#831 The Fantastic Four on Film: “Fantastic Four” (2005) pt 2: What does Doom want?!

FF 2005 pt 2

While the 2005 film Fantastic Four gives us, debatably, a well-casted group of heroes, with plenty of comics-accurate details, the script does no favors to Dr. Doom. What are his goals, other than “taking everything back” from Reed? Why is he a CEO instead of a despot? Who the heck gives a frightening metal mask as a thank-you gift?? This time, Tim, Kumar, and Jordan (in a crossover with the Comic Book Movie Oblivion podcast) conclude their look at this film, and cap it off with a review of its endless development process.

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#830 The Fantastic Four on Film: “Fantastic Four” (2005) pt 1: “I am hot, and I’m not afraid to cry”

Fantastic Four 2005

After the fiasco of the 1994 unreleased Fantastic Four movie, development proceeded on a big-budget FF film, which finally hit theaters in 2005 — a better film than the ’94 attempt in some ways, but frustratingly as bad or worse in others. This week, in another crossover with the Comic Book Movie Oblivion podcast, Tim is joined by Kumar and Jordan to begin a two-part look at this film (as well as a few 1980s FF comics).

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#829 Jack Kirby’s “Captain America’s Bicentennial Battles”

Bicentennial Battles Captain America was the obvious choice of a character to help Marvel celebrate the USA’s bicentennial in 1976. The job of doing that went to Jack Kirby, co-creator of the character. Naturally, that meant a story full of hard-hitting moments, and one that gets a bit treacly at the end, but also doesn’t back away from difficult moments in US history. This week, Tim and Emmet discuss the treasury-size special Captain America’s Bicentennial Battles.

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#823 Jack Kirby’s “Eternals,” #17-19: Lots o’ Ikaris (or Ikarus?)


We’ve reached the end of Jack Kirby‘s Eternals series. Sure, it was a weird series, but introducing a Hulk robot apparently did little for the sales numbers. How did Kirby wrap things up? For a series that featured so many characters (though not as many as the freakin’ movie, which we’ll get to soon!), he took the odd step of giving us an Ikaris solo adventure, with a Celestial-in-the-machine ending. Not really what we wanted from a series that we initially found enjoyable. Tim and Emmet discuss the series wrapup.

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#821 The Fantastic Four on Film: “The Fantastic Four” (1994), a Roger Corman production (part one)

Fantastic Four - Corman 1

By the early ’90s, Superman and Batman were blockbuster movie franchises, but Marvel had yet to find a way to get a big-budget film made based on their characters, let alone succeed at the box office. Bernd Eichinger of Constantin Film owned the film rights to the Fantastic Four, but those rights were soon to expire. So he teamed up with B-movie producer Roger Corman to bang out an FF film — which, for somewhat unclear reasons, never came out. This week, in a crossover with the Comic Book Movie Oblivion podcast, Tim is joined by Kumar and Jordan; some early FF comics are evaluated, and then we begin a two-part discussion of the film, what’s good and bad about it, and the (apparent) reasons it never hit screens.

Watch the film on YouTube

Watch Doomed: The Untold Story of Roger Corman’s Fantastic Four on YouTube

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#820 Jack Kirby’s “Eternals,” #14-16: The Coming of…. The Editor!

Eternals 15

Jack Kirby‘s The Eternals was not a conventional superhero book. It didn’t even seem to take place in the Marvel Universe. By issue 14, it appears that Marvel editorial must have been pressuring him to make it more Marvel Universe-y, which would account for the appearance of the Hulk in issues 14-16… except it’s not really the Hulk, leaving plausible deniability to the fact that this is really happening in the MU. But, along with New York City, the Pseudo-Hulk also smashed the direction of the series. Tim and Emmet sift through the damage.

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#817 Jack Kirby’s “Eternals”, 1977 Annual + #13: Fun “Eternals” stories with few Eternals

Eternals Annual

We left the Eternals joined together in the Unimind. The 1977 Annual doesn’t clearly fit into continuity, but features only one Eternal, Thena, together with Deviants Karkas and the Reject against a time-traveling threat! Back in the regular series, issue 13 gives us exactly two Eternals, trying to stop a Deviant attack on the Celestials. In spite of the lack of Eternals, these are two of the most fun issues Tim and Emmet have read yet!

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#815 Jack Kirby’s “Eternals”, #9-12: Judging books by their covers

Eternals 9-12

Eternals are only human, I guess! In Eternals issues 9-12, many of the Eternals exhibit a segregationist attitude toward the Deviants, and just about everybody assumes Karkas is going to kick the Reject‘s butt in a fight based solely on how they look. Meanwhile, are the Celestials kind, or sadistic? Tim and Emmet discuss Jack Kirby‘s statements on prejudice, as well as a shocking turn of events for a group of Soviet generals, pioneering the concept of dozens of superpowered beings in costumes all hanging out together, and… exclamation points!

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#814 Jack Kirby’s “Eternals” 5-8: As wacky as they wanna be

Eternals

Reading the original Jack Kirby iteration of The Eternals shows that the MCU movie based on the title was rather dour, where Kirby’s version veers into wackiness! Sersi shows quite the sense of humor. SHIELD agents appear who just can’t seem to accept that they can’t get the upper hand on giant space gods! People are broken into atoms, and then reconstituted, alive! Tim and Emmet continue their look at Kirby’s 1970s work with Eternals 5-8!

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#812 Jonah Lobe on character anatomy and “Quiet: Level One”

Quiet: Level One

Jonah Lobe, after many years designing characters for video games, has recently turned his attention to comics. He’s the illustrator of Marvel Anatomy: A Scientific Study of the Superhuman, in which we can finally learn just what’s going on inside characters like Wolverine, Venom, and Modok. He’s also on the verge of his first Kickstarter campaign, for Quiet: Level One, about a skeleton named Quiet who’s up against an evil Conan the Barbarian-type called Galahorn. He talks with Tim about his inspiration for Quiet, the difference between making video games and making comics, whether anatomy is important in cartoony drawing styles, and more.

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