After “hunting” the Fantastic Four, the Black Panther reveals that he did it for practice, as he anticipated a battle against his father’s killer: Ulysses Klaw. Sure enough, Klaw shows up right on schedule, and the FF help Panther take him down. Tim and Emmet discuss Fantastic Four #53 by Stan Lee and Jack Kirby!
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Sixty years ago, Stan Lee and Jack Kirby presided over the debut of the Black Panther in Fantastic Four #52. The story presents the expectations of the average American for stories about Africa (Jungles! Natives! Africa is a country, right?) and defies those expectations by showing a rich, technologically advanced African nation. This time, Tim and Emmet discuss the Panther’s debut.
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We’ve been building up to it for months with our reviews of previous Fantastic Four movies. Now it’s here, the FF’s debut in the MCU, Fantastic Four: First Steps. How well did it scratch that FF itch? Kumar and Jordan once again join Tim to review the film, and discuss how it stacks up against the others (including the unreleased 1994 version).
One idea about what “Subzero Intel” might mean
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Should a director re-interpret a property when nobody wanted it re-interpreted? 2015’s Fant4stic, directed by Josh Trank, turns getting superpowers into an exercise in body horror. Much of its inspiration comes from Bendis and Millar’s very straightfaced Ultimate Fantastic Four comics, Trank threw in a liberal helping of The Fly and Scanners. Tim, Kumar, and Jordan (in another crossover with the Comic Book Movie Oblivion podcast) look at the first appearance of the Negative Zone in Fantastic Four #51 by Lee and Kirby, and at Ultimate Fantastic Four v. 1, before beginning a look at the film itself.
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While the 2005 film Fantastic Four gives us, debatably, a well-casted group of heroes, with plenty of comics-accurate details, the script does no favors to Dr. Doom. What are his goals, other than “taking everything back” from Reed? Why is he a CEO instead of a despot? Who the heck gives a frightening metal mask as a thank-you gift?? This time, Tim, Kumar, and Jordan (in a crossover with the Comic Book Movie Oblivion podcast) conclude their look at this film, and cap it off with a review of its endless development process.
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The 1994 film The Fantastic Four seems to have been made with the expectation, at least from producer Roger Corman on down, that it would be released. While some interested parties have claimed that it was only made to help Constantin Film’s Bernd Eichinger keep his option to make an FF film from expiring, others say that someone stepped in to kill it after the film was made. In part two of our FF ’94 crossover with Comic Book Movie Oblivion, Tim, Kumar, and Jordan finish walking through the film itself, and then explore the possible reasons why it never hit your local multiplex.
Watch Doomed: The Untold Story of Roger Corman’s Fantastic Four on YouTube
Read the 2005 Los Angeles magazine article “Fantastic Faux”
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By the early ’90s, Superman and Batman were blockbuster movie franchises, but Marvel had yet to find a way to get a big-budget film made based on their characters, let alone succeed at the box office. Bernd Eichinger of Constantin Film owned the film rights to the Fantastic Four, but those rights were soon to expire. So he teamed up with B-movie producer Roger Corman to bang out an FF film — which, for somewhat unclear reasons, never came out. This week, in a crossover with the Comic Book Movie Oblivion podcast, Tim is joined by Kumar and Jordan; some early FF comics are evaluated, and then we begin a two-part discussion of the film, what’s good and bad about it, and the (apparent) reasons it never hit screens.
Watch Doomed: The Untold Story of Roger Corman’s Fantastic Four on YouTube
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Stan Lee, Marvel Comics writer, art director, publisher, promoter, and icon, died November 12 at age 95. While he is loved by many, and undoubtedly had a hand in some of the greatest stories of Spider-Man, the Fantastic Four, and more, he was also known to aggravate disputes over story credit and art ownership with the likes of Jack Kirby and Steve Ditko. In this episode, Tim, Kumar, and Tom Spurgeon wrestle with the legacy of Stan the Man.
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The 1994 release of Marvels took comics by storm. The four-issue miniseries established the places of both hyperrealistic painter Alex Ross and continuity maven Kurt Busiek in the industry. There’s still plenty here to make it a standout story 16 years later, but has some of the shine come off? And, is making a logical narrative out of a mainstream comic companies’ disparate series really doable? Tim and Kumar discuss.
Also, Patrik W resurfaces to talk with Tim about the upcoming American Comics Exhibition in Tokyo. Tim, Patrik, and 13 other artists will be displaying their work!
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