At the Billy Ireland Cartoon Library and Museum in Columbus, Ohio, curator Jenny Robb has what most of us would consider a dream job. But she and other staff members recently had an unenviable task: choosing which 40 items to include in the museum’s fortieth anniversary exhibit. In this episode, she talks about that decision process, and answers some burning questions: Why was the comics field so male-dominated in the 20th century? How were Windsor McCay’s colors for strips like Tale of the Jungle Imps transmitted to newspapers? And much more.
Meanwhile, in Arkansas, Mike Curtis is helping to keep alive another classic comic, Dick Tracy. He’s the current writer of the strip, which won the Harvey award for best syndicated strip for three straight years through 2015, and in this episode he describes his work process on the strip. He’ll also tell us about being one of Harvey Comics’ last writers, his long-running “furry” comic Shanda the Panda, and his Superman memorabilia collection. It’s a bird! It’s a plane! No, it’s a cheese box!
Christopher Jones has done a variety of work for DC Comics (including The Batman Strikes and one story in Batman ’66) and other animation adaptations), a few things for Marvel, and Dr. Who comics for Titan. How did he break in, and why is so much of his work of a more “cartoony” nature?
Lucid is making her living from crowdfunding in support of her webcomic, Avialae, a “boy’s love” story with an emphasis on consensual couplings. She talks about how “living the dream” can sometimes be a double-edged sword.
Minneapolis is increasingly becoming a “comics town”. While it doesn’t have the publisher presence of Portland, it’s filled with comics creators of all stripes, from mainstream guys to indy creators to web cartoonists.
It also may be the only town in the U.S. where New Comic Book Day is a bar event every Wednesday, with comics giveaways, standup comedy, and a creator interview!
In this episode, Tim talks with:
Katy Rex, writer of Jade Street Protection Services, from Black Mask, editor of another Black Mask title, Kim and Kim, and writer of a forthcoming Dr. Who special from Titan Comics. She also works at local retailer Hot Comics.
Eliot Rahal, writer of Bloodshot’s Day Off and other books from Valiant, and a host of the New Comic Book Day event.
John Bivens, artist on Image Comics’ Spread and Dark Engine.
My Little Pony is a toy line that initially had success in the ’80s (including TV and film appearances) but then stumbled until the 21st century. Its fourth iteration debuted in 2010, with a hit TV show My Little Pony: Friendship is Magic and more world building and continuity than before.
IDW has the license to make My Little Pony comics, and Ted Anderson is one of the writers on the book. Tim recently talked with him in Minneapolis about his approach to writing for kids, how he gets from a story concept to an actual story, the stumbling blocks in writing for a multimedia franchise, and more.
This week a wide-ranging discussion between two Canadians about comics in Canada. The talk centers on Montreal-based publisher Drawn & Quarterly, and two books from their catalog: Michel Rabagliati’s 2005 book Paul Moves Out, and the latest from Jillian Tamaki, Boundless. Also, some deep background on the history and people behind Toronto comics shop The Beguiling.