#486 Helen Maier and Fil Barlow

YorrisHelen Maier and Fil Barlow are longtime partners and collaborators who have turned out a number of comics, available mainly in their native Australia, and worked on animation and character design on a number of cartoons that millennials watched as kids, such as Extreme Ghostbusters and Tutenstein.

Since returning to Australia in 2010, they’ve gone all in on comics, and the first two chapters of their story “Yorris” appeared in issues 4 and 5 of Image’s rather mysterious 8House anthology series.

This week, a talk with Helen about Czech comics and the view from the animation trenches becomes a talk with both Helen and Fil about the meaning of (and Easter eggs in) “Yorris”, their attempts to turn some conventions of comics storytelling on their heads, and the pluses and minuses of the crowdfunding model.

#483 Think Pink! Mark Arnold on DePatie-Freling, Li’l Jinx, and more

Pink PantherIf you’re listening to this podcast, you’ve probably at some point encountered (if not read) a history of DC or Marvel. But how about Harvey Comics? or Cracked Magazine? And if you’re into animation, perhaps you’d like a history of DePatie-Freling or Total Television Productions?

Comics and animation historian Mark Arnold has been compiling info on these companies and more. He also discusses Joe Edwards’ Li’l Jinx strip, that time when Blondie had a comic book, why Wonderful World of Disney seldom showed cartoons, and the storage challenges inherent in his chosen profession!

#408 Studio Revolver

Studio RevolverTim talks with the members of Studio Revolver in Atlanta, some of whom are have done work for Cartoon Network and storyboarded TV commercials. Not beginners, these are folks who are accomplished and in demand.

So why’d they decide to make their own Web comics? Isn’t that how artists try to make names for themselves? Time times are a-changin’…

Irene Strychalski’s “Shaman Child”

Stephanie Gladden’s “Girls of Monster Paradise”

Rod Ben (Killamari)

Dominike Stanton

Tariq Hassan

Johnathan Floyd

 

 

#284 Doug TenNapel: from Neverhood to Ghostopolis

Power UPDoug TenNapel’s name is known in a wide variety of media in the U.S., from video games to animation to, of course, comics. His Neverhood game is worshiped by, among many others, our own Kumar. His graphic novels have won acclaim but also some controversy, in part because of the statements on spirituality that are made in some of them, such as Black Cherry, the most spiritual book that you’ll never see in a Christian bookstore. (Could it be the nudity and F-bombs?)

Tim takes an hour of Doug’s scant free time to discuss storytelling media, how each fiction genre tends to tell certain stories, and inconsequential alien landings.

Web comic: Ratfist

YouTube: Making Comics with Doug TenNapel

#165 Mo Willems’ Dirty Little Secret

PigeonFLASHBACK! Children’s book writer Mo Willems has been found out: he’s actually a comics creator! He talks to Tim about the state of American comics for kids, the effect of his animation background on his approach to creating books, and… just why does that pigeon want to drive a bus, anyway?! (Originally published Feb 2, 2009)

#216 Comics on the move: a discussion of animation

Animation has always drawn on comics as a source of material. But what is involved in adapting a comic to animation? Our resident animation expert Patrik W joins Tim to talk about the special considerations of animation character design, as well as storyboarding and more.

Preston Blair’s classic “Advanced Animation”

Blog of Ren & Stimpy creator John Kricfalusi

#197 Adrian Raeside: From The Other Coast to Antarctica

9/14/09 Adrian Raeside: From The Other Coast to Antarctica

Canadian cartoonist Adrian Raeside is a veteran of editorial cartoons, the comics page (The Other Coast), animation, and children’s books. He talks about all of these and his newest book, Return to Antarctica, in a wide-ranging interview.

#165 Mo Willems’ Dirty Little Secret

2/2/09 Mo Willems’ Dirty Little Secret

PigeonChildren’s book writer Mo Willems has been found out: he’s actually a comics creator! He talks to Tim about the state of American comics for kids, the effect of his animation background on his approach to creating books, and… just why does that pigeon want to drive a bus, anyway?!

#143 Patrik W goes to San Diego

Patrik W9/01/08 Patrik W goes to San Diego

Patrik W recently attended the San Diego Comicon to show off his portfolios and gather intelligence on possibly exhibiting his work next year. Mulele and Tim get his report on how it all went.

Patrik’s animations on Crunchyroll.com