#650 Our favorite comics of the 2010s

Our favorite comics

This week, Emmet, Patrick, Tim, and Chuck Coletta talk about their favorite comics of the past decade! If you’re looking for good comics that you might have missed from the 2010s — from superhero to comedy, historical to horror — we’ll give you plenty of titles to look up!

(All titles below are linked to Amazon – to help support the show, pick up any titles you’re interested in through these links!)

EMMET

Finder: Talisman HC by Carla Speed McNeil

Love In Vain: Robert Johnson 1911-1938, The Graphic Novel by Jean-Michel Dupont and Mezzo

I Love This Part: Hardcover Edition by Tillie Walden

My Favorite Thing Is Monsters by Emil Ferris (DCP 613)

Delicious in Dungeon by Ryoko Kui

Gast by Carol Swain

Giant Days and Steeple by John Allison

Providence by Alan Moore & Jacen Burrows

Immortal Hulk by Al Ewing and Joe Bennett

Julio’s Day by Gilbert Hernandez

 

Orc Stain Volume 1 by James Stokoe

Sally Heathcote, Suffragette by Mary M. Talbot, Bryan Talbot, Kate Charlesworth

The Abaddon by Koren Shadmi

The Experts by Sophie Franz

Surface Tension by Jay Gunn

Special Exits by Joyce Farmer

SNARKED: Forks and Hope by Roger Langridge

Peter Cannon: Thunderbolt by Kieron Gillen and Caspar Wijngaard

Henni by Miss Lasko-Gross

 

PATRICK

Batman: The Jiro Kuwata Batmanga by Jiro Kuwata, translated by Sheldon Drzka (To the Batpoles! 64)

Four Color Fear: Forgotten Horror Comics Of The 1950s edited by Greg Sadowski and John Benson

Rover Red Charlie by Garth Ennis and Michael Dipascale

Dungeon Quest: Book One by Joe Daly

The Bulletproof Coffin by David Hyne and Shaky Kane

My Favorite Thing is Monsters by Emil Ferris

Fatale by Ed Brubaker and Sean Phillips

Southern Bastards by Jason Aaron and Jason Latour

Richard Stark’s Parker series by Darwyn Cooke

Hawkeye by Matt Fraction and David Aja

Moon Knight by Warren Ellis and Declan Shalvey

Madman In Your Face 3D Special by Michael Allred & Laura Allred

Hark! A Vagrant by Kate Beaton (DCP 222)

H.P. Lovecraft’s The Hound and Other Stories by Go Tanabe (Tanabe’s take on Lovecraft’s At the Mountains of Madness is discussed in DCP 641)

Providence by Alan Moore & Jacen Burrows

Rachel Rising by Terry Moore

Afterlife with Archie by Roberto Aguirre-Sacasa, Francesco Francavilla, and Jack Morelli

Harrow County by Cullen Bunn and Tyler Crook

Frontier #6 by Emily Carroll

 

TIM AND CHUCK

Gotham Academy by Becky Cloonan and Karl Kerschl

Daredevil by Mark Waid, Paolo Rivera, and Marcos Martin (Brief mention!) (audio version of issue 1 discussed in DCP 313)

Scooby-Doo Team-Up by Sholly Fisch and Dario Brizuela

Saga by Brian K. Vaughan and Fiona Staples (DCP 609)

Life With Archie: The Married Life by Paul Kupperberg, Michael Uslan, Norm Breyfogle, Andrew Pepoy, and Joe Rubenstein (Archie in general is discussed in DCP 338)

Paper Girls by Brian K. Vaughan and Cliff Chiang (DCP 596)

Seconds by Brian Lee O’Malley (DCP 419)

The Superior Spider-Man by Dan Slott and various artists (Dan Slott’s earlier Spider-Man work is discussed in DCP 275)

#646 “New Teen Titans”: a turning point for DC

New Teen Titans

While Marv Wolfman and George Perez’s New Teen Titans (1980-1988) goes over the top with purple-prose narration and unsubtle plot points, it represents a turning point for DC Comics in a number of ways: it introduced many heroes and villains who are still around today; it was set in New York City, rather than some fictional burg; it was a major step toward getting DC to care as much about continuity as Marvel had for nearly 20 years. Patreon supporter Dylan joins Tim to discuss the first two years of this milestone series.

