Comics commentary from our podcast regulars.
You’ve probably heard of Helen Keller, one of the first (but not the first!) blind & deaf Americans to become educated. If so, then you probably also know the name Annie Sullivan – Helen’s teacher. Annie Sullivan and the Trials of Helen Keller, by Joseph Lambert, is a graphic novel biography more of Annie than Helen, taking advantage of the comics medium to show symmetry in the lives and situations of the two women. It’s also pretty awesome.
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Occasionally our friend Dale Wilson in L.A. sends Mulele some comics he’s come across, and we like to talk about them on the show. This episode’s batch tends to lean violent…including two involuntary arm removals. Mulele and Tim comment on:
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In Chris Reynolds’ “Mauretania” comics, characters bake interesting pies, delight in eerie shops, join trendy police forces, and report on events they will never remember. Stories drift from point to point like dreams. School starts and a kid on summer vacation somehow doesn’t notice. How can this be real? Real it may be, but it takes intuition, not rational thought, to take anything away from these books. Tim and Kumar ponder Adventures From Mauretania
And if we haven’t sold you on these books, then read Seth’s fantastic essay on them!
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When you think of ’80s comics, Berke Breathed’s Bloom County is one that belongs in the pantheon with Watchmen and Dark Knight. It pushed many boundaries on the ever-conservative funnies page, from modern dating to issue advocacy, balancing cumudgeonliness with exuberance and hope. But how much of a hurdle are the pop culture references for modern readers? Is it still worth reading? Tim and Patrik dust off their memories and try to look at this classic strip with new eyes.
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Waaaay back in July 2010, Tim talked to David Steinberger of ComiXology about the emergence of digital comics. Since then, simultaneous release of digital with paper has become the norm. And, guess what – flying in the face of earlier fears of some in the industry, digital comics have actually helped, not hurt, the sales of paper comics. Tim talks to ComiXology co-founder John Roberts to find out why this is, and more.
Then we get the scoop on Mulele’s latest Web comic, a new version of Mindgator.
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Dave Sim’s massive “Cerebus” series creates a dilemma for a comics reviewer. It contains some fantastic cartooning, hilarious scenes, and spot-on dialog. And yet… other parts feature highly misogynistic views and out-of-whack text-to-pictures ratios, both of which make it “hard to read” in different ways. Dana and Kumar re-read the second arc, “High Society,” and consider the good and the bad of the entire series, the mixing of satire and parody, and more.
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Tim & Brandon discuss “Batman/Tarzan: Claws of the Catwoman” by Ron Marz and Igor Kordey! Also: Brandon talks about an online figure-drawing class he took, and we different philosophies of how to become a versatile artist. Is it better to start with figure-drawing training, or is it better to figure out your style on your own? How important is it to have experience drawing “Bigfoot” funny comics? (originally published November 13, 2006)
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If you’re old enough to remember pre-Internet days (like us geezers who make this podcast), you remember how new comics creators used to get known. No Web comics, Tumbler, podcasts, etc. Like John Porcellino, they hit the “zine” scene, announcing themselves through Factsheet Five and getting placement in a few comics shops. Porcellino’s King-Cat, with its accounts of his pets, his dreams (the sleeping kind), amusing anecdotes, and occasional fiction, drew notice in the comics world for the way it eloquently fed the reader’s life back to him, making note of things the reader might have missed. Drawn & Quarterly is releasing selected King-Cat comics in hardcover; Tim, Kumar, and special guest Tom Spurgeon discuss the first collection, King-Cat Classix.
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It’s been more than 70 years now since the debut of Archie comics, featuring (though not quite from the beginning) America’s favorite love triangle of Archie, Veronica, and Betty. Along with Jughead, Reggie, and the rest of the gang, these characters keep us coming back for more, changing with the times while still presenting an idealized America where drugs, booze, and sex seem not to exist. This week Tim talks with Archie ubercollector (and Coliseum of Comics Back Issue Manager) Jack Copley about what keeps Archie interesting, some of his favorite stories and creators, and “The Archie Room”!
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Up until the late ’60s, Japanese girls’ comics were mainly done by men, and could often be formulaic and sappy. But then several female creators broke into the field and revolutionized the genre. One of them was Moto Hagio, whose stories (even when they had science fiction aspects to them) dwelt on not fitting in, losing what you love, and other themes that could be depressing, but were usually expressed in innovative and compelling ways. Little of her work is available in English, but Fantagraphics released an overview of her work, A Drunken Dream and Other Stories, two years ago. Tim and Kumar review.
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