Then, a front-porch chat with Charles Brownstein, Executive Director of the Comic Book Legal Defense Fund. What is the organization’s mission and how did it come to be based in Portland? What have been its biggest victories and defeats? What’s the difference between censorship by the government or by private companies? The difference between comics that show drawings of kids in sexual situations, versus actual child pornography? Also, the rise and fall of the Comics Code. Were comics EVER really “just for kids”?
Derf Backderf, author of My Friend Dahmer and a onetime garbage man, is back with Trashed, a book that defies pigeonholing. Part history, part awareness-raiser, part fictionalized reminiscence, part gross-out humor fest (and a few other “parts” as well), Trashed seems like a book that shouldn’t work, but does. In this episode, Tim interviews Derf about Trashed, the Dahmer movie, and more; plus, Tim and Kumar review Trashed!
At London Super Comicon last month, Koom got to sit down with Paul Gravett, a comics journalist and exhibition curator. Gravett is currently preparing the touring Asian comics show Mangasia, which will debut in Rome next month. This is a guy who’s read a lot of comics; do they all become a blur after a while? Koom asks him about avoiding burnout, the amount of progress comics have (or haven’t) made toward being accepted by the “art world”, and much more.
Look who Tim (center) ran into in Columbus: Derf Backderf(My Friend Dahmer, Trashed),Tom Spurgeon (The Comics Reporter), Stephen Bissette (Swamp Thing, Tyrant), and Craig Fischer (English professor and occasional contributor to The Comics Journal)! (Click the photo to enlarge!)
In this episode, Tim talks to Steve and Craig about their summer research tour that brought them to Columbus and the Billy Ireland Cartoon Library and Museum, and how it relates to Steve’s revival of his ’90s comics biography of a Tyrannosaurus rex, Tyrant!
At the Billy Ireland Cartoon Library and Museum in Columbus, Ohio, curator Jenny Robb has what most of us would consider a dream job. But she and other staff members recently had an unenviable task: choosing which 40 items to include in the museum’s fortieth anniversary exhibit. In this episode, she talks about that decision process, and answers some burning questions: Why was the comics field so male-dominated in the 20th century? How were Windsor McCay’s colors for strips like Tale of the Jungle Imps transmitted to newspapers? And much more.
Meanwhile, in Arkansas, Mike Curtis is helping to keep alive another classic comic, Dick Tracy. He’s the current writer of the strip, which won the Harvey award for best syndicated strip for three straight years through 2015, and in this episode he describes his work process on the strip. He’ll also tell us about being one of Harvey Comics’ last writers, his long-running “furry” comic Shanda the Panda, and his Superman memorabilia collection. It’s a bird! It’s a plane! No, it’s a cheese box!
Our friend Matt Silady is back with us for the first time in five years, and he’s here to introduce us to a friend: Thi Bui, who recently completed her decade-long quest to create a graphic novel about three generations of her family in the context of Vietnamese and American history. After catching up with Matt, Tim talks with Thi about the book, The Best We Could Do, and how she now finds herself teaching comics!
This week, Gabrial and David from the Kind of Epic Show podcast join Tim to talk about their show, and various Marvel Comics highlights (and lowlights) from the past 30 years — and in particular, Tom King and Gabriel Hernandez Walta’s The Vision.
Love and Rockets continues to impress, and in this episode Koom asks creator Jaime Hernandez some burning questions. Hernandez talks about writing Maggie and Hopey, the dynamics of working on something with your brother, why he gravitates toward female characters, his influences and art style, and more.
Also, Tim and Mulele discuss the current state of the US comics market and Marvel’s recent problems.