As regular listeners well know by now, our own Mulele’s graphic novel “Elbis” came out earlier this year (buy it here, or read online here). We’ve discussed the book’s genesis on several occasions, but not a detailed look of the book’s content. So this episode, Tim and Paul roll up their sleeves and give it a good ol’ fashioned (unbiased?!) critique!
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A retrospective exhibit of the art of Katsuhiro Ootomo was recently held in Tokyo. Ootomo‘s work Akira is what inspired Mulele to come to Japan and learn to draw manga, so the exhibit was a chance to soak up inspiration and reflect on his current state of affairs. Patrik W, also an Ootomo fan from way back, attended and enjoyed. For Tim, not an Ootomo reader, it was a chance to see what he’s been missing. Discussion ensues.
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Brian John Mitchell talks about his Kickstarter project to fund the making of his matchbook-sized comics. Two of these books involved a collaboration with Dave Sim!
“Rook Bartly” (US Air Force active duty member Jason) tells us about “Okashi na Futari”, the Japanese novel series whose author has hired him to draw a manga version of the story.
Then, Kumar returns to tell us about a couple of his recent manga translation projects, “Stupid Guy Goes to India” (which landed him an interview in the March 25 Mumbai Sunday Mid-Day, pg 38-39) and Osamu Tezuka’s “Adolf”.
All this, plus the announcement of the winning “what do you like about Deconstructing Comics” entry!
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A few weeks back on Critiquing Comics, we discussed the work of science-fiction creator Ryan Cecil Smith; we liked it so much, we decided to have him on the show! Kumar talks with him this week about his influences, producing and promoting his books, and more.
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Takehiko Inoue’s Slam Dunk is easily mistaken for a serious sports manga. Pick it up, though, and you’ll find instead a hilarious ensemble comedy that just happens to involve basketball. Still, the series is credited with basketball’s 90s popularity in Japan, and led Inoue to create several other basketball-related series. But is oeuvre isn’t all hoops; he’s also the creator behind Vagabond, a sometimes-violent but intriguing take on the life of 17th-century historical figure Miyamoto Musashi. Tim and Kumar dig into both series.
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Writer: Sharman DiVono, Art: Hiroshi Hirata.
Eclipse Comics, 1987.
(This review originally appeared at Weird Crime Theater.)
Because of my own personal experience, I tend to approach fiction about Japan by Westerners with a spoonful of suspicion. Typically I find even pro-Japan works to be either somewhat or grossly based on generalization born of not spending long enough in the country, or not trying hard enough to get to know the people. Though, naturally, my own opinions of Japan are based on my own generalizations as well.
The @#$%ing Death Metal showdown that had to happen! It’s Kiminori Wakasugi’s Detroit Metal City versus Metalocalypse Dethklok created by Brendan Small, in our most explicit episode ever! How is is possible for TWO Death Metal comedy franchises to suddenly appear at the same time?! Thanks to the flimsy pretext of a Dethklok licenced comic finally being published, Kumar and newcomer-to-the-show Dana discuss Metal, the @#$% joke filled DMC manga, Metal, the @#$% joke-free DMC live-action movie, and Metal; compared with the Dethklok TV show and comic (including Dethklok vs The Goon, written and drawn by Eric Powell), and Metal. Plus: how censoring yourself is totally @#$%ing UN-Metal!! @#$% on!!
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Dan Kanemitsu talks with Tim about how he and others in the manga industry have responded to the new Tokyo censorship law. The conversation also covers the differences, and interactions, between American and Japanese comics, the creative freedom enjoyed by women in Japanese comics, and much more.
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Last December, we discussed a law that had just been passed in Tokyo to limit access by minors to manga and anime showing certain sexual acts. Now the law has gone into effect: what’s changed? What’s covered and what isn’t? What effect does the law have on what’s published, or what’s sold in other parts of Japan? This week Mulele and Tim talk to perhaps the most authoritative English-speaking voice on this topic, Dan Kanemitsu a manga translator who has helped to bring international attention to Tokyo’s Bill 156. A very educational discussion about Japan, child porn, and manga publishing ensues.
U.S. Embassy in Japan on child pornography and manga/anime: Spring 2008
Pornography, Rape, and Sex Crimes in Japan by Milton Diamond and Ayako Uchiyama
Japan Refuses to Pass Legislation Banning Child Pornography Possession (mediaite.com – 5/14/10)
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Planning a murder that you think will prevent future murders? That’s the premise — or, at least, one of the premises — of Monster, Naoki Urasawa’s 18-volume series. Set in Germany, the series focuses on the unintended consequences of Dr. Kenzo Tenma’s good deed; he saved the life of a boy who turned out to be a remorseless killer. Tim and guest reviewer Natalie Nourigat discuss.
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