Back in Critiquing Comics 154, Tim and Mulele discussed 2019’s Captain Marvel; Tim enjoyed it, Mulele did not. Now that we’ve arrived at the time to give it a full review as part of “Tim Catches Up with the MCU,” another viewing has helped us both to clarify our positions and see things we didn’t realize the first time around. Join us as we take a somewhat more nuanced look at the film. (Originally published on Patreon February 29, 2020)
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This week we take a look back at the career of Denny O’Neil, the longtime comics writer and editor who passed away June 11. Emmet discusses O’Neil’s legacy with Professor Jonathan W. Gray, author of such books as Civil Rights in the White Literary Imagination, and the founding editor of the Journal of Comics and Culture.
O’Neil was a force in the move to turn DC’s iconic but silly characters in a more serious direction — having substance, not only violence. What shaped his worldview? How much of his personal story was in evidence on the page? Was his editing a crucial component of Frank Miller’s best work? And more.
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David F. Sandberg’s 2019 movie Shazam!, starring Zachary Levi, Asher Angel, and Mark Strong, was a a break from the relentless grimness of many recent DC movies, and yet, it did have horroresque scenes. Of course, Sandberg has a lot of horror on his resume, but is there any comics precedent for horror in Shazam!? Emmet is joined once again by Shazam! expert Brian Cremins to discuss the film, and why Dwayne “The Rock” Johnson should play Captain Marvel… if he hasn’t already.
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Captain Marvel — the one who shouts “Shazam!” to change from little boy to adult super hero — first appeared in Whiz Comics #2, dated February 1940, almost immediately prompting comparisons to Superman and outrage at DC. Yet the “Big Red Cheese” actually outsold Supes in the ’40s. Why has the most popular hero of the World War II era fallen on hard times since then? How has the character changed as DC, now owner of the character, has repeatedly struggled to reboot his world? Tim and Emmet have read the book Shazam! A Celebration of 75 years, and discuss the stories, the character, and the recent film.
CBR on “Captain Thunder” story
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This time, we diverge from the normal format and discuss a variety of topics:
1:17 Writer Craig Hurd-McKenny sent us three of his LGBTQ+-friendly comics, and we discuss them all: The Magic If (art by Gervasio, Melisa Jones, and Tyler Smith-Owings), The Brontes: Infernal Angria (art by Rick Geary), and Some Strange Disturbances (art by Gervasio, Carlos Aon, and Tyler Smith-Owings).
32:16 In Deconstructing Comics last week, Tim talked to some comics retailers in Chicago about the state of the industry. Tim and Mulele react to the retailers’ comments.
55:17 Tim talks about the movies he saw during his visit to the U.S.: Captain Marvel, Dumbo, and Shazam!
1:26:53 We read mail from creators whose comics we’ve discussed in past episodes.
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Brian W. Cremins, author of Captain Marvel and the Art of Nostalgia, discusses the Big Red Cheese as a symbol for the innocence of childhood and how creators Otto Binder and C.C. Beck expressly used the character we know as “Shazam” to explores these themes.
Cremins also discusses with Emmet O’Cuana the use of nostalgia, both in the original Fawcett comic books and in our remembering of the series, drawing on the theories of Svetlana Bohm and the writing of W.G. Sebald. In this wide-ranging discussion, Cremins addresses the Fawcett v National trial, Binder’s science fiction career, Alan Moore’s “Marvelman”, and the casting of The Rock in the upcoming “Shazam” movie.
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Longtime comics and Star Trek-novel writer Peter David talks about being a writer, balancing the conflicting expectations of the mainstream comics audience, and why he’s learned to have NO expectations whatsoever of any movie before he actually sees it!
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