#422 A Friendly Sketcher and an Evil Diva

sketchfroWhile Chris Taylor goes by the pen name “Sketchfro“, he no longer has an afro and he does a whole lot more than sketch. An American living in Tokyo, he does freelance art, his own comics, and pro-level digital coloring. In this episode he talks about getting digital coloring right, drawing women with sex appeal, and the work he’ll be promoting at Tokyo’s International Comics Fest later this month.

evildivaWhen last we checked in on the Web comic Evil Diva, an artist needed to be paid and fans were being asked to cough up cash before the next page could be drawn. Now the comic is being published as a graphic novel, and will even get a cameo in an upcoming movie. Are the comics gods finally smiling on Evil Diva? Let’s ask the strip’s creator, Peter Menotti, and see.

Critiquing Comics #064 “R.U.N.”

RUNA parkour manga from Greece is the topic. A parkour manga featuring a French high school student in suburban Tokyo, and a mysterious punk-ninja-parkour gang. What could go wrong? In fact, Tim and Mulele find, surprisingly little!

R.U.N. by Kariofillis Chris Chatzopoulos, Rafail Voutsidis, Lagouvardos Manos, and Nikitas Efimidis

#412 Add Manga and Mix Well

Marine Corps Yumi and Hollow Fields

This week, Tim talks with two women who are mixing Japanese and Western influences in their comics!

First, Ana Moreno, former US Marine and writer of Marine Corps Yumi, drawn in a gag-manga style by Takeshi Nogami. A gag manga about joining the Marines?! (available in both English and Japanese)

Then, Aussie Madeleine Rosca, creator of Hollow Fields (reviewed on last week’s show). Why does her work read right to left? Does she get any guff from readers about imitating a Japanese style? Also, the art of revealing neither too many nor too few secrets as your story moves forward, and more.

Critiquing Comics #063 “Demon Archives”

Demon ArchivesJust because a story is full of tropes doesn’t mean it’s bad. Consider Demon Archives, by Daniel Sharp and Sebastian Piriz. Postapocalyptic future? Check. Members of a troop being picked off one by one, by an unknown enemy? Check. A.I. who may or may not be on the heroes’ side? Check.

And yet, much of it moves along quite nicely, including an exciting battle scene. Still, certain questions remain to be answered. Tim and Mulele weigh the pluses and minuses.

#408 Studio Revolver

Studio RevolverTim talks with the members of Studio Revolver in Atlanta, some of whom are have done work for Cartoon Network and storyboarded TV commercials. Not beginners, these are folks who are accomplished and in demand.

So why’d they decide to make their own Web comics? Isn’t that how artists try to make names for themselves? Time times are a-changin’…

Irene Strychalski’s “Shaman Child”

Stephanie Gladden’s “Girls of Monster Paradise”

Rod Ben (Killamari)

Dominike Stanton

Tariq Hassan

Johnathan Floyd

 

 

#406 Aya Rothwell, Comics Anthropologist

Aya RothwellHaving grown up with feet planted firmly on both sides of the Pacific, Aya Rothwell has always been observant of cultural differences, and this shows up in her comics. Who else would do a comic about a human visitor to an alien world, with the biggest conflict being that the human keeps getting the aliens’ names mixed up?

Aya also fills us in on using watercolors in her comics, her journey to comics via the worlds of biology and film, and more.

Critiquing Comics #061: “Biowars”

biowarsThis week, the comic that shows there’s definitely an “I” in “Immune system”! In Biowars, the body’s defenses against disease appear as egotistical, infighting super heroes. And… very nice art, and… Hmm, something missing here. Tim and Mulele give this comic a proper physical.

Critiquing Comics #060: “Bits Fair”

bitsfair Irya is a boy in a unidentified country. His brother has just left, saying he’s going to “farm”. Then, Irya moves rocks by telekinesis. Wait, what? Tim and Mulele discuss Bits Fair, a Web comic that’s basically good, but could use some tweaking — in terms of the writing, and other things as well…

#403 Joe St.Pierre, ’90s comics, and the Robin Hood of Cyberspace

liberaiderWhile the phrase “’90s comics” tends to elicit some eyerolls nowadays — Foil covers! X-men with huge guns and lots of pouches! — there was still some good comics work done in that era. What was it like to be in the business back then? Joe St.Pierre drew some Spider-man Clone Saga-related comics, so let’s ask him! (See his Marvel covers here)

St.Pierre’s work for Marvel back then springboarded him to storyboarding and commercial art gigs, but (naturally) he still loves doing comics. For the past few years he’s been publishing his Web comic The Liberaider through his site AstronautInk, and now he has launched a Kickstarter project to publish a hardcover edition. This week he talks with Tim about that and more.

#399 Corporate Comics: Love ’em, Hate ’em

corporatecomicsTim Across America, part nine! When it comes to Big Two comics these days, there’s a lot to complain about. Marvel characters changed to look like the actors who play them in movies; nearly the entire DC line subsumed into a grim-and-gritty muck. And yet… we still like some of these books! Superior Spider-man, anyone?

In a cafe in Berkeley, California, Tim discusses this and more with three past guests who all live in the East Bay area, but had never previously met: Deb Aoki, John Roberson, and Jason McNamara! Conversation also swung to whether Image can eclipse the Big Two, comparison of black and white comics vs. color, doing a Kickstarter project for your comic vs. doing print-on-demand, and more!

Jason’s Kickstarter page for The Rattler