#396 Dan Jurgens: Superman, Thor, and 30 years of change

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Tim Across America, part six! Having worked in mainstream American comics for three decades now, Dan Jurgens has seen a lot of change. The number of publishers, the type and amount of fan interaction (thanks to the Internet), the method of comics distribution, and the way the Big Two search for new talent have all changed greatly in that time. And, the Big Two now actually discourage the creation of new characters. Why? This week, Jurgens reflects on those changes — some good, some bad — in a talk with Tim.

He also discusses his work on Superman and Thor, how technology has helped film steal some of comics’ storytelling edge, and more.

Also, in the Minneapolis edition of Ask a Retailer, Tim talks to Paul Miller at Comic Book College!

AND, our new feature DCP In Touch, and a talk with Kumar and Mulele about their successful Kickstarter project!

#392 Writing the Book on Miller’s “Daredevil”

daredevil2Tim Across America pt 2! In Nashville, Tim visits with his brother Paul about his progress on his book about Frank Miller’s Daredevil run. What was Daredevil like before Miller got ahold of the book? What was Miller’s inspiration for making it more of a gritty crime book? How did he end up contradicting his own original take on the character?

Also, a visit with The Great Escape in Madison, TN!

#380 A Severe Case of Punisher-itis

punisherIn one of our longest episodes ever, Kumar discusses at length Garth Ennis’s epic run on The Punisher, the greatest comic book series of the 2000s. Dana listens and nods politely.

How did Ennis define the character like no other writer? Is Punisher crazy? Should comics cover topics like human trafficking? All this and more.

#351 Two Wolverine Milestones

WolverineYet again, Kumar and Dana go all nationalistic to discuss another Canadian icon: the best there is at what he does, th’ ol’ Canucklehead, Wolverine, bub. First on the chopping block is Wolverine (1982) by Chris Claremont and Frank Miller, a comic which tries to not be paint-by-numbers, but ends up being little else. And, Barry Windsor-Smith’s Weapon X, which was apparently spawned from a universe in which neither paint nor numbers exist.

#349 Expanding comics’ audience, pt 1

Recently asked on our Facebook group: What would you do if you controlled Marvel and/or DC? This led to another question: How can comics, particularly in the US, gain a larger audience?

No one’s really sure of the answer to the second question, but its a good springboard for podcast discussion of comics evangelism and the state of the industry in general. What role will digital comics play? In the first installment of an occasional series, Tim bounces these questions off our friend Tom Spurgeon.

#323 Frank Miller’s “Daredevil”: A Scholarly Analysis Begins

DaredevilMore than 30 years ago, Frank Miller set the comics world on fire by turning Marvel’s swashbuckling Daredevil title into a noir series with ninjas. More importantly, he took a serious look at some issues of crime and punishment, and his conclusions tended to veer left politically. Fast forward to his later career, and the views he expresses would be right at home on Fox News. What happened?

Tim’s brother Paul isn’t sure he can answer that question, but he finds that early Daredevil run to still be very worthy of notice today, so much so that he’s writing a book, for an academic publisher, about it. He fills Tim and Mulele in on his thoughts as he prepares to write…

#318 “Sky Doll”: Sex and Religion Mix!

Sky DollImagine a Disney movie with tons of cheesecake and commentary on how religion can be used to control a society. It would look an awful lot like Sky Doll, by Alessandro Barbucci and Barbara Canepa. Originally published by Soleil in France starting in 2000, it came out in English from Marvel in 2008. While there has been an anthology book and a sketchbook, the main series has apparently never been completed, but don’t let that dissuade you from reading this very compelling (not to mention gorgeously drawn) volume. Tim and Rashad explore.

Another take from Charley Parker

#313 Audio comics

DaredevilOver the years we’ve repeatedly looked at how other media adapt to comics, and vice-versa. This time around, Tim and Kevin look at the challenges of converting comics to audio, including Black & White Nexus #3 (1982) and Daredevil #1 (2011), plus some unofficial takes (including our own!) on Watchmen.

#311 Hold your comic for ransom! Will readers pay?

Evil DivaIn the course of doing this podcast, we often find comics that we’d like to read more of, but seldom can because we have to move on to the next podcast topic, and there are only so many hours in a day. This week, Mulele & Tim thought they would revisit some previously reviewed Web comics and see how their creators had progressed. But, wait, hold the phone — what’s going on with Evil Diva? (original 2009 critique was rerun November 5, 2011) The work-for-hire Web comic abruptly changed its business model last summer. Are the site’s handlers killing the comic while trying to save it?

Also, Mulele revisits Dustin Harbin‘s site, with asides about Matthew Forsythe and boycotts of Marvel & DC.

REVIEW: Howard the Duck MAX Series

Howard the Duck MAX tpb

Writer: Steve Gerber, Art: Phil Winslade, Glenn Fabry.

Marvel, 2001.

This six issue miniseries (collected into a single trade in 2002) was one of the first things to be published under the Marvel MAX imprint, which seems tailored both to writers like Steve Gerber and characters like Howard the Duck. The loosened restraints that come with being a MAX book allowed Gerber to expand beyond the already surreal concepts and plots that he developed in his “normal” Marvel work. It also gave him an opportunity to mix a little venom in his social criticism by allowing an embrace of adult themes, mainly nudity and profanity, since we seem to think graphic violence can deserve a pass these days, because we see it as far less dangerous to show an exploding head then a female’s nipple.

But I digress…

The series begins with Howard and Beverly living in a junkyard shack. Beverly lands a job at a marketing firm that is testing boy bands for their “arousal” factor on a group of gay men. It seems that the boy bands are not just being tested, but grown in cloning vats. When the firm is revealed to be run by Dr. Bong, who hired Beverly because he is still carrying a torch for her, conflict ensues and Howard is knocked into a vat of recombinant DNA protein when he comes to save Beverly.

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