FLASHBACK! A then-recent R. Crumb compilation is reviewed by a Crumb connoisseur (Kumar) and a Crumb newbie (Tim). The book features Crumb at his sweetest and his most shocking. But can this (or any book) claim to be the perfect Crumb compilation? (Originally published June 30, 2008.)
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Peter Kuper has been pushing the boundaries of comics for over two decades, using media like linoleum prints, scratchboard, and stencils & spray paint (including in The System) to make a wide variety of comics, from those with political or environmental messages to autobiography, adaptations of Franz Kafka’s writings, and (since 1997) Spy vs. Spy.
In this episode, Peter talks with Tim about the varied media; his youthful encounters with Harvey Pekar, R. Crumb, and Howard Chaykin; his ambitious graphic novel Ruins; the importance of getting out of your comfort zone; and much more.
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Tim and Kumar meet in person for the first time! This calls for a podcast, but… what to review? We discuss the movie Crumb, which features not only the expected discussion of R. Crumb’s work (including an objective look at the question of whether some of the … discomfiting subjects of his work should really have been published as “art”), but also a fascinating portrait of the dysfunctional family he grew up in.
Then, Tim and Brandon clash over Sean Murphy’s Punk Rock Jesus, in which a former Irish Republican Army member acts as a bodyguard in a reality show claiming to be creating the clone of Jesus Christ. Is it objective and well-written, or a promo brochure for atheism?
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Perhaps one of the most puzzling comics releases in years was The Book of Genesis, Illustrated by R. Crumb. While it’s a virtuoso art performance, the exact purpose of the book was puzzling to Crumb fans (“It’s not a parody?!”) and religious readers (“This comic is not for kids?!”) alike. Both groups have been taken aback by how straight Crumb plays it — neither parodying nor bowdlerizing the work. That’s not to say that nothing in it is Crumb’s own interpretation. Tim and John discuss the issues raised — both by Crumb and by his audience.
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Tim Across America, part 7! Gordon McAlpin has put in more than a decade on the popular Web comic Multiplex, about kids who work at a movie theater — a concept he had originally thought was stupid! What changed his mind? How has he successfully funded two Kickstarter projects to print books of his comic? He talks with Tim about this in a Minneapolis restaurant, as well as using Patreon for funding, his tools for making the strip, and the good and bad points of letting your characters age.
Plus, a clip from Tim’s appearance on the KFAI Minneapolis radio program True Brit!
DCP In Touch: Read Ian’s full comments about R. Crumb
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Weirdo was a magazine started by R. Crumb, which featured Crumb’s work alongside that of a number of other underground-type comics creators. Crumb’s work from Weirdo’s 28 issues has just been collected as R. Crumb: The Weirdo Years, 1981-’93, released in the U.S. by Last Gasp. It features an astonishing variety of comics work, from Crumb rants and confessionals to a 1906 psychiatric report on sexual deviancy, fumetti, parodies, and more. This is a book that Deconstructing Comics can’t help but review, so this week Kumar and Tim do their podcasting duty!
R. Crumb’s Snapshots: Source Material of the Legendary Comic Artist (TIME.com)
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The recent Sydney Graphic Festival, held August 20 & 21, featured a variety of artists from comics and other media in panels and the like. Kumar attended, and discusses what he saw there (and the one huge, disappointing cancellation) before we get to the main event: his interview with creator Jim Woodring. Woodring is best known for the Frank series of dialog-free, surrealistic comics. Kumar investigates what’s inspired Woodring’s work.
Sydney Morning Herald photos of the festival
Comics Journal interview with Woodring
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by Aline Kominsky Crumb
M Q Publications, 2007.
I was trying to think of a way to describe Aline Kominsky Crumb’s art, and then she went and described it perfectly herself:
I […] draw, erase, and scratch out some tortured looking image that clearly shows how much I am struggling with the medium. I honestly don’t think this makes my work less interesting, just very expressionistic and often very ugly.
In fact Crumb is so aware of her own work as an artist that I could skip reviewing the book and just pull quotes out of it to do the same job.
A 34-minute video conversation with R. Crumb from FORA.tv…
6/30/08 “The R. Crumb Handbook”
A recent R. Crumb compilation is reviewed by a Crumb connoisseur (Kumar) and a Crumb newbie (Tim). The book features Crumb at his sweetest and his most shocking. But can this (or any book) claim to be the perfect Crumb compilation?
Podcast: Play in new window | Download
