Crossover events have become ubiquitous fare from Marvel and DC, with smaller publishers recently jumping on the bandwagon. Lots of us complain about them, and yet, buying ironically is still buying. Tim is joined by John Roberson to discuss why the past year’s main events, Fear Itself and Flashpoint, were particularly unsatisfying, what makes a (relatively) good event series, and why we read these books in spite of “event fatigue”.
John’s Comic Art Commissions page
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FLASHBACK! Chris Bachlo’s art has long had a compelling style to it, and yet it was sometimes very difficult to decipher just what was happening on some of his pages. This was perhaps particularly pronounced in his work on Steam Punk with Joe Kelly, back at the turn of the millennium. But his recent work on such Marvel titles as Amazing Spider-Man and New Avengers has been completely clear and easy to understand. What did he change to clear things up? And, by the way — will Steam Punk ever be completed?! (Originally published October 26, 2009)
This week we tackle a couple of recent mini-comics: Chafed by James Mitchell and Evan Spears, and Kid with a Cape by Dave Castro. We also touch on how to pull off a successful first issue, and one possible future for US mainstream comics.
Dan Kanemitsu talks with Tim about how he and others in the manga industry have responded to the new Tokyo censorship law. The conversation also covers the differences, and interactions, between American and Japanese comics, the creative freedom enjoyed by women in Japanese comics, and much more.
Jeff Parker‘s profile as a writer at Marvel is gradually increasing, due to his work on Agents of Atlas, Hulk, and Thunderbolts. This week we get his take on some of the characters he’s writing and story choices he’s made, as well as his approach to writer’s block, mistakes new writers make, and more. Why do his stories tend to move so quickly? How does a mainstream writer deal with “events” like Fear Itself derailing his story plans? Find out in this episode!
This week we veer off into the superhero lane, as longtime webhead Tim compares notes on recent issues of The Amazing Spider-Man with Kumar, who hadn’t read ASM in years & wondered what all the fuss was about over Dan Slott’s ongoing run. Slott does his best to stick to the axiom that “every issue is someone’s first”, so you have to make the bones thrown to fanboys understandable to newbies; how did Kumar fare? Also discussed are the wisdom (or lack thereof) of trying to explain the unexplainable, e.g. “spider sense”, and other things that did or didn’t work for us in ASM 654-657.
You’ve probably seen any number of how-to books about writing comics, coloring, etc. Comics industry veteran 
Armed with an awesome press pass, Tim walks the floor of Seattle’s 
FIVE YEARS of “Deconstructing Comics”! We celebrate with a retro lineup (Tim, Mulele, and Brandon, plus Kumar) discussing the topic that we always used to accidentally end up talking about anyway: Star Wars! Specifically, Dark Horse’s