#410 Marvel Comics: Telling the Untold Story

Avengers 4

If you’re into American comics at all, you undoubtedly know how Stan Lee, Jack Kirby, Steve Ditko and others changed the industry with their work in the 1960s, and set the template for kinds of stories Marvel still publishes today.

That’s just part of the story that Sean Howe researched for his 2012 book Marvel Comics: The Untold Story. Through interviews, research of media reports, and of course tons of comics reading, Howe uncovered the backgrounds of many comics stories and rumors that longtime readers may have wondered about. There’s plenty of intra-creator acrimony to be found in its pages, yet Howe found that the book helped some of those involved to move on from decades-old wounds.

This week Tim talks to Sean Howe about the research, the reaction, and what this book has to say to aspiring creators.

The Dark Silliness of Fear Itself: Deadpool

The Dark Silliness of Fear Itself: Deadpool

By Neil Tomblin

Remember rapper MC Hammer? He was the rapper who always said, “It’s hammer time!” This catchphrase resurfaced in Marvel Comics’ Deadpool story arc of “Fear Itself.” “Fear Itself” was a big event that included many different books that feature various Marvel superheroes. The basis of each story deals with magical Thor-like hammers that fall to the sky and endow different Marvel characters with powers. These stories are also an analysis of current events that have brought fear to America. One of the “Fear Itself” stories that stood out for me was “Fear Itself: Deadpool.” This story arc was funny and action-packed.

One thing I kind of never understood about the Deadpool comics is all of the comedy. The name Deadpool sounds so dark and hardcore that one would think to make the Deadpool’s stories dark. Deadpool’s suit even looks hardcore. Instead of getting the ruff stories that are featured in DC Comics’ Deathstrike comic book series, we get the slapstick humor in Deapool’s stories. How does Spiderman get the dark stories, but Deadpool gets the stories that makes Deadpool look like a parody of himself? However, as I began to read more into this Deadpool story, the comedy began to grow on me.

Continue reading The Dark Silliness of Fear Itself: Deadpool

#311 Hold your comic for ransom! Will readers pay?

Evil DivaIn the course of doing this podcast, we often find comics that we’d like to read more of, but seldom can because we have to move on to the next podcast topic, and there are only so many hours in a day. This week, Mulele & Tim thought they would revisit some previously reviewed Web comics and see how their creators had progressed. But, wait, hold the phone — what’s going on with Evil Diva? (original 2009 critique was rerun November 5, 2011) The work-for-hire Web comic abruptly changed its business model last summer. Are the site’s handlers killing the comic while trying to save it?

Also, Mulele revisits Dustin Harbin‘s site, with asides about Matthew Forsythe and boycotts of Marvel & DC.

REVIEW: 2001 A Space Odyssey #2



Writer, Artist, Editor: Jack Kirby

Marvel Comics, 1977.

(This review originally appeared at Weird Crime Theater.)

By pure coincidence, I found this comic at the Camberwell Collector’s Fair the very same week that I was reading Arthur C. Clarke’s novel version.

A cursory glance at the cover will tell you that Marvel’s approach to this property was so divorced from that of Stanley Kubrick or Clarke as to make it effectively unrecognizable. I mean, just look the price box alone!

Continue reading REVIEW: 2001 A Space Odyssey #2

#306 Fear Itself and other events that… happened

Fear ItselfCrossover events have become ubiquitous fare from Marvel and DC, with smaller publishers recently jumping on the bandwagon. Lots of us complain about them, and yet, buying ironically is still buying. Tim is joined by John Roberson to discuss why the past year’s main events, Fear Itself and Flashpoint, were particularly unsatisfying, what makes a (relatively) good event series, and why we read these books in spite of “event fatigue”.

John’s Comic Art Commissions page

#298 What makes a good villain?

VillainsVillains we love to hate! Villains who could have been good guys but made bad choices! What makes the more interesting villain? Are the two types mutually exclusive? Why are some villains really compelling, while others become the butt of jokes? What makes a villain menacing? How is it different in comics compared to movies or TV? Tim and newcomer Kevin Horton discuss.

Other discussions of this question:

#295 Manga and American comics: Should the twain meet?

Marvel MangaverseDan Kanemitsu talks with Tim about how he and others in the manga industry have responded to the new Tokyo censorship law. The conversation also covers the differences, and interactions, between American and Japanese comics, the creative freedom enjoyed by women in Japanese comics, and much more.

#235 Iron Man 2

Iron Man 2 finally opened here in Japan a month after it did in the States. Having just gotten around to watching the first Iron Man movie at home (hey! He’s been busy!), Tim joins Mulele for a theater viewing of IM2.

Also, an early ’70s issue of The Invincible Iron Man drawn by Herb Trimpe, with an impressive turnaround time.

#174 Peter David

4/6/09 Peter David

Genis VellLongtime comics and Star Trek-novel writer Peter David talks about being a writer, balancing the conflicting expectations of the mainstream comics audience, and why he’s learned to have NO expectations whatsoever of any movie before he actually sees it!

#120 “Pyongyang”, “New Frontier”, and more

New FrontierTim and Brandon give their thoughts on Guy Delisle’s Pyongyang, DVD movie Justice League: The New Frontier, Spider-Man One More Day, and Writing for Comics with Peter David!