#837 Jack Kirby’s Captain America 206-208: The Tiger, the Swine…and the Fish

The Tiger and the Swine

When Steve and Sam foil an attempt by police from south of the border to arrest their friendly waiter, the cops decide to arrest Steve instead! Hey, beats heading home empty handed! What looks like it’s going to be a story about Cap (and maybe Falcon?) locked up in a Central American prison takes several odd turns: Cap is never locked up, Sam never even arrives there, and then a fish monster shows up! These three issues conclude with the coming of a then-new Cap villain who we all know and loathe. Tim and Emmet try to avoid saying “Ay caramba!”

Brought to you by:

 

#834 Jack Kirby’s “Cap and Falcon” vs a bodybuilding corpse

Cap 204-205

What’s that Kirby Crackle octopus chasing Cap and Falcon? And didn’t it used to be an oddly muscular, bald (naturally) corpse? It’s Agron, who gives our heroes some headaches in Captain America and the Falcon issues 204 and 205. Not the best Jack Kirby Cap adventure ever, but it produces at least one wildly T-shirt-worthy panel! Tim and Emmet discuss.

Brought to you by:

#829 Jack Kirby’s “Captain America’s Bicentennial Battles”

Bicentennial Battles Captain America was the obvious choice of a character to help Marvel celebrate the USA’s bicentennial in 1976. The job of doing that went to Jack Kirby, co-creator of the character. Naturally, that meant a story full of hard-hitting moments, and one that gets a bit treacly at the end, but also doesn’t back away from difficult moments in US history. This week, Tim and Emmet discuss the treasury-size special Captain America’s Bicentennial Battles.

Brought to you by:

#795 Jack Kirby’s “Capt. America and the Falcon” #198-200: Bicentennial Madness

Capt America and the Falcon 199Cap and the Falcon have found the underground bunker of the aristocratic forces hoping to take over America on the Bicentennial, but the location of their secret weapon, the Mad Bomb, is still a mystery. What next? How about a love story? But wait a minute – this love story between Cap and a sick young woman seems to be here for symbolism. Tim and Emmet follow our heroes to the explosive conclusion of the Mad Bomb storyline in Captain America and the Falcon 198-200!

Take our listener survey!

Brought to you by:

#792 Jack Kirby’s “Capt. America and the Falcon” #195-197: “Kill-Derby”

Cap and Falcon 196

Cap and Falcon are trapped in an underground bunker where elites plot to destroy the Bicentennial celebrations and take away Americans’ freedoms. In Captain America and the Falcon 195-197, they participate in the “Kill-Derby” to retrieve Cap’s stolen shield break up the bad guys’ underground civilization. Tim and Emmet continue their look at Jack Kirby‘s 1970s work at Marvel!

Brought to you by:

#789 Jack Kirby’s “Capt. America and the Falcon” #193-194: “Madbomb”

Captain America and the Falcon

When Jack Kirby returned to Marvel in 1975, the first series he worked on starred the character that was one of Kirby’s earliest claims to fame: Captain America, created in 1940 by Kirby and writer Joe Simon. Before Kirby returned, Cap’s book became Captain America and the Falcon. As Kirby begins his run, he deftly uses the African-American Falcon to show that Cap’s optimistic view of America (“This country’s grown up!”) isn’t always accurate (“Jive! It’s still trying, friend!”). This time, Tim and Emmet discuss Captain America and the Falcon #193-194.

Waxing and Waning: Essays on Moon Knight, containing an essay by Emmet

Brought to you by:

#661 Hydra Cap (pt 2)

Hydra Iron Cap

As leader of S.H.I.E.L.D., Captain America has been put in charge of the U.S. military and law enforcement (and, seemingly, become president of the U.S.) following an alien invasion. But he then reveals that he’s also the leader of Hydra, and the evil organization quickly takes over the country. In this episode, Tim and guests Joe and Kendall (from the Wayne Manor Memoirs podcast) complete last week’s discussion with a walk through the Nick Spencer-penned Marvel crossover event Secret Empire!

Vulture.com on the Hydra Cap controversy

Polygon.com: Was Secret Empire worth it?

CBR: Why Kobik didn’t undo the casualties

CBR: Yes, Secret Empire was worth it

CBR: No, it wasn’t

ScreenRant.com: Did fan reaction affect the ending?

ScreenRant.com: How Secret Empire should have ended

#660 Hydra Cap (pt 1)

Hail HydraThe last two words that anyone expected to see in Captain America’s word balloon were “Hail Hydra,” but sure enough, that’s what happened in Captain America: Steve Rogers #1 in 2016. The outcry Marvel heard back for this move was even bigger than they had anticipated.

Of course, it wasn’t a permanent change, but it wasn’t undone in the way we might have expected, either. How does it read a few years later, and what are the good and bad points of the event it led to, Secret Empire? Joe and Kendall from the Wayne Manor Memoirs podcast join Tim for the first of two episodes taking apart the controversy and a massive Marvel event.

IGN interview with Nick Spencer as Secret Empire began

Screen Rant’s take

CBR Nick Spencer video interview

Radd Titan Nick Spencer video interview

#533 Captain America: Evolving with the nation’s mood

Kirby-Captain-America

Over the decades, Captain America has changed his name, changed his costume, changed his mission, and been temporarily replaced by others. These changes, and other story developments, have often reflected changes in the national mood, such as post-Watergate malaise or the struggle to understand why 9/11 happened and how the U.S. should respond to it.

In this episode, Emmet O’Cuana talks with Neal Curtis, of the University of Auckland in New Zealand. Neal recently presented the paper “Captain America: Patriotism, Nationalism, Fascism” and is the author of the book “Sovereignty and Superheroes“. He talks here about how Cap has reflected changes in America, from World War II to the age of Trump.

#306 Fear Itself and other events that… happened

Fear ItselfCrossover events have become ubiquitous fare from Marvel and DC, with smaller publishers recently jumping on the bandwagon. Lots of us complain about them, and yet, buying ironically is still buying. Tim is joined by John Roberson to discuss why the past year’s main events, Fear Itself and Flashpoint, were particularly unsatisfying, what makes a (relatively) good event series, and why we read these books in spite of “event fatigue”.

John’s Comic Art Commissions page