#642 Klaus Janson and “Sacred Creatures”

Klaus Jansen and "Sacred Creatures"

Klaus Janson has a long and storied career, working for both Marvel and DC as a writer, penciller, and inker, including some famous collaborations with Frank Miller and John Romita Jr. His latest series, Sacred Creatures, is a creator-owned collaboration with artist Pablo Raimondi. In this extended-length episode, he tells Koom about the ideas explored in the new series, and shares musings on the artistic process.

#636 Dan Mishkin on “Warren Report,” “Amazon Academy,” and Ernie Colon

Warren Commission Report

In part two of Tim’s interview with longtime comics writer Dan Mishkin, Dan talks about writing Warren Commission Report: A Graphic Investigation into the Kennedy Assassination with artists Ernie Colon and Jerzy Drozd; explores the reasons for Marvel’s breakout success in the 1960s, and compares working for DC vs working for Marvel; explains the concept of his web comic with Jerzy Drozd, Amazon Academy; and remembers working with the late Ernie Colon.

#635 Dan Mishkin talks “Amethyst”

Amethyst, Princess of Gemworld

Dan Mishkin has worked on many different superhero properties, especially for DC — big names such as Batman and Wonder Woman, as well as characters that he helped to create, such as Blue Devil and Amethyst, Princess of Gemworld. Tim has been reading the original 1983 Amethyst series, and in part one of his talk with Dan, we get some of the background on the series: the development of the idea, the intended audience, death in the series, why the second series came to be, Amy Winston’s unpublished Jewish backstory, and, if Dan could do Amethyst again, would he do anything differently?

#630 A Celebration of “SHAZAM!”

Shazam 75 years

Captain Marvel — the one who shouts “Shazam!” to change from little boy to adult super hero — first appeared in Whiz Comics #2, dated February 1940, almost immediately prompting comparisons to Superman and outrage at DC. Yet the “Big Red Cheese” actually outsold Supes in the ’40s. Why has the most popular hero of the World War II era fallen on hard times since then? How has the character changed as DC, now owner of the character, has repeatedly struggled to reboot his world? Tim and Emmet have read the book Shazam! A Celebration of 75 years, and discuss the stories, the character, and the recent film.

CBR on “Captain Thunder” story

#629 Mike Barr: My career with Batman

Mike Barr

Mike Barr is perhaps best known for writing the late-’80s hit comic series Batman and the Outsiders. He also created Camelot 3000 and Katana, and wrote many other books for Marvel, DC, and other publishers.

On April 13, Mike Barr was a keynote speaker at the Bowling Green State University (Ohio) Batman in Popular Culture conference. Tim was there, and recorded the whole thing, including the Q&A session. So enjoy the insightful, sometimes hilarious, presentation in this episode.

Click the image to enlarge

#628 Two viewpoints on “The Killing Joke”

The Killing Joke

Alan Moore and Brian Bolland’s Batman: The Killing Joke is a favorite of many, but also a tough read more many others. And perhaps there’s some overlap.

In this episode we meet two who both spoke on this book at recent Batman in Popular Culture conference in Bowling Green, Ohio:

  • William Weaver on the book’s portrayal of people reacting to trauma, something that Batman and the Joker have in common with virtually every hero and villain; and
  • Tricia Ennis on how a book reviled by many as a prime example of the “women in refrigerators” trope — where a woman is harmed solely to get at a man in her life, not because of who she is — led to the much-loved heroine Oracle. How can something you hate be the cause of something you love?

#617 Swamp Thing meets the monsters

Swamp Thing 40

After, well, a slight delay, Deconstructing Comics continues its look at Alan Moore’s 1980s run on Swamp Thing— a run in which the title character met werewolves and vampires (as Moore and co. found a new way to use these old tropes), as well as new character John Constantine. Moore was aided by artists Stephen Bissette, John Totleben, and Alfredo Acala, among others. Koom and newcomer Darrell Epp discuss.

#608 JH Williams III talks “Promethea”

Promethea

A few months back, Kumar and Emmet discussed Alan Moore and JH WilliamsPromethea on the show, which led to a Twitter contact with Williams. In this episode, Emmet talks with Williams about the process of making Promethea with Moore in the early 2000s and the definition of “the end of the world”, as well as getting Williams’ thoughts on how DC has brought back the Promethea character.