In the 1960s, both Marvel and DC tried publishing humor books, often in a style reminiscent of MAD Magazine. One of these was DC’s Angel and the Ape, about a beautiful young woman and a comics-artist gorilla who run a detective agency. While it only survived for 7 issues (with two title changes!) in 1968-69, somehow it got a Phil Foglio reboot in 1991, and showed up again as a Vertigo book in 2001, co-written by Howard Chaykin and David Tischman. While it’s hard to explain the existence of these revivals, comparing the three versions gives us an appreciation of the changes in the US comics industry over 35 years. Tim and Kumar discuss.
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While early 1950s anti-comics hysteria eventually resulted in the cancellation of nearly all their books, EC Comics still had one thing going for them: MAD! Written by Harvey Kurtzman and drawn by some of the best comics artists of the age, this parody comic set the template for much that came after it. But can the humor still be appreciated today? What are we to think of some of the attitudes on display toward, say, women or certain ethnic groups? Tim and Kumar discuss.
EC Comics are primarily remembered as gruesome horror stories, but the company published in other genres as well. One EC staple was war comics, which enjoyed great popularity during the Korean War. One such title was Frontline Combat, the comic that dared to admit that “Marines retreat!” The now-huge names behind the series — Harvey Kurtzman, John Severin, Jack Davis, Wally Wood, and more — primarily intended it as an anti-war book, but is it? Is it possible to simultaneously portray war as horrible, and painstakingly present the tanks and guns in all their glory? Tim and Kumar discuss.