Deconstructing Comics Podcast, published every Monday, features comics creator discussion and comics reviews.
Jim Zub loves Japan. He visited twice last year, including in October for the Kaigai Manga Festa. He set his Image series Wayward in Japan; it’s drawn by Yokohama resident Steven Cummings. In this week’s show, Jim talks about the effort to make Wayward‘s Japan feel as close to the real one as possible; playing in the sandbox of Marvel’s Thunderbolts, the harsh realities of the North American comics market, making yourself known in the industry, and more.
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Last time we looked at the first of five comics concepts on Irrational Comics’ “PITCH” page. This time, we get some answers about exactly how these 12-page teasers came to be, and critique two more of them: “Good or Dead” (about a zombie apocalypse in Singapore) by Louis Png, and “Solus” (about a monster on a rampage in a spacecraft) by Dan Amariles.
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Brian W. Cremins, author of Captain Marvel and the Art of Nostalgia, discusses the Big Red Cheese as a symbol for the innocence of childhood and how creators Otto Binder and C.C. Beck expressly used the character we know as “Shazam” to explores these themes.
Cremins also discusses with Emmet O’Cuana the use of nostalgia, both in the original Fawcett comic books and in our remembering of the series, drawing on the theories of Svetlana Bohm and the writing of W.G. Sebald. In this wide-ranging discussion, Cremins addresses the Fawcett v National trial, Binder’s science fiction career, Alan Moore’s “Marvelman”, and the casting of The Rock in the upcoming “Shazam” movie.
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Dan Clowes’ 2016 graphic novel Patience has elements of science fiction, mystery, and psychedelia. It’s an interesting mix, but… was the sci-fi part really necessary? Kumar and Dana give it their usual thorough review.
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Irrational Comics sent us five comics that are in a competition to see which one can generate the most interest among readers and get published. This time, Tim and Mulele look at the first of the comics on Irrational’s “Pitch” page: Climb, a comic about a girl whose goal is to be the first to reach the top of an unusually-shaped mountain. Do we know enough about her and her quest to be intrigued?
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This week, Tim talks with with cartoonist Joey Alison Sayers. She’s done work for MAD magazine, the San Francisco Bay Guardian, the Nib, GoComics and more, plus a couple of books about her coming out as transgender. Why did she disappear for a few years? Why did she come back to comics? Plus the best advice she knows for new creators, and more.
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Since we often don’t see the people who make the comics we read, we may not realize just how many African-American comics creators there are. Craig Rippon is gathering their thoughts and opinions in a documentary film called Black Ink. This week, Tim gets the scoop from Craig on who has been interviewed so far and the plan going forward, the pros and cons of publishing a “multicultural” line of comics, the state of black heroes at Marvel, his motivation to keep going on the film, and more.
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Three years ago we discussed Demon Archives, by Daniel Sharp and Sebastian Piriz. Recently, Daniel invited Tim and Mulele to take another look, as many more pages have come out since then. We did, and found that the comic has gone in some unexpected directions. Perhaps too many directions?
Also, we read a bit of listener mail, and mark the passing of Bunnies in Space creator and past critiquee Nick Dupree — someone we wish we’d met.
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The comedy/sci-fi web comic Power Nap takes place in a future where people take drugs to stay awake, and falling asleep isn’t socially acceptable. So what happens if you’re allergic to the drug? This week, Tim talks to writer Maritza Campos and artist Bachan about the comic, as well as the state of comics in their native Mexico, how the comics industry is likely to change, and more.
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Many of us are good at making our work (comics, podcasts, what have you), but not good at putting it out there, letting people know it exists. Mulele has been advising his friend Oscar, creator of the comic Kai (discussed in Critiquing Comics #100), on using social media and on choosing the best presentation style for a given book. This week, Tim talks with Oscar about his opening foray into comics, and Mulele talks about designing books and finding printers that can produce what he envisions.
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