Category: Interview

#598 Dylan Horrocks looks back at “Hicksville”

Hicksville

FLASHBACK! Twenty years after the first collection of Hicksville was released, creator Dylan Horrocks talks to Emmet about how the comic looks to him now. Some of the work’s commentary on the comics industry turned out to presage subsequent developments, and in some cases he ended up not going far enough! Also, his source for a Jack Kirby quote that many experts were unaware of; the public’s misinterpretation of the term “graphic novel”; the explosion of female and minority comics creators, especially outside of the Big Two; and more. (This episode was originally published on July 2, 2018.)

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#812 Jonah Lobe on character anatomy and “Quiet: Level One”

Quiet: Level One

Jonah Lobe, after many years designing characters for video games, has recently turned his attention to comics. He’s the illustrator of Marvel Anatomy: A Scientific Study of the Superhuman, in which we can finally learn just what’s going on inside characters like Wolverine, Venom, and Modok. He’s also on the verge of his first Kickstarter campaign, for Quiet: Level One, about a skeleton named Quiet who’s up against an evil Conan the Barbarian-type called Galahorn. He talks with Tim about his inspiration for Quiet, the difference between making video games and making comics, whether anatomy is important in cartoony drawing styles, and more.

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#809 Pidge interview: “Fiction is a way to tell the truth”

Pidge - Infinite Wheatpaste

Sure, comics are great for fantastical stories, but they can tell intimate, personal stories as well — or sometimes the personal and the fantastical mix well. Artist and writer Pidge is the creator of the series Infinite Wheatpaste, which employs this method. Avery Hill has just published a collection of the series, called Infinite Wheatpaste vol 1: Catalytic Conversions. This week Pidge talks with Emmet about her attraction to the comics medium, but concern that it doesn’t cover all the aspects of life that it could: “Having coffee with your friend is worth putting in a comic.”

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#805 “Feeding Ghosts”: a story of Chinese history and family trauma

Feeding Ghosts

This week, an interview with Tessa Hulls, author of the graphic memoir Feeding Ghosts. It’s about her Chinese grandmother’s persecution by Chairman Mao’s government, the mental illness that resulted, the effect that had on Tessa’s mother and then on Tessa herself. It’s about Chinese history, trauma, psychology, family relationships, and more. Tim interviews Tessa about the book and how she learned to make comics, and then Emmet joins Tim to review the book.

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#796 Stan Mack and “Real Life Funnies”

Stan Mack Real Life Funnies

If you read New York’s Village Voice newspaper between 1974 and 1995, you are probably familiar with Stan Mack‘s Real Life Funnies. If not, hold on to your hat! A forthcoming book from Fantagraphics collects many of the strips, all ripped from real life, and taking full advantage of the Voice‘s lack of content guardrails. In this episode, Tim gets the scoop from Mack about what went into making the strip, and into choosing the strips for the book. But first, friend of the show and New Yorker cartoonist Joe Dator, a native New Yorker who read the strip in the Voice, and experienced first-hand some of the events it covers, sets the context for understanding what the strip is and how it encapsulates a time in the city’s history that’s gone forever.

See the book on Fantagraphics’ site

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#548 Jaime Hernandez interview

Jaime Hernandez

FLASHBACK! Love and Rockets continues to impress, and in this episode Koom asks creator Jaime Hernandez some burning questions. Hernandez talks about writing Maggie and Hopey, the dynamics of working on something with your brother, why he gravitates toward female characters, his influences and art style, and more.

Also, Tim and Mulele discuss the current state of the US comics market and Marvel’s recent problems.

Originally published May 22, 2017.

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#780 Jim Shooter interview

Secret Wars

Jim Shooter was Marvel Editor-in-Chief from 1978 to 1987, the era of Frank Miller’s Daredevil, Chris Claremont’s X-men, Secret Wars (written by Shooter himself), the West Coast Avengers and more. This week he talks with Koom about his take on modern-day Marvel, the early days of Frank Miller and Ann Nocenti’s careers, why “Little Miss Muffet” is a tool to teach good writing, and more.

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#776 Emily Carrington reveals “Our Little Secret”

Our Little SecretOpenly discussing being sexually abused, particularly if it was during childhood, is not easy. Emily Carrington has stepped forward with her memoir of being abused as a teenager, Our Little Secret, in the hope that others in her position will be moved to get help. The book recently won the Lynd Ward Graphic Novel Prize. This week, she talks with Koom about her struggle, making the book and getting it published, and what’s next. (This episode does contain references to childhood trauma and childhood sexual abuse, and may be triggering for some people.)

Emily on TikTok

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#775 Rina Ayuyang draws (on) her Filipino heritage

Rina Ayuyang

Rina Ayuyang has called on her Filipino heritage in her graphic novels Blame This On the Boogie and, just out, The Man in the McIntosh Suit. This time, Adam talks with her about using historical photo reference, doing comics digitally vs paper, Lynda Barry’s influence on her work, and more.

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#772 Evan McGorray and a translation about being trans

Call Me Nathan

Translation is a topic seldom covered on this show (Kumar has talked about it several times, most notably here). This time Emmet talks with French-to-English comics translator Evan McGorray about translating Catherine Castro and Quentin Zuttion’s Call Me Nathan, about a trans teen.

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