Dark Horse – Page 3 – Deconstructing Comics

#334 “Magic Knight Rayearth”

In the early ’90s, girls’ comics in Japan took a superheroesque turn with the appearance of Sailor Moon. It was shortly followed by CLAMP’S Magic Knight Rayearth, featuring three 14-year-old girls in a world that reminded them of RPGs.

A few years later, Tokyo Pop and other US publishers took the risk of releasing girls’ comics stateside, with unexpected success. Yes, American girls WILL read comics!

Manga critic Shaenon Garrity joins Tim to talk about the ’90s evolution of shojo manga and its debut in the States, and the place of Magic Knight Rayearth part 1 in that mix.

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REVIEW: Signal To Noise

Written by Neil Gaiman

Art by Dave McKean

Dark Horse Comics, 2007 (New Edition)

Originally serialized in a magazine called The Face (United Kingdom) and collected into a single volume in 1992, this book represents some early usage of digital manipulation, photographic collage and highly expressionistic Dave McKean artwork. Dave McKean has an ability to use a Canon laser photocopier the way many traditional illustrators use pen and ink.

The narrative is essentially about millenarianism. Being written a decade before the year 2000, this book was also accurate in its predictions about how the millennium would result in the changing of more or less nothing. The presaged view of the ten years in the future may not be the most exciting depiction of pre-millennium tension that I have ever read, but after the fact and with the element of hindsight it is probably one of the most accurate. Unlike other works which tie into the Y2K cultural experience, this book manages to transcend such a time-dependent experience to capture the feeling of impending futurism mixed with dread and presents the more rational, grounded view which we experience with our mundane memories of that millennium event. Continue reading REVIEW: Signal To Noise

#290 Justifiable Homicide? pt 1: NEXUS

Nexus

We begin a two-review series on comics that ask hard questions about whether murder can ever be justified. This week, Mike Baron and Steve Rude’s Nexus. Beginning in the early ’80s, Baron’s philosophical writing and Rude’s increasingly polished art presented the story of a the far future in which a man kills mass-murderers not out of revenge, but because he feels forced to “in self-defense.” Tim and Paul review.

Steve Rude’s Web site

Baron & Rude interviewed (May 2007)

Nexus no more (June 2009)

Steve Rude recalls making Nexus (video)

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#260 The Rocketeer

Dave Stevens’ The Rocketeer was part of the early ’80s wave of indy comics that brought us American Flagg! and others. It features a ’30s setting, an un-heroically motivated protagonist, and enough cheesecake to fill a bakery. Tim and Kumar evaluate the value of the work 30 years on.

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#044 “Superman: Red Son” and “The Truth”

FLASHBACK! Brandon has nothing but praise for Mark Millar’s Superman: Red Son; Tim’s feelings about the Dark Horse graphic novel The Truth are somewhat less adulatory…(Originally published October 9, 2006)

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#256 Talking about “Star Wars”…again!

FIVE YEARS of “Deconstructing Comics”! We celebrate with a retro lineup (Tim, Mulele, and Brandon, plus Kumar) discussing the topic that we always used to accidentally end up talking about anyway: Star Wars! Specifically, Dark Horse’s Star Wars Tales #20, an issue in which various indie creators took a crack at the Star Wars characters. Especially Jar Jar.

Also, our reactions to the trailer for the Green Lantern movie. Have all these superhero movies run their course?

A fun (if rather ribald and un-p.c.) conversation!

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#212 Emily the Strange

Emily the Strange

Emily the Strange began life as a character that appeared on merchandise, but lately she’s been fleshed out with a Dark Horse comics series and much more. Tim and Mulele talk about the first two trade paperback collections, and the controversy surrounding her origins.

Also, if you’re looking for a comics-creator “scene”, what’s the best city to go to? Some possibilities.

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#200 Draw me in St. Louis: Super Spy, Lackadaisycats, and more!

10/5/09 Draw me in St. Louis

A 200th episode extravaganza!

St. Louis resident Matt Kindt, creator of Super Spy, has been hard at work on several new titles, set at various points in the 20th century. Matt tells us what’s coming up and answers a few questions about Super Spy.

Tracy Butler, also of St. Louis, shares Matt’s interest in comics set in the past — in particular, St. Louis in the 1920s. Her Web comic Lackadaisycats (now available as a book) is beautifully drawn, interesting, and hilarious.

Chew Then Tim and Mulele respond to some recent mail from listeners, and Mulele gives his impressions of the Image series Chew!

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#186 Weird Crime Theater: A case study in comics collaboration

6/29/09 Weird Crime Theater: A case study in comics collaboration

Weird Crime Theater What are the good and bad points of collaborating with someone on a comic? What adjustments do writer and artist need to make to each other’s way of working? As a case study in collaboration, Mulele and Kumar discuss the ups and downs of their collaborations on the comics “Full Throttle” and “Weird Crime Theater.”