Critiquing Comics 014: Cross Hare

Cross HareCross Hare is a rabbit who’s a detective and a handyman, not necessarily in that order. How could it be improved? Tim and Mulele look for clues…

#303 So you want to go into the comics business…

Tom Rasch is working on a comic, animated cartoon, and toy line for his property Black Alpha.

Billy Hogan, a fellow comics podcaster, is drawing a comic called Slipstream for the new site Clockwork Comics.

Jeffrey Taylor is writing Slipstream, plus podcasting at supermanhomepage.com, and he’s got an actual paying gig writing about Superman!

Tim interviews all three.

Critiquing Comics 010: “Periphery”

PeripheryPeriphery is an anthology comic published by Omaha Perez Press, the first issue of which came out in 2004. Which doesn’t stop Tim & Mulele from digging it up and critiquing all the stories in it!

Periphery at San Diego Comicon 2004

MAKING COMICS: TOOLS (PART I)

Welcome back! Did you all do your homework? Did you check out Scott McCloud’s book, Making Comics? Hmm? I’m going to have to call your mothers and check in on you—make sure you’re consuming a healthy comics diet. We’ll get to that in a minute.

NEWS

It’s been a long week, and there continue to be exciting things happening in the comic world, including the passing of Steve Jobs—a visionary who has made sharing comics on our digital devices possible. Little Island Comics (the first kids’ comic book store in North America) is now officially open, and getting great reviews. The second installment of Emily Carroll’s 5-part mini comic Margot’s Room is live on her blog, and will continue until the last week of October. Craig Thompson’s Habibi has spread like wildfire, igniting reviews, conversations, and presentations at APE, the Cartoon Art Museum, and bookstores across the U.S. DC’s reboot has caused quite a stir, losing some faithful readers and gaining some new ones. Comic anthologies such as Aftershock: Artists Respond to Disaster in Japan, and Cartoonists Against Bullying (still looking for more comics submissions, btw), are providing aid to victims of disasters and bullying. It’s an exciting time for comics—both for reading and making them.

Continue reading MAKING COMICS: TOOLS (PART I)

#298 What makes a good villain?

VillainsVillains we love to hate! Villains who could have been good guys but made bad choices! What makes the more interesting villain? Are the two types mutually exclusive? Why are some villains really compelling, while others become the butt of jokes? What makes a villain menacing? How is it different in comics compared to movies or TV? Tim and newcomer Kevin Horton discuss.

Other discussions of this question:

Critiquing Comics 009: “Chafed” and “Kid with a Cape”

Kid with a CapeThis week we tackle a couple of recent mini-comics: Chafed by James Mitchell and Evan Spears, and Kid with a Cape by Dave Castro. We also touch on how to pull off a successful first issue, and one possible future for US mainstream comics.

“Chafed” on Deviant Art (registration required to bypass adults-only filter)

“Kid with a Cape” (info on issue 2)

So, you want to make comics?

Creating ComicsHave you ever read a comic and pored over the beautiful drawings, or wondered why those colored dots disappeared, or how many people it took to write, draw, print, publish and send out the comic? Have you ever thought of making your own comic?


Continue reading So, you want to make comics?

#120 “Pyongyang”, “New Frontier”, and more

New FrontierTim and Brandon give their thoughts on Guy Delisle’s Pyongyang, DVD movie Justice League: The New Frontier, Spider-Man One More Day, and Writing for Comics with Peter David!

#117 Will readers pay for comics they can get for free?

Perry Bible FellowshipNicholas Gurewitch’s Perry Bible Fellowship is one of a number of comics originally available for free on line that people are now paying to read on paper. Does this put the lie to all the hand-wringing about online availability killing music and movies?