Tim and Mulele discuss Alan Caeser’s Rena Rouge–or at least, the art and coloring. The story, well… We’d critique it if we could.
The two main components of a comic are, of course, story and art. Your comic needs to be on point with both to work. This week’s comic totally brings one, and largely wings the other. We discuss Zombuu by Curtis “Artzuu” Hamilton.
Tim & Brandon discuss “Batman/Tarzan: Claws of the Catwoman” by Ron Marz and Igor Kordey! Also: Brandon talks about an online figure-drawing class he took, and we different philosophies of how to become a versatile artist. Is it better to start with figure-drawing training, or is it better to figure out your style on your own? How important is it to have experience drawing “Bigfoot” funny comics? (originally published November 13, 2006)
Are you in a comics cooperative? Would you like to be? What are the various things a group might offer its members?
This week we take a look at three different groups of comics creators in the US:
- Dale Wilson and Vince Moore talk about The Antidote Trust in Los Angeles
- Natalie Nourigat in Portland, Oregon, describes how Periscope Studio has helped her launch her comics career
- Curt Gettman explains why he chose Pittsburgh to start Unicorn Mountain, a collective with a number of anthology books under its belt. Their latest is The Black Forest.
What are the Fibonacci numbers, and how do they relate to European comic “Blacksad”? Mulele explains it to Tim. Also: the latest on Mulele’s quest to publish a comic in Japan; and what lessons does Tim’s (non-comics) publishing experience have for any creator looking for a publisher?
Phil Hester gives Tim his take on breaking into the Big Two, the future of comics, Robert Kirkman’s manifesto, and more!