This time we take on a rather unusual Critiquing Comics submission, a book from MIT Press called A Brief History of Feminism, written by Antje Schrupp and drawn by Patu. Yes, it’s a book on feminism reviewed by two dudes — same ones as always, Tim and Mulele — but since it’s Critiquing Comics, we’re mostly concerned with the technical aspects: Is this book actually a comic? How could the lettering have been better? But also: Swiss women got the vote when?!
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This week, part two of the Kaigai Manga Festa 2017 roundup, recorded in Tokyo on November 23 at Tokyo Big Sight.
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It’s time for another Kaigai Manga Festa roundup! This year’s international comics festival in Tokyo was held on November 23 at Tokyo Big Sight, alongside the Comitia festival as always. Tim caught up with some familiar faces and met some new ones as well!
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This week, Nicole Georges talks about her latest book, Fetch: How a Bad Dog Brought Me Home. Was her dog Beija really such a difficult dog, or was it all in Nicole’s mind? Also the prevalence of autobio comics, the public perception of comics in general, where the zine scene is today, and much more.
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Ryan O’Sullivan, whose writing on Warhammer 40,000: Dawn of War we discussed a few months back, returns with a new Image book called Void Trip, with art by Plaid Klaus. The story features a couple of stoners traveling through space, with a mysterious pursuer. But what, exactly, is it about? Tim and Mulele ponder.
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This week we wrap up both Tim’s visit to Heliscope Studio in Portland, and the whole three-month string of episodes from Tim’s trip around the US this past summer.
We’ll hear from Fred Chao about the double-edged sword of living in New York and how it informed his book Johnny Hiro: Half Asian, All Hero
Then, veteran comics artist Ron Randall on the right and wrong ways to use photo reference, his experience pencilling from an Alan Moore Swamp Thing script; his creator-owned project from the ‘80s, Trekker, and why he’s reviving it now; attending the nerd Mardi Gras; and why we’re living in a golden age of comics!
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Three more talks with the folks at Helioscope Studio in Portland in this episode!
Steve Lieber, an artist in his own right and also manager of the studio, gives us a brief history of the studio (including its self-naming woes) and tips on how to start your own studio.
Intern/mentee Maria Frantz, a university student and web cartoonist who grew up reading Calvin and Hobbes, explains her internship and the aims of her comics work, and how her generation approaches comics.
Finally, Ben Dewey (Autumnlands, Beasts of Burden) talks about his process of doing art (involving digital pencils and analog watercolors), why you shouldn’t get too fussy over your comics, managing your comics creating time, and what was good about Rob Liefeld’s work.
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For the past several decades there have been a lot of comics, movies, and other fiction involving “bad futures”, with lots of poverty, violence, environmental destruction, and the like. Why has this genre been so appealing to so many?
In this episode, Emmet O’Cuana talks with Mark Hobby about why this genre endures and how Mark has approached it in his own comic, Job Dun: Fat Assassin. They also discuss why British writers have led the pack on bad future stories, how Watchmen and the X-Men fit into the discussion, why sex in media seems to upset some people more than violence, and more.
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This week, two more creators from Portland’s Helioscope Studio:
Cat Farris is working on “Emily and the Strangers” for Dark Horse, and her own web comic “The Last Diplomat.” She talks about the learning curve of drawing digitally, pacing the revealing of story information, the down side of telling people what she does for a living, and more.
Terry Blas has done covers for such comics titles as Adventure Time and Rick & Morty, and is the co-writer of a forthcoming graphic novel from Oni Press called Morbid Obesity, a murder mystery set at a fat camp. He talks about how to make stories less formulaic and more emotional, and points out a neglected segment of the American comics market.
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This week we begin our visit with the creators at Helioscope, a comics studio in Portland, Oregon!
Karl Kesel has been in mainstream comics for 30 years and has worked on some of the most popular characters from the Big Two. How has the industry changed in that time, for good and bad? Why is his fingernail always broken? How is inking therapeutic for him?
Then graphic novelist Dylan Meconis (Bite Me!: A Vampire Farce; Family Man; Outfoxed) gives us a lot of thoughts and tips for promoting a comic online, as well as why foxes are thought of as tricksters in numerous cultures, and how we’ll know when comics have really “arrived”.
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