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A creepy, rainy night. Mysterious red scars appearing on animals and people. Vicious wild pigs roam the streets. Justin Randall’s “Changing Ways” Book 1, published by Gestalt, reviewed by Tim and Brandon. |
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Heroic: A Womanthology, an anthology of comics created by women (some famous, others not yet) is currently in development and expected later this year from IDW. Tim talks to Athens-based participant Eugenia Koumaki, and IDW editor Mariah Huehner, about the background of and expectations for this project. |
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Perhaps the most famous comic to come out of Europe is The Adventures of Tintin, by the Belgian known as Hergé. It’s known the world over and has appeared in more than 80 languages. Tim and Kumar discuss the comic’s appeal, Hergé’s expert cartooning, and some of the controversies that have swirled around the strip and its creator. Also, Kumar has some observations about the trailer for the upcoming Tintin movie.
While comics continue to register in the American consciousness as being inherently “for kids”, conversely, the “Wednesday stack” crowd wring their collective hands about an apparent lack of comics readers under the voting age. There are comics out there for kids, but where can you find them? And, is anyone reading them?
A double-header episode this week!
Not wanting to leave Emerald City Comicon behind without giving a closer look to at least a few of the creators he met there, Tim chooses Web comics by two of those creators to critique with Mulele: 
This week we veer off into the superhero lane, as longtime webhead Tim compares notes on recent issues of The Amazing Spider-Man with Kumar, who hadn’t read ASM in years & wondered what all the fuss was about over Dan Slott’s ongoing run. Slott does his best to stick to the axiom that “every issue is someone’s first”, so you have to make the bones thrown to fanboys understandable to newbies; how did Kumar fare? Also discussed are the wisdom (or lack thereof) of trying to explain the unexplainable, e.g. “spider sense”, and other things that did or didn’t work for us in ASM 654-657.
How do theatre and comics overlap? How have they influenced each other? How is an actor’s life similar to that of a comic creator? Tim covered some of this ground with 
More critiques of self-published comics! Tim and Mulele discuss getting the reader involved in your story, and your characters, from the get-go. If the first issue reads like a cliche, don’t expect the reader to come back for issue two.
How often do you hear of two creators at the top of their medium, who set out to create their “magnum opus” and never complete it? Big Numbers is a famously unfinished comics project by Alan Moore and Bill Sienkiewicz from 1990. The theme of the project seemed to be chaos theory, symbolized by the fractal Mandebrot set (shown at right).