Deconstructing Comics Podcast, published every Monday, features comics creator discussion and comics reviews.
Our report on the October 20 International Manga Festival (Kaigai Manga Festa) at Tokyo Big Sight concludes, with analog cloud computer support, an unexpected Boston Comics Roundtable connection, a young boy in strange lands, talk of censorship, Bulgarian comics, and finally, the artist behind Blacksad, Juanjo Guarnido!
Info on all the exhibitors we talk to in this episode is below!
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On October 20, Tim and Mulele visited the International Manga Festival (Kaigai Manga Festa) at Tokyo Big Sight. Comics creators from around the world were exhibiting their work to an enthusiastic mostly-Japanese crowd. This week: part one of our report.
Info on all the exhibitors we talk to in this episode is below!
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This week, an interview with Matt Emery, a comics creator from New Zealand who lives in Melbourne and has started his own publishing house, Pikitia Press. He’ll be talking with Kumar about the Melbourne comics scene, why he started publishing and how he got started in it.
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This week, another comic involving science — Jonathan Hickman and Nick Pitarra’s The Manhattan Projects — and thus another visit from comics-and-science-loving podcaster Ryan Haupt! He and Tim speculate on the meaning of Hickman’s tag line “Science. Bad.”, examine which parts of the story are fact and which are extrapolation from fact (or just plain made up!), some facts that Hickman got wrong, and more. Plus: how can the writer of such a wacky book turn around and write such dark, funless Avengers stories?
Read issue-by-issue analysis at Multiversity Comics
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So what’s it like to be an American comics retailer in 2013? Is the digital market your friend, or a sworn enemy? What kind of hassles are presented by the weekly shipments of new comics? Is there any reason to stock back issues these days? In this episode, Tim explores these issues and more with James Sime, co-owner of Isotope Comics in San Francisco!
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Tim and Mulele discuss Alan Caeser’s Rena Rouge–or at least, the art and coloring. The story, well… We’d critique it if we could.
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As it’s widely regarded as one of the best comic book series of all time, Dana and Kumar try their best to rekindle their love for Neil Gaiman’s SANDMAN nearly twenty years after its conclusion, only to find the plotting leaden, the art inconsistent, and the world-building frustrating. Has time stripped the series of its lustre, or are these two jerks just too old for it?
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We can see why some of the characters in Bud & Simon are fuzzy — Bud is a koala — but why are the buildings? Is it a parody of spy tropes, or a serious attempt that doesn’t quite get the tropes right? Tim and Mulele examine David Starbuck’s comic to answer the surprisingly tricky question: Is it lame or awesome?
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Autobiographical comics are par for the course, but in 1972, Justin Green broke ground for the genre when he published Binky Brown Meets the Holy Virgin Mary. Some of that broken ground hasn’t been trod since; how many autobiographical comics about a battle with mental illness have you seen done as wacky parody comics? Lightning-quick pace, phalluses everywhere, and a helpful instructional arrow pointed at a bunch of bananas? It’s unlike any autobio comic before or since, and your take on the subject matter may greatly depend on your upbringing. Tim and Kumar examine.
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This is the prettiest comic we’ve seen in quite a while! Gorgeous art and a promising story characterize George Caltsoudas’ all-ages digital comic Barbadango. Tim and Mulele savor.
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