In our December 25 episode, we reviewed two more comics from David Dye. While we’ve generally been very positive about his work, there was one bit that Mulele called “Racist AF” and Tim was also uncomfortable with (see below). David’s email in response to the episode made clear to us that the intent wasn’t racist… but then, what was it?
To find out, we invited David on our show, and he joins us from his home in Australia to discuss where his portrayal of space-terrorists went sideways, and to talk about his comics career so far.
David Dye’s first issue of Amazing Tales caught our eyes a couple of months ago, so David sent along the next two issues. While they’re artistically good, an aspect of one story made us very uncomfortable…
Also, Tim has a question about the course of Mulele’s comics career, and Mulele has some thoughts about the Watchmen TV show.
Critiquing Comics returns to discuss the following comics:
- Gabriel Dunston’s Purgatory Pub presents an angel and a devil having a philosophical discussion. Tim and Mulele have very different levels of tolerance for that concept, and yet come to the same conclusion about this story.
- David Dye’s Amazing Tales gives us “stories of an Australian nature,” as the cover warns (his word, not ours!). While we might not understand every word of this, we’d sure like to see more of the art.
Masashi Kishimoto’s Naruto, about a school for ninja, ran from 1999 to 2014. What’s appealing about this series to kids? In this episode, Kumar asks a kid — his own 10-year-old son, Ashwin! Kumar’s been reading it himself, so father and son exchange takes on the comic, including what it was about the anime version that didn’t measure up to the manga, and Ashwin’s favorite Naruto character.
Invasion from Planet Wrestletopia #1 presents a washed-up wrestler who, though he doesn’t know it yet, is about to have to defend his 15-year-old claim to being “the champion of the universe”! Is this comic by Ed Kuehnel, Matt Entin, and Dan Schkade also a champion, or another also-ran?
Irrational Comics is again presenting its annual PITCH page, in which five writers submit eight-page scripts, drawn by the publishers artists, and then users vote for their favorite. In this episode, Tim and Mulele discuss the first of the five, Shaun Kang’s Dreamtime, in which a man uses the Aussie Aboriginal “dreamtime” state to solve murders.
Attend the upcoming CANVAS Sequential Art Meetup on Comics & Visual Storytelling in Tokyo on February 15 at 7 pm, featuring Raul Trevino, and this podcast’s own Mulele Jarvis and Tim Young!
For the past several decades there have been a lot of comics, movies, and other fiction involving “bad futures”, with lots of poverty, violence, environmental destruction, and the like. Why has this genre been so appealing to so many?
In this episode, Emmet O’Cuana talks with Mark Hobby about why this genre endures and how Mark has approached it in his own comic, Job Dun: Fat Assassin. They also discuss why British writers have led the pack on bad future stories, how Watchmen and the X-Men fit into the discussion, why sex in media seems to upset some people more than violence, and more.
If you like your comedy sexy (or your porn funny), you’re probably a fan of Oglaf, Doug Bayne and Trudy Cooper‘s long-running Web comic. This week, Tim calls up Doug and Trudy in Sydney to talk about the fantasy-parody elements of the strip, the missing main character Ivan, the diversity of sexual orientations in the strip, why they rarely table at conventions, and more.
Helen Maier and Fil Barlow are longtime partners and collaborators who have turned out a number of comics, available mainly in their native Australia, and worked on animation and character design on a number of cartoons that millennials watched as kids, such as Extreme Ghostbusters and Tutenstein.
Since returning to Australia in 2010, they’ve gone all in on comics, and the first two chapters of their story “Yorris” appeared in issues 4 and 5 of Image’s rather mysterious 8House anthology series.
This week, a talk with Helen about Czech comics and the view from the animation trenches becomes a talk with both Helen and Fil about the meaning of (and Easter eggs in) “Yorris”, their attempts to turn some conventions of comics storytelling on their heads, and the pluses and minuses of the crowdfunding model.
This time we examine issues 2 and 3 of the Aussie anthology magazine Aussie Aussie Aussie Oi Oi Oi!