Ever wondered what it would be like to work in a manga studio in Japan? Jamie Lynn Lano got her chance in 2008 when she was hired by Takeshi Konomi to be part of his team for the Prince of Tennis sequel. Recently she’s published a book about her experience, and this week she talks about what brought her to Japan and how she got hired, cultural differences, drawing speed lines and tennis shoes, and much more.
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As John Layman and Rob Guillory’s Chew passes the 3/4 point, major characters (including badass galline fan favorites) get maimed and even killed — yet the story somehow retains a lighthearted tone! This week, John Layman (who’s also writing Cyclops for Marvel) talks with Tim about nonsequential storytelling, the one thing Rob Guillory can’t draw, Tiger Beat posters of Robert Kirkman, and much more.
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It’s one thing to have sex with a robot. What if you actually started having feelings for your A.I. S.O.? What if you started preferring the robot to your actual human partner? That’s the situation in Jess Fink‘s sexual, but also romantic and even moving, graphic novel Chester 5000 xyv. Jess discusses the book with Tim in this episode, as well as her sci-fi autobiographical story We Can Fix It, getting a book-jacket blurb from Alan Moore, making comics for kids, and more.
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Stef Marcinkowski’s Sarah Zero is an over-the-top, Web-browser-shaped comic that he developed by trying to mash up advertising, marketing, comics, and film. The comic is heavy on interpersonal relationships and Internet culture.
This week Stef tells Tim about his process, getting the comic right when life keeps getting in the way, struggles with self-promotion, and more.
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Is there “work for hire” in Japanese comics? Yes and no. Nao Yazawa was hired as the artist for Wedding Peach, a manga published in Shogakukan’s Ciao magazine from 1994 to 1996. However, as is typical in Japan, she and writer Sukehiro Tomita co-own the copyright.
In this episode, she explains the details of this arrangement to Tim, along with much more on the development and business of the strip, sexy costumes, why manga creators are left out of the management of the anime adaptation, teaching at a manga school, and more.
Nao’s Web comic Go Go Nao-P!
Nao’s 2002 Wedding Peach site
See more photos after the jump…
Continue reading #434 Nao Yazawa
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At the International Comics Festival in November, Tim picked up A Cat Named Tim and Other Stories by John Martz. It’s a whimsical book aimed at kids that plays with several devices that only work in comics. It’s also another example of the convergence of comics and children’s picture books that we noted on this podcast years back with Mo Willems.
This week Tim talks with John about this convergence, as well as the challenges of making material aimed at kids, inspiration from Jacques Tati and Charles Addams, storyboarding, Destination X, and, oh yeah, Popeye loops!
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What happens when the computer that routes calls in a call center takes on a mind of its own? That’s the setup for the first story arc of Back Office, a Web comic by Mark Egan now available as a book. This week Tim asks him about his inspiration, his adopted home of Norway, and more.
Our critique of Back Office from 2013
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How does one (or two) go about selecting the best American comics from any 12-month period? Especially a challenge when many are by independent creators who aren’t used to submitting their work to publications like The Best American Comics. This week Tim talks with series editor Bill Kartalopoulos about the selection process, working with the 2014 guest editor Scott McCloud, the changing American perception of comics, and much more.
“Why Comics Are More Important than Ever” by Bill Kartalopoulos (Huffington Post, 10/28/14)
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 Sunset after the festival |
This week we wrap up Tim’s set of interviews from the floor of the International Manga Festival (Kaigai Manga Festa), held November 23 at Tokyo Big Sight. Highlights include familiar faces, a past DCP interview guest, sexy anime girls from France, poop from space, and more! |
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See photos and links below the jump…
On November 23, Tim once again visited the International Manga Festival (Kaigai Manga Festa) at Tokyo Big Sight. Comics creators from around the world (including Mulele!) were exhibiting their work to an enthusiastic mostly-Japanese crowd. Tim interviewed a number of exhibitors; hear them in this week’s episode, and see them below the jump in this post!
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