#294 Dan Kanemitsu & the Tokyo manga/anime law

AkisoraLast December, we discussed a law that had just been passed in Tokyo to limit access by minors to manga and anime showing certain sexual acts. Now the law has gone into effect: what’s changed? What’s covered and what isn’t? What effect does the law have on what’s published, or what’s sold in other parts of Japan? This week Mulele and Tim talk to perhaps the most authoritative English-speaking voice on this topic, Dan Kanemitsu a manga translator who has helped to bring international attention to Tokyo’s Bill 156. A very educational discussion about Japan, child porn, and manga publishing ensues.

U.S. Embassy in Japan on child pornography and manga/anime: Spring 2008

Pornography, Rape, and Sex Crimes in Japan by Milton Diamond and Ayako Uchiyama

Japan Refuses to Pass Legislation Banning Child Pornography Possession (mediaite.com – 5/14/10)

#293 Jim Woodring and the Sydney Graphic Festival

FrankThe recent Sydney Graphic Festival, held August 20 & 21, featured a variety of artists from comics and other media in panels and the like. Kumar attended, and discusses what he saw there (and the one huge, disappointing cancellation) before we get to the main event: his interview with creator Jim Woodring. Woodring is best known for the Frank series of dialog-free, surrealistic comics. Kumar investigates what’s inspired Woodring’s work.

Sydney Morning Herald photos of the festival

Comics Journal interview with Woodring

#289 Putting your stuff out there!!

self promotionPart of being a creator is promoting your work. But among all the other creators promoting their own work, how can you make yours stand out? (Aside, of course, from making your work really good!)

This week Tim talks with three creators who have found a variety of ways to promote their comics: Ed Luce, whose merchandising of his self-published Wuvable Oaf comics has helped to pay the bills; Reed Greenfield, who appears at conventions dressed as his character; and Jess Smart Smiley, who has a book coming from Top Shelf this fall, and is in the midst of a campaign to be invited onto — well, listen to the podcast and find out…

#288 “Changing Ways” and “Heroic: A Womanthology”

Changing Ways A creepy, rainy night. Mysterious red scars appearing on animals and people. Vicious wild pigs roam the streets. Justin Randall’s “Changing Ways” Book 1, published by Gestalt, reviewed by Tim and Brandon.
The Womanthology Heroic: A Womanthology, an anthology of comics created by women (some famous, others not yet) is currently in development and expected later this year from IDW. Tim talks to Athens-based participant Eugenia Koumaki, and IDW editor Mariah Huehner, about the background of and expectations for this project.

#287 Jeff Parker interview

Red HulkJeff Parker‘s profile as a writer at Marvel is gradually increasing, due to his work on Agents of Atlas, Hulk, and Thunderbolts. This week we get his take on some of the characters he’s writing and story choices he’s made, as well as his approach to writer’s block, mistakes new writers make, and more. Why do his stories tend to move so quickly? How does a mainstream writer deal with “events” like Fear Itself derailing his story plans? Find out in this episode!

#285 Comics Cooperatives (pt 1)

Comics CooperativesAre you in a comics cooperative? Would you like to be? What are the various things a group might offer its members?

This week we take a look at three different groups of comics creators in the US:

  • Dale Wilson and Vince Moore talk about The Antidote Trust in Los Angeles
  • Natalie Nourigat in Portland, Oregon, describes how Periscope Studio has helped her launch her comics career
  • Curt Gettman explains why he chose Pittsburgh to start Unicorn Mountain, a collective with a number of anthology books under its belt. Their latest is The Black Forest.

#284 Doug TenNapel: from Neverhood to Ghostopolis

Power UPDoug TenNapel’s name is known in a wide variety of media in the U.S., from video games to animation to, of course, comics. His Neverhood game is worshiped by, among many others, our own Kumar. His graphic novels have won acclaim but also some controversy, in part because of the statements on spirituality that are made in some of them, such as Black Cherry, the most spiritual book that you’ll never see in a Christian bookstore. (Could it be the nudity and F-bombs?)

Tim takes an hour of Doug’s scant free time to discuss storytelling media, how each fiction genre tends to tell certain stories, and inconsequential alien landings.

Web comic: Ratfist

YouTube: Making Comics with Doug TenNapel

#283 Eddie Campbell on “Alec” and more

AlecEddie Campbell is best known to many as the artist on Alan Moore’s From Hell, but throughout his career he has been putting out book after book of his autobiographical Alec comics. In 2009, much of his Alec work was compiled into the massive Alec: The Years Have Pants omnibus. Kumar catches up with fellow Australia resident Campbell for a chat about Alec, The Birth Caul/Snakes and Ladders, From Hell, and more.

Campbell to appear at Sydney Graphic Festival

#282 Higgins & Main: “Myriad” and more!

MyriadIn episode 273, we sang the praises of “Expectations Fail”, the story in the first issue of the mini-comic series Myriad. Writer Steve Higgins publishes various types of stories in Myriad, with various artists. This week he talks with Tim about “Expectations Fail” and subsequent issues, plus St. Louis-area comic anthologies he’s participating in.

Then, “Expectations Fail” artist Nick Main talks about his collaboration with Steve and his ongoing comics projects “Tom Bisk” and “Father Blank’s Roadside Confessional“.

#281 eComics in Japan: G2 Comix catches the Big Three napping

Real MaidWhile the American comics publishers, and publishers in general, are making more and more content available digitally, the situation is quite different here in Japan. The traditional manga publishers — Shueisha, Kodansha, and Shogakukan — have been very slow to embrace the digital market.

This week we meet Masanori Kinomiya, whose company offers services to convert print comics to digital formats, and has created the G2 Comix line of original manga titles. G2 is doing well in Japan (where 80% of ebooks are comics!), and around the world in a variety of languages. So why are the Big Three (and Japanese publishers in general) still putting out little or no electronic content? Kinomiya-san explains to Tim.

Read G2 Comix company profile PDF, including statistics on ebook readership in Japan and a look at some G2 Comix titles.

See photos below the jump.
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