After, well, a slight delay, Deconstructing Comics continues its look at Alan Moore’s 1980s run on Swamp Thing— a run in which the title character met werewolves and vampires (as Moore and co. found a new way to use these old tropes), as well as new character John Constantine. Moore was aided by artists Stephen Bissette, John Totleben, and Alfredo Acala, among others. Koom and newcomer Darrell Epp discuss.
Podcast: Play in new window | Download
Look who Tim (center) ran into in Columbus: Derf Backderf (My Friend Dahmer, Trashed), Tom Spurgeon (The Comics Reporter), Stephen Bissette (Swamp Thing, Tyrant), and Craig Fischer (English professor and occasional contributor to The Comics Journal)! (Click the photo to enlarge!)
 |
In this episode, Tim talks to Steve and Craig about their summer research tour that brought them to Columbus and the Billy Ireland Cartoon Library and Museum, and how it relates to Steve’s revival of his ’90s comics biography of a Tyrannosaurus rex, Tyrant! |
 |
Then Tom talks about the upcoming Cartoon Crossroads Columbus (CXC) event he’s organizing for the Billy Ireland, and the current state of mainstream comics. |
As for Derf — that interview is coming later this month!
Podcast: Play in new window | Download
Most comics artists use photo reference at some point. But some artists can make it melt into their work fluidly, while others end up with stiff drawing or a glorified fumetti. They might also end up with a copyright lawsuit if they don’t choose their reference wisely.
One source of photo reference is Buddy Scalera, who has published several reference books, including Comic Artist’s Essential Photo Reference: People and Poses. Buddy joins Tim to talk about how he got into making photo reference books, choosing poses to shoot, and more.
Then, Stephen Bissette joins us with plenty of examples of the use and misuse of photo reference, the ups and downs of casting celebrities as your characters (Sting, anyone?), and more.
Podcast: Play in new window | Download
Five hundred episodes?! Where’d the time go? As has been typical of recent “landmark” episodes, a topic discussion is in order, this time among Tim, Paul, and famed artist, writer, and comics educator Stephen Bissette.
Steve talks about favorite film versions of comics; Mario Bava’s Diabolik; and what would have been a better way to make a Dick Tracy movie? How have certain films utilized “comics” language — even if they weren’t based on actual comics stories? What were some of our most traumatic moments in childhood TV viewing/comics reading?
Then we move on to the struggles that creators of Marvel and DC characters and storylines have had in getting proper credit for the film versions of their stories — especially focusing on Frank Miller and Daredevil. And, why do some fans have so much vitriol for Miller?
Podcast: Play in new window | Download
Artist Stephen Bissette is best-known for his work on Swamp Thing in the ’80s with Alan Moore and John Totleben, as well as 1963 and his solo project Tyrant. Currently he’s teaching at the Center for Cartoon Studies, and this week he joins Tim and Kumar for a wide-ranging discussion, including:
Steve’s list of artists who have taught at CCS
Continue reading #465 Stephen Bissette talks scary comics!
Podcast: Play in new window | Download
Due perhaps to the passage of time, poorly handled reprinting by DC, or some other reason, Alan Moore’s writing stint on Swamp Thing in the 1980s does not seem to get mentioned much today. Which is a shame, because it ranks with Moore’s best work. And the art by Stephen Bissette and John Totleben (and able fill-in artists) is worth the price of admission by itself, not to mention Tatjana Wood’s colors.
Tim and Kumar had a blast reading the early issues of the run (#21-37) and are here to share the experience with you.
Podcast: Play in new window | Download
