
Tim gets ever closer to catching up with the MCU! Tim and Mulele discuss Avengers: Endgame‘s time-travel explanation (and problems), Captain Marvel’s relative irrelevance to the film, how this movie set the stage for the upcoming TV shows, and much more. (Originally published on Patreon March 14, 2020)
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FIVE YEARS of “Deconstructing Comics”! We celebrate with a retro lineup (Tim, Mulele, and Brandon, plus Kumar) discussing the topic that we always used to accidentally end up talking about anyway: Star Wars! Specifically, Dark Horse’s
Brian Michael Bendis has been the dominant writer at Marvel for a number of years now. While his books — including Ultimate Spider-man, New Avengers, Avengers, and event books like Seige — sell well, they have also generated a fair amount of controversy and just plain complaints. Some people like his work, others don’t. For Tim, there have been high points, but much of it is just kind of there. Is it just me, he wonders? Is Bendis actually a good writer and just doesn’t always appeal to me? Or are there identifiable inadequacies in his work? Tim calls on a Bendis fan — Savannah College of Art & Design student and
The 1994 release of Marvels took comics by storm. The four-issue miniseries established the places of both hyperrealistic painter Alex Ross and continuity maven Kurt Busiek in the industry. There’s still plenty here to make it a standout story 16 years later, but has some of the shine come off? And, is making a logical narrative out of a mainstream comic companies’ disparate series really doable? Tim and Kumar discuss.