Marvel Comics – Page 5 – Deconstructing Comics

#650 Our favorite comics of the 2010s

Our favorite comics

This week, Emmet, Patrick, Tim, and Chuck Coletta talk about their favorite comics of the past decade! If you’re looking for good comics that you might have missed from the 2010s — from superhero to comedy, historical to horror — we’ll give you plenty of titles to look up!

(All titles below are linked to Amazon – to help support the show, pick up any titles you’re interested in through these links!)

EMMET

Finder: Talisman HC by Carla Speed McNeil

Love In Vain: Robert Johnson 1911-1938, The Graphic Novel by Jean-Michel Dupont and Mezzo

I Love This Part: Hardcover Edition by Tillie Walden

My Favorite Thing Is Monsters by Emil Ferris (DCP 613)

Delicious in Dungeon by Ryoko Kui

Gast by Carol Swain

Giant Days and Steeple by John Allison

Providence by Alan Moore & Jacen Burrows

Immortal Hulk by Al Ewing and Joe Bennett

Julio’s Day by Gilbert Hernandez

Orc Stain Volume 1 by James Stokoe

Sally Heathcote, Suffragette by Mary M. Talbot, Bryan Talbot, Kate Charlesworth

The Abaddon by Koren Shadmi

The Experts by Sophie Franz

Surface Tension by Jay Gunn

Special Exits by Joyce Farmer

SNARKED: Forks and Hope by Roger Langridge

Peter Cannon: Thunderbolt by Kieron Gillen and Caspar Wijngaard

Henni by Miss Lasko-Gross

PATRICK

Batman: The Jiro Kuwata Batmanga by Jiro Kuwata, translated by Sheldon Drzka (To the Batpoles! 64)

Four Color Fear: Forgotten Horror Comics Of The 1950s edited by Greg Sadowski and John Benson

Rover Red Charlie by Garth Ennis and Michael Dipascale

Dungeon Quest: Book One by Joe Daly

The Bulletproof Coffin by David Hyne and Shaky Kane

My Favorite Thing is Monsters by Emil Ferris

Fatale by Ed Brubaker and Sean Phillips

Southern Bastards by Jason Aaron and Jason Latour

Richard Stark’s Parker series by Darwyn Cooke

Hawkeye by Matt Fraction and David Aja

Moon Knight by Warren Ellis and Declan Shalvey

Madman In Your Face 3D Special by Michael Allred & Laura Allred

Hark! A Vagrant by Kate Beaton (DCP 222)

H.P. Lovecraft’s The Hound and Other Stories by Go Tanabe (Tanabe’s take on Lovecraft’s At the Mountains of Madness is discussed in DCP 641)

Providence by Alan Moore & Jacen Burrows

Rachel Rising by Terry Moore

Afterlife with Archie by Roberto Aguirre-Sacasa, Francesco Francavilla, and Jack Morelli

Harrow County by Cullen Bunn and Tyler Crook

Frontier #6 by Emily Carroll

TIM AND CHUCK

Gotham Academy by Becky Cloonan and Karl Kerschl

Daredevil by Mark Waid, Paolo Rivera, and Marcos Martin (Brief mention!) (audio version of issue 1 discussed in DCP 313)

Scooby-Doo Team-Up by Sholly Fisch and Dario Brizuela

Saga by Brian K. Vaughan and Fiona Staples (DCP 609)

Life With Archie: The Married Life by Paul Kupperberg, Michael Uslan, Norm Breyfogle, Andrew Pepoy, and Joe Rubenstein (Archie in general is discussed in DCP 338)

Paper Girls by Brian K. Vaughan and Cliff Chiang (DCP 596)

Seconds by Brian Lee O’Malley (DCP 419)

The Superior Spider-Man by Dan Slott and various artists (Dan Slott’s earlier Spider-Man work is discussed in DCP 275)

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#644 Bob Budiansky

Bob Budiansky

Bob Budiansky was a writer, artist, and editor for Marvel in the 1980s and ’90s, after starting out majoring in civil engineering. How did that change of direction come about, and how did his civil engineering background help him write Transformers comics? In this episode, he talks to Koom about that plus the origins of Circuit Breaker, his feelings looking back on his years at Marvel, and more.

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#643 Ann Nocenti

Ann Nocenti

Ann Nocenti is a journalist and filmmaker who also has had quite a career in comics. She wrote Daredevil for several years and created the character of Typhoid Mary. In this interview with Koom, she talks about why writing ol’ horn head was difficult for her at first, and why she created Typhoid Mary, as well as her two new comics “Ruby Falls” and “The Seeds.”

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#642 Klaus Janson and “Sacred Creatures”

Klaus Jansen and "Sacred Creatures"

Klaus Janson has a long and storied career, working for both Marvel and DC as a writer, penciller, and inker, including some famous collaborations with Frank Miller and John Romita Jr. His latest series, Sacred Creatures, is a creator-owned collaboration with artist Pablo Raimondi. In this extended-length episode, he tells Koom about the ideas explored in the new series, and shares musings on the artistic process.

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#636 Dan Mishkin on “Warren Report,” “Amazon Academy,” and Ernie Colon

Warren Commission Report

In part two of Tim’s interview with longtime comics writer Dan Mishkin, Dan talks about writing Warren Commission Report: A Graphic Investigation into the Kennedy Assassination with artists Ernie Colon and Jerzy Drozd; explores the reasons for Marvel’s breakout success in the 1960s, and compares working for DC vs working for Marvel; explains the concept of his web comic with Jerzy Drozd, Amazon Academy; and remembers working with the late Ernie Colon.

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Critiquing Comics #163: “Read More Comix” and “Antfarm”

MCU update: Spidey in, or out?

MCU Spidey

It’s been a topic of discussion all week: Is Sony really refusing to let Marvel/Disney handle Spider-Man in the movies anymore? What looked like a shocking middle-finger to the mouse now looks to have been a case of negotiating via the media. Tim and Mulele discuss the latest, and also touch on the newly announced (at D23 day one) TV shows coming to Disney+.

The Deadline article that set off Twitter

Vox article on the Sony-Disney kerfuffle

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#627 Walt Simonson’s “Thor”

Thor and Beta Ray Bill

One of the most acclaimed Marvel runs of the 1980s was by Walt Simonson on The Mighty Thor. He began writing and drawing it with #337, continued through to #367 (with a quick break in the middle), then gave up art duties but continued writing through #382. This run set aside Dr. Don Blake, focused on mythical threats rather than earthly ones, and injected some humor into what had sometimes been a fairly dry, dour book. Tim and Kumar look back to assess this important run.

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#626 Wolverine ’82: a second look

Wolverine

The 1982 Wolverine mini-series, by Chris Claremont and Frank Miller, was seminal in a number of ways: One of the first Marvel minis, a major fleshing-out of Wolverine’s character, a milepost on the road to the expunging of omniscient narration from American comics.

Six years back, Kumar and Dana had a lot of reservations about the story; in this issue, Koom, Rob, and Sam have a different take.

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#624 “Conan: Red Nails”

Conan: Red Nails

In the 1970s, in an effort to diversify its line, Marvel began adapting Robert E. Howard’s Conan the Barbarian stories. To push (at least a little bit) beyond what the Comics Code would allow, some of these stories were published in magazine format, as Savage Tales. The second and third issues of this series featured an adaptation of the classic Conan story Red Nails, featuring writer Roy Thomas and artist Barry Windsor-Smith. In this episode, Koom talks with Rob and Sam about the basic idea of Conan, where the title “Red Nails” came from, the strengths and shortcomings of Smith’s art at this early point in his career, and more.

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