FLASHBACK! Repeatedly collected and published since it went into the public domain, Winsor McCay’s Little Nemo is perhaps the most celebrated comic strip of the early 20th century. Peter Maresca, whose Sunday Press republished all the Nemo strips at their original size a few years back, talks with Tim about what’s good and bad about the strip, and the influence it still has on modern comics. (Originally published September 28, 2009)
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L. Frank Baum’s classic children’s story The Wonderful Wizard of Oz was published 109 years ago and still inspires attempts to adapt it to other media. While the 1939 MGM movie tends to define the story in the minds of many, subsequent adaptations do stick closer to the original book than to the movie, including the two we discuss this week: a French version adapted by David Chauvel and Enrique Fernandez (published in English by Image), and Marvel’s recent version, adapted by Eric Shanower and Skottie Young.
Rashad Doucet, a published children’s book author in his own right, joins Tim in comparing the two adaptations, as well as discussing Yuko Osada‘s “Toto: The Wonderful Adventure” and, uh, “sexy Dorothys“.
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Repeatedly collected and published since it went into the public domain, Winsor McCay’s Little Nemo is perhaps the most celebrated comic strip of the early 20th century. Peter Maresca, whose Sunday Press republished all the Nemo strips at their original size a few years back, talks with Tim about what’s good and bad about the strip, and the influence it still has on modern comics.
Podcast: Play in new window | Download
