Translation is a topic seldom covered on this show (Kumar has talked about it several times, most notably here). This time Emmet talks with French-to-English comics translator Evan McGorray about translating Catherine Castro and Quentin Zuttion’s Call Me Nathan, about a trans teen.
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Colorist Jose Villarrubia had trouble getting work from Marvel because his style was “too artistic” — but then other creators started asking for him, and he’s colored many Marvel titles since then. He’s also done photo art for Alan Moore‘s Voice of the Fire and The Mirror of Love. This August, a new edition of Richard Corben‘s Den, with color corrections by Villarrubia, will be released by Dark Horse. What can Corben fans look forward to in this new edition? And, why do recolored comics sometimes look Gaudy? Villarrubia covers all this in a talk with Kumar.
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Back in 2009, Tim talked with web cartoonist Tracy Butler about her beautiful, sepia-toned 1920s-with-cats strip Lackadaisy, and whether she’d ever quit her day job to focus on the strip. Since then, she has gone full-time on the comic, and recently embraced her first love, animation! The Lackadaisy 27-minute animated “pilot” has attracted a lot of attention the past few weeks, and the quality of the production had Tim thinking, “How was this even possible??” So this week, Tracy returns to the podcast to talk about the pilot, the now-full-color strip, and what the future of the title might be.
Watch a video clip from this interview
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Here’s a video preview of this week’s show!
In the year 2038, invisible drones are sent to the past to pick up any event you want to see, if you have the money to pay for it. One woman using the service discovers a secret that puts her in danger in the present. Our friend Jason McNamara, author of such graphic novels as The Rattler and The Martian Confederacy, is back with the forthcoming Past Tense, his first work from Dark Horse, with art by Alberto Massaggia. Jason joins Tim to talk about the book, and then Kumar and Tim review it.
Kumar also fills us in on how his resignation as translator of Cipher Academy, a nearly untranslatable manga, went viral.
Also, Alex Squiers tells Tim about his audio drama The StarWell Foundation, in which a company which recruits superheroes and other celebrities to meet sick kids and the like, deals with one kid’s unusual request: they want to meet a villain.
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This time Tim finds some intersections of comics and the world of graffiti.
First, Argentine graffiti artist and animator Cof talks about his cartoonish art style, the difference between a graffiti artist and a muralist, graffiti scenes around the world, which country has the best spray paint cans, and more.
2012 interview with Cof (buenosairesstreetart.com)
Graffiti Artists Collaborate (buenosairesstreetart.com)
Then, Thomas John Behe on his series of graphic novels under the title Contraband, exploring one possible future for social media. Behe talks about the upcoming Bad Benny, a work that began as a series of graffiti art panels in different cities, and Christiania, written by his daughter Abi, a book recently discussed on Critiquing Comics!
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John Morrow is co-founder of Two Morrows Publishing, a company that owes its start to John’s interest in Jack Kirby. His Kirby fan newsletter grew into the company that’s now publishing his history of Kirby’s Fourth World, much of it told in Jack’s own words: Old Gods and New. This time, Emmet talks with John about Marvel’s fear that DC would end them after Kirby switched sides, how distribution quirks may have led to the premature end of the Fourth World books, how myth runs through all of Kirby’s work dating back to the ’30s, and more.
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What are the people like on the other side of the mountain? Are there any there? Where does the stuff, the objects, the food we enjoy in our daily lives come from? These questions are central to Shanti Rai‘s first graphic novel, Sennen. In this episode, Tim and Jason review the book, and then Tim talks to Shanti about how her bicultural background helped inspire the book, and the unexpected obstacle that slowed down its creation.
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Marta Chudolinska (who-doh-lean-ska), the child of Polish immigrants to Canada, makes comics and other art in Toronto. Koom talks with her about her ongoing project Babcia, about her grandmother and her family’s history in Poland.
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Suzanne Lenglen was a trendsetting tennis star in the 1920s, among the first to challenge the notion that tennis players had to be amateurs, running themselves into debt to keep competing, in order to participate in tournaments. Tom Humberstone‘s first full-length graphic novel Suzanne: The Jazz Age Goddess of Tennis, soon to be released, is a finely honed work of historical fiction on her life and influence. Tim and Jason review the book in this episode; then, Tim interviews Humberstone about the process of making the book, why he was inspired to focus on Lenglen, and what he hopes to do next.
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