Tim talks with the members of Studio Revolver in Atlanta, some of whom are have done work for Cartoon Network and storyboarded TV commercials. Not beginners, these are folks who are accomplished and in demand.
So why’d they decide to make their own Web comics? Isn’t that how artists try to make names for themselves? Time times are a-changin’…
Irene Strychalski’s “Shaman Child”
Stephanie Gladden’s “Girls of Monster Paradise”
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It’s been a while since we caught up with
Michael Balestreri & Alex Siquig have several comics at
Michael Liggett’s “
Brian Michael Bendis has been the dominant writer at Marvel for a number of years now. While his books — including Ultimate Spider-man, New Avengers, Avengers, and event books like Seige — sell well, they have also generated a fair amount of controversy and just plain complaints. Some people like his work, others don’t. For Tim, there have been high points, but much of it is just kind of there. Is it just me, he wonders? Is Bendis actually a good writer and just doesn’t always appeal to me? Or are there identifiable inadequacies in his work? Tim calls on a Bendis fan — Savannah College of Art & Design student and
L. Frank Baum’s classic children’s story The Wonderful Wizard of Oz was published 109 years ago and still inspires attempts to adapt it to other media. While the 1939 MGM movie tends to define the story in the minds of many, subsequent adaptations do stick closer to the original book than to the movie, including the two we discuss this week: a French version adapted by David Chauvel and Enrique Fernandez (published in English by Image), and Marvel’s recent version, adapted by Eric Shanower and Skottie Young.
Our friend Jarrett Williams returns to talk about his experiences at the
So many comics on the Web. What’s worth reading and what isn’t? Tim and Mulele critique four Web comics, pointing out what’s good and bad about each — from a reader’s perspective, as well as a creator’s.
Reading Comics is a book by Douglas Wolk, aimed at a somewhat academic audience who isn’t familiar with comics and is wondering, “So do I have to pretend to like graphic novels now, too?” Tim and special guest reviewer Chris Schweizer from the Savannah College of Art and Design talk about what they liked (and only pretended to like) about the book.