Daniel Clowes’ 2010 graphic novel Wilson tells the story of a guy who can’t help but tell you exactly how he feels about you, and the pain which that attitude hides. Earlier this year, a movie version of the book was released, starring Woody Harrelson. How do the book and film compare?
This week, two sets of DCP regulars approach “Wilson” from different angles. First, Tim and Mulele review the book; then, Kumar and Emmet discuss the movie.
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This week, in our first Marvel-related movie review since Iron Man 2(!), Kumar and Dana discuss Logan. Is it an action movie? The action scenes are limited, but when they occur, there are no limits.
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Love and Rockets continues to impress, and in this episode Koom asks creator Jaime Hernandez some burning questions. Hernandez talks about writing Maggie and Hopey, the dynamics of working on something with your brother, why he gravitates toward female characters, his influences and art style, and more.
Also, Tim and Mulele discuss the current state of the US comics market and Marvel’s recent problems.
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Since we often don’t see the people who make the comics we read, we may not realize just how many African-American comics creators there are. Craig Rippon is gathering their thoughts and opinions in a documentary film called Black Ink. This week, Tim gets the scoop from Craig on who has been interviewed so far and the plan going forward, the pros and cons of publishing a “multicultural” line of comics, the state of black heroes at Marvel, his motivation to keep going on the film, and more.
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FLASHBACK! Tim and Brandon give their thoughts on Guy Delisle’s Pyongyang, DVD movie Justice League: The New Frontier, Spider-Man One More Day, and Writing for Comics with Peter David!
Originally published March 24, 2008
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Five hundred episodes?! Where’d the time go? As has been typical of recent “landmark” episodes, a topic discussion is in order, this time among Tim, Paul, and famed artist, writer, and comics educator Stephen Bissette.
Steve talks about favorite film versions of comics; Mario Bava’s Diabolik; and what would have been a better way to make a Dick Tracy movie? How have certain films utilized “comics” language — even if they weren’t based on actual comics stories? What were some of our most traumatic moments in childhood TV viewing/comics reading?
Then we move on to the struggles that creators of Marvel and DC characters and storylines have had in getting proper credit for the film versions of their stories — especially focusing on Frank Miller and Daredevil. And, why do some fans have so much vitriol for Miller?
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Kumar talks with both Emmet O’Cuana and John Roberson about Batman vs. Superman: Dawn of Justice. How does Zack Snyder see these characters, and how is his vision at odds with the established ideas about these characters? How can we think about the events in this movie in a way that makes sense?
Music:
“Superman’s Song” – Crash Test Dummies
“I Whipped Batman’s Ass” – Wesley Willis
“(Wish I Could Fly Like) Superman” – The Kinks
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Charles Schulz’s Peanuts is one of the most beloved comic strips of the 20th century. But while some prefer the hilariously cruel and despairing tone of the first half of the series, it seems that the public perception of Peanuts is more in line with the cute, commercial tone it took on in its second 25 years.
This week Tim and Kumar come back to Peanuts, more than seven years after reviewing the Schulz bio, to delve more into the strip itself. What is the nature of the Peanuts kids? What motivates them? How does Peanuts (especially in its first half) fit an existentialist view of the world?
Also discussed: the recent movie — what was good or bad. Was showing the Little Red Haired Girl a good idea? Plus, a nod to a few of Schulz’s more interesting panel compositions, and, what Peanuts strip does Tim want on his wall?
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A couple of years ago, when BOOM!’s imprint for kids, KaBOOM!, announced they would be publishing a Peanuts comic book of new material, I vowed not to touch it with a fifty-foot kite string. Never mind if it was good or not; that wasn’t the point. I just had no more interest in reading Peanuts-not-by-Schulz than I did in reading Watchmen-not-by-Alan-Moore.
This wasn’t just because I assumed that a great creation carried on by someone other than its original creator was just not going to be the same. I also knew that Schulz did not want any more Peanuts strips created when he was gone. (The family agreed to the creation of the KaBOOM! series by splitting hairs: Sparky wanted no one to make further Peanuts STRIPS, but nobody said anything about Peanuts COMIC BOOKS. Um, OK.)
So when The Peanuts Movie was released last year, my first impulse was to go no where near that, either. At first.
Yes, somehow it’s been ten whole years since Tim, Brandon, and Mulele sat down together and recorded the first episode of Deconstructing Comics! Rather than get the gang back together again, this time we present eleven past DCP interviewees all answering the same question: “Name an important development you see happening in comics now, good or bad, and say why you think it’s important.” Tim gets answers to this question from Stephen Bissette, Shaenon Garrity, Dan Jurgens, Chris Bachalo, Natalie Nourigat, and many more! (see entire list below)
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