MoCCA Festival, presented by the Society of Illustrators and the Museum of Comic and Cartoon Art, was held at Metropolitan West in New York City on April 2 and 3. Tim was there, and talked with a lot of folks who were tabling about their work. Follow along with the photos below as you listen, and click the links to check out their work!
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This week Tim, joined by brother Paul, visits the Center for Cartoon Studies in White River Junction, VT, to talk with some students and faculty! What’s it like studying comics in a small New England railroad town?
This week we present an hour of discussion on the podcast, and more audio and photos for patrons pledging at least $3.00 a month on Patreon!
Continue reading #490 The Center for Cartoon Studies
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Tapastic is one of the many places online that you could put your comic. Why put it there? This week, Tapastic Editor-in-chief Michael Son joins Tim to explain the advantages of the site, issues they’re working to solve, what kind of audience is reading the site (and how reader demands have changed), and what new features are in the pipeline.
Jason McNamara is back with us after two years, and now his book with Greg Hinkle, The Rattler, has just been published by Image! He joins us to talk about the disturbing inspiration for the book, how the 2014 Kickstarter project for the book helped it get published, and more.
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Maya Kern‘s “Monster Pop!” features monsters and humans living together at a university. In Kern’s mind, it’s like, and also not like, shojo manga. How so?
This week, Tim talks with Maya about the increased acceptance of gay characters in comics; the problems with blogging from a character’s point of view (and of making your character a musician); why comics conventions are good for connections, but anime conventions are good for making money; repetitive strain injury, online comics promotion (Tapastic, Patreon), and more.
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Helen Maier and Fil Barlow are longtime partners and collaborators who have turned out a number of comics, available mainly in their native Australia, and worked on animation and character design on a number of cartoons that millennials watched as kids, such as Extreme Ghostbusters and Tutenstein.
Since returning to Australia in 2010, they’ve gone all in on comics, and the first two chapters of their story “Yorris” appeared in issues 4 and 5 of Image’s rather mysterious 8House anthology series.
This week, a talk with Helen about Czech comics and the view from the animation trenches becomes a talk with both Helen and Fil about the meaning of (and Easter eggs in) “Yorris”, their attempts to turn some conventions of comics storytelling on their heads, and the pluses and minuses of the crowdfunding model.
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Two interviews this week:
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First, Luke Lancaster and Orlando Caicedo on their comic “The Badguys.” How did they got together (without actually getting together) and get their comic into Webtoons? And, are Webtoons actually comics? |
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Then, UK-based artist and writer Sally Jane Thompson, author of the graphic novel “Atomic Sheep”, explains why a creator with South African and Canadian roots sees the UK as a better place to be, how comics can be used in conjunction with an art exhibit, and more. |
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If you’re listening to this podcast, you’ve probably at some point encountered (if not read) a history of DC or Marvel. But how about Harvey Comics? or Cracked Magazine? And if you’re into animation, perhaps you’d like a history of DePatie-Freling or Total Television Productions?
Comics and animation historian Mark Arnold has been compiling info on these companies and more. He also discusses Joe Edwards’ Li’l Jinx strip, that time when Blondie had a comic book, why Wonderful World of Disney seldom showed cartoons, and the storage challenges inherent in his chosen profession!
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The digital comics universe continues to expand. This week, Tim looks at two different platforms.
If you’re into American comics at all, you no doubt know of Comixology. Since we last talked to company co-founder John Roberts, Comixology has joined the Amazon family, and their integration is starting to become visible on both companies’ sites. John talks about this, the penetration of digital in the market, how to get your comics into Comixology, and more.
South Korean Web giant Naver started Webtoon in that country back in 2004, and since then its reach has grown in Asia and around the world — the English version is called Line Webtoon. We meet Webtoon content manager David Lee and New Mexico-based creator Stephen McCranie (whose Space Boy is available through Webtoon) to discuss the site’s reach and business model, the differences between making a comic for print and making one that the reader scrolls through, and how to get your comics into Webtoon.
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Inspired by the ’60s and a variety of British TV shows of a geeky variety (including The Prisoner), Japanese artist Question No. 6 is turning heads with her Dr. Who variant covers, and her drawings and articles on UK shows for Japan’s AXN cable network. This week Tim catches up with her to discuss her comic Cupcake and Astronaut, the reasons many Japanese creators use pen names, her plans for exhibiting and drawing in 2016, and more.
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If you read Craig Thompson‘s Blankets and Habibi, you probably weren’t expecting his next book to be an all-ages space comedy with poop jokes — but that’s what Space Dumplins is — along with a message on the environment and class, and a good helping of inside jokes! This week Craig is here to tell us how this work came about, as well as his approach to writing for kids, working with colorist Dave Stewart, what bums him out about the Muppets, and the changing definition of “mainstream comics.”
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