Anthropomorphized cats in a Pulp Fiction-style shootout; a tiny man found sleeping in the grass; two people hiding in an abandoned restaurant during some catastrophic event. These were some of the one-page, where’s-the-rest-of-it scenes in Ian M‘s Square 11, discussed on Critiquing Comics last year.
This week, Ian tells Tim what he was going for in those scenes, about his autobio comics (including Square 12, “Alone in Kyoto”), things that work better in comics than in other media, and more.
Podcast: Play in new window | Download
Yoshihiro Tatsumi, although he was a somewhat influential figure in the manga of the 1950s and ’60s, is largely forgotten in Japan today. However, within the past 10 years he has gained some belated fame in the West, thanks largely to the efforts of Adrian Tomine and Drawn & Quarterly.
off the shelf and do a review! And here it is.
American comics fans were introduced to Ken Niimura back in 2010, when his art appeared in the Image miniseries I Kill Giants, written by Joe Kelly. Since then, Ken’s work has been seen in some short Spider-Man stories, and more recently, his book Henshin, which just came out in English from Image.
Sports have rarely been subject matter for comics in the US; perhaps comics’ inherent static-ness has seemed antithetical to an activity with so much movement. But Japan has seen comics about various sports, and some of them have been quite popular, even iconic.
While Chris Taylor goes by the pen name “