Ever wondered what it would be like to work in a manga studio in Japan? Jamie Lynn Lano got her chance in 2008 when she was hired by Takeshi Konomi to be part of his team for the Prince of Tennis sequel. Recently she’s published a book about her experience, and this week she talks about what brought her to Japan and how she got hired, cultural differences, drawing speed lines and tennis shoes, and much more.
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Sports have rarely been subject matter for comics in the US; perhaps comics’ inherent static-ness has seemed antithetical to an activity with so much movement. But Japan has seen comics about various sports, and some of them have been quite popular, even iconic.
Takehiko Inoue’s Real is not only about basketball, but about physical handicaps, relationships, and more. Kumar and Ilango find a whole lot to like about it — including the satisfying ways in which it translates sports action to the comics page.
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Is there “work for hire” in Japanese comics? Yes and no. Nao Yazawa was hired as the artist for Wedding Peach, a manga published in Shogakukan’s Ciao magazine from 1994 to 1996. However, as is typical in Japan, she and writer Sukehiro Tomita co-own the copyright.
In this episode, she explains the details of this arrangement to Tim, along with much more on the development and business of the strip, sexy costumes, why manga creators are left out of the management of the anime adaptation, teaching at a manga school, and more.
Nao’s Web comic Go Go Nao-P!
Nao’s 2002 Wedding Peach site
See more photos after the jump…
Continue reading #434 Nao Yazawa
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What happens when the computer that routes calls in a call center takes on a mind of its own? That’s the setup for the first story arc of Back Office, a Web comic by Mark Egan now available as a book. This week Tim asks him about his inspiration, his adopted home of Norway, and more.
Our critique of Back Office from 2013
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Irene of Studio Revolver stopped through Tokyo recently! In this episode, she chats with Tim and Mulele about displaying work at conventions, and how conventions are changing.
We also visit Tokyo’s massive Comiket event (imagine a San Diego-sized con that’s entirely Artist’s Alley!) and give our impressions.
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 Sunset after the festival |
This week we wrap up Tim’s set of interviews from the floor of the International Manga Festival (Kaigai Manga Festa), held November 23 at Tokyo Big Sight. Highlights include familiar faces, a past DCP interview guest, sexy anime girls from France, poop from space, and more! |
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See photos and links below the jump…
On November 23, Tim once again visited the International Manga Festival (Kaigai Manga Festa) at Tokyo Big Sight. Comics creators from around the world (including Mulele!) were exhibiting their work to an enthusiastic mostly-Japanese crowd. Tim interviewed a number of exhibitors; hear them in this week’s episode, and see them below the jump in this post!
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While Chris Taylor goes by the pen name “Sketchfro“, he no longer has an afro and he does a whole lot more than sketch. An American living in Tokyo, he does freelance art, his own comics, and pro-level digital coloring. In this episode he talks about getting digital coloring right, drawing women with sex appeal, and the work he’ll be promoting at Tokyo’s International Comics Fest later this month.
When last we checked in on the Web comic Evil Diva, an artist needed to be paid and fans were being asked to cough up cash before the next page could be drawn. Now the comic is being published as a graphic novel, and will even get a cameo in an upcoming movie. Are the comics gods finally smiling on Evil Diva? Let’s ask the strip’s creator, Peter Menotti, and see.
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A parkour manga from Greece is the topic. A parkour manga featuring a French high school student in suburban Tokyo, and a mysterious punk-ninja-parkour gang. What could go wrong? In fact, Tim and Mulele find, surprisingly little!
R.U.N. by Kariofillis Chris Chatzopoulos, Rafail Voutsidis, Lagouvardos Manos, and Nikitas Efimidis
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This week, Tim talks with two women who are mixing Japanese and Western influences in their comics!
First, Ana Moreno, former US Marine and writer of Marine Corps Yumi, drawn in a gag-manga style by Takeshi Nogami. A gag manga about joining the Marines?! (available in both English and Japanese)
Then, Aussie Madeleine Rosca, creator of Hollow Fields (reviewed on last week’s show). Why does her work read right to left? Does she get any guff from readers about imitating a Japanese style? Also, the art of revealing neither too many nor too few secrets as your story moves forward, and more.
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