Art and Design (MCAD).John Bivens and Eliot Rahal give us some background, and then we talk to one of the primary faculty members teaching in their comic art program, Barbara Schulz. She gives us her thoughts on choosing the best comic art program for you, challenges facing anyone trying to get started in comics (such as self-promotion, unscrupulous publishers, and more.
Minneapolis is increasingly becoming a “comics town”. While it doesn’t have the publisher presence of Portland, it’s filled with comics creators of all stripes, from mainstream guys to indy creators to web cartoonists.
It also may be the only town in the U.S. where New Comic Book Day is a bar event every Wednesday, with comics giveaways, standup comedy, and a creator interview!
In this episode, Tim talks with:
Katy Rex, writer of Jade Street Protection Services, from Black Mask, editor of another Black Mask title, Kim and Kim, and writer of a forthcoming Dr. Who special from Titan Comics. She also works at local retailer Hot Comics.
Eliot Rahal, writer of Bloodshot’s Day Off and other books from Valiant, and a host of the New Comic Book Day event.
John Bivens, artist on Image Comics’ Spread and Dark Engine.
It’s time for another Kaigai Manga Festa roundup! This year’s international comics festival in Tokyo was held on October 23 at Tokyo Big Sight, alongside the Comitia festival as always. Tim caught up with some familiar faces and met some new ones as well!
Join Kumar and Koom as they discuss Alan Moore’s run on the palladium paragon, the alabaster avenger, the archetypical archetype: Rob Liefeld’s Supreme. Kumar tries not to lose it over the Image era ‘artwork’ while Koom attempts to reconcile supremium with revisionist theory. Supreme was Moore’s last outing with a true blue superhero in the classical mould. Both postmodern and nostalgic for lost comic values at the same time, this run sits Janus-like between Moore’s early work and his modern period.
The Fade Out is Ed Brubaker, Sean Phillips, and Elizabeth Breitweiser‘s nuanced, subtly told, complex story of Hollywood in 1948, revolving around a secret deal between a writer who can’t write because of PTSD sustained in the war and another writer who’s been blacklisted as a communist. We touch on some of our favorite little-noted details in the story.Why is Brubaker repeatedly attracted to “noir”-type stories? While Sean Phillips’ art is great, and he digests photo reference into his art better than some do, do some of the limitations of that method still show through? Tim and Brandon discuss.
Kumar journeyed so San Diego for the Comic-con this year, for the first time in twelve years. How has the event changed in that time? Who did Kumar get to meet this year? How did he work around the crowds? We get his report.