#589 Dorman, Mackie, and McCrea at Toronto Comicon

This week, three interviews that Koom got at Toronto Comicon, in a special two-hour episode!

Dave Dorman is best known for his Star Wars art, as well as other fantasy work, and even some Batman. Here he talks about being one of the first students at the Kubert School, and the lasting friendships he made there with other now-famous names, and about his approach to painting, including doing likenesses.

Howard Mackie entered Marvel in 1984 as an editor, and eventually became the writer on such characters as Ghost Rider, Iron Man, and Spider-Man. He talks about that transition, working with the guys who would later form Image Comics, and what he’s done since leaving Marvel.

John McCrea is best known for his work with Garth Ennis on such works as Troubled Souls, Hitman, and Section 8. What’s it like working with Garth? Why should you avoid doing work that goes against your publisher’s expectations? Why did he set out to do a different kind of comics than the type he’s seemingly best suited for?

#549 Kind of Epic Episode

Vision

This week, Gabrial and David from the Kind of Epic Show podcast join Tim to talk about their show, and various Marvel Comics highlights (and lowlights) from the past 30 years — and in particular, Tom King and Gabriel Hernandez Walta’s The Vision.

#528 Lenny Schwartz: Comics and the Theatre, Act III

Co-Creator

While we’ve talked before with Austin Tichenor and John Roberson about adapting comics to the stage, we’ve never talked about (or even thought about!) adapting the lives of comics creators to that stage! But Lenny Schwartz has done it, and more than once, writing and directing “Co-Creator” (about Bill Finger and his claim to the Batman legacy) and “The Man Who Saw Snoopy” (about Charles Schulz, of course!). And he has another in the works on Spider-Man co-creator Steve Ditko.

This week Lenny tells Tim about writing these plays, just how much credit Bob Kane and Stan Lee may actually deserve, how Schulz used Peanuts as his diary, and much more.

#120 “Pyongyang”, “New Frontier”, and more

New FrontierFLASHBACK! Tim and Brandon give their thoughts on Guy Delisle’s Pyongyang, DVD movie Justice League: The New Frontier, Spider-Man One More Day, and Writing for Comics with Peter David!

Originally published March 24, 2008

#469 Fred Van Lente, timewalker

Ivar, TimewalkerTime travel is a fascinating topic to many, and Fred Van Lente‘s current Ivar, Timewalker series from Valiant is  timesurfing at both its most fun, and most scientific, with nods to Stephen Hawking’s writings on the subject. Van Lente did his own time jump to the past a couple years ago in The Comic Book History of Comics. This week Tim discusses both these works with him, along with Spider-Man, Archer & Armstrong, reassessing Fredric Wertham, and more.

#441 JM Ken Niimura & “Henshin”

HenshinAmerican comics fans were introduced to Ken Niimura back in 2010, when his art appeared in the Image miniseries I Kill Giants, written by Joe Kelly. Since then, Ken’s work has been seen in some short Spider-Man stories, and more recently, his book Henshin, which just came out in English from Image.

He currently lives in Tim’s stomping grounds of Tokyo, so this week it’s an in-person interview with Ken, about why I Kill Giants was in black and white, his story goals and storytelling techniques in Henshin, and much more.

#403 Joe St.Pierre, ’90s comics, and the Robin Hood of Cyberspace

liberaiderWhile the phrase “’90s comics” tends to elicit some eyerolls nowadays — Foil covers! X-men with huge guns and lots of pouches! — there was still some good comics work done in that era. What was it like to be in the business back then? Joe St.Pierre drew some Spider-man Clone Saga-related comics, so let’s ask him! (See his Marvel covers here)

St.Pierre’s work for Marvel back then springboarded him to storyboarding and commercial art gigs, but (naturally) he still loves doing comics. For the past few years he’s been publishing his Web comic The Liberaider through his site AstronautInk, and now he has launched a Kickstarter project to publish a hardcover edition. This week he talks with Tim about that and more.

#399 Corporate Comics: Love ’em, Hate ’em

corporatecomicsTim Across America, part nine! When it comes to Big Two comics these days, there’s a lot to complain about. Marvel characters changed to look like the actors who play them in movies; nearly the entire DC line subsumed into a grim-and-gritty muck. And yet… we still like some of these books! Superior Spider-man, anyone?

In a cafe in Berkeley, California, Tim discusses this and more with three past guests who all live in the East Bay area, but had never previously met: Deb Aoki, John Roberson, and Jason McNamara! Conversation also swung to whether Image can eclipse the Big Two, comparison of black and white comics vs. color, doing a Kickstarter project for your comic vs. doing print-on-demand, and more!

Jason’s Kickstarter page for The Rattler

#389 Happy Eighth Anniversary (two months ago)!

eighthanniversary
Mulele, Tim, Brandon (L-R) taking the podcast back to its roots this week

Last December 5 was our eighth anniversary. This week, we celebrate a bit late, by bringing together the three founders of Deconstructing Comics: Tim, Mulele, and Brandon. We talk about where we are comics-wise (reading and/or creating) and, well, whatever comes to mind…

#306 Fear Itself and other events that… happened

Fear ItselfCrossover events have become ubiquitous fare from Marvel and DC, with smaller publishers recently jumping on the bandwagon. Lots of us complain about them, and yet, buying ironically is still buying. Tim is joined by John Roberson to discuss why the past year’s main events, Fear Itself and Flashpoint, were particularly unsatisfying, what makes a (relatively) good event series, and why we read these books in spite of “event fatigue”.

John’s Comic Art Commissions page