#432 A Cat Named John Martz

Cat Named TimAt the International Comics Festival in November, Tim picked up A Cat Named Tim and Other Stories by John Martz. It’s a whimsical book aimed at kids that plays with several devices that only work in comics. It’s also another example of the convergence of comics and children’s picture books that we noted on this podcast years back with Mo Willems.

This week Tim talks with John about this convergence, as well as the challenges of making material aimed at kids, inspiration from Jacques Tati and Charles Addams, storyboarding, Destination X, and, oh yeah, Popeye loops!

#431 Mark Egan mans the “Back Office”

Back officeWhat happens when the computer that routes calls in a call center takes on a mind of its own? That’s the setup for the first story arc of Back Office, a Web comic by Mark Egan now available as a book. This week Tim asks him about his inspiration, his adopted home of Norway, and more.
Our critique of Back Office from 2013

#430 Bill Kartalopoulos & the Best American Comics

Best American ComicsHow does one (or two) go about selecting the best American comics from any 12-month period? Especially a challenge when many are by independent creators who aren’t used to submitting their work to publications like The Best American Comics. This week Tim talks with series editor Bill Kartalopoulos about the selection process, working with the 2014 guest editor Scott McCloud, the changing American perception of comics, and much more.

Why Comics Are More Important than Ever” by Bill Kartalopoulos (Huffington Post, 10/28/14)

#427 International Comics Fest 2014, pt 2

Sunset
Sunset after the festival
This week we wrap up Tim’s set of interviews from the floor of the International Manga Festival (Kaigai Manga Festa), held November 23 at Tokyo Big Sight. Highlights include familiar faces, a past DCP interview guest, sexy anime girls from France, poop from space, and more!

See photos and links below the jump…

Continue reading #427 International Comics Fest 2014, pt 2

#426 International Comics Fest 2014, pt 1

Tokyo Big SightOn November 23, Tim once again visited the International Manga Festival (Kaigai Manga Festa) at Tokyo Big Sight. Comics creators from around the world (including Mulele!) were exhibiting their work to an enthusiastic mostly-Japanese crowd. Tim interviewed a number of exhibitors; hear them in this week’s episode, and see them below the jump in this post!

Continue reading #426 International Comics Fest 2014, pt 1

#424 Nathan Fairbairn’s coloring; we ask for “Seconds”!

Knives ChauWhile some colorists’ work can be recognized no matter what kind of story it is, Nathan Fairbairn says he prefers to start from scratch in his approach to each story he colors. While his colors on Bryan Lee O’Malley’s work tends to be bright (and often influenced by O’Malley’s own vision– such as the colors of Knives Chau’s scarf), his other work may be much more subdued.

Tim talks with him this week about how the style of comics coloring can affect how quickly or slowly people read the story, what can go wrong with colors and the printing stage, the history of comics coloring, and more.

#422 A Friendly Sketcher and an Evil Diva

sketchfroWhile Chris Taylor goes by the pen name “Sketchfro“, he no longer has an afro and he does a whole lot more than sketch. An American living in Tokyo, he does freelance art, his own comics, and pro-level digital coloring. In this episode he talks about getting digital coloring right, drawing women with sex appeal, and the work he’ll be promoting at Tokyo’s International Comics Fest later this month.

evildivaWhen last we checked in on the Web comic Evil Diva, an artist needed to be paid and fans were being asked to cough up cash before the next page could be drawn. Now the comic is being published as a graphic novel, and will even get a cameo in an upcoming movie. Are the comics gods finally smiling on Evil Diva? Let’s ask the strip’s creator, Peter Menotti, and see.

#421 Graeme McNee: Minimal comics, maximum impact

mcneeSometimes simplicity is best. Just take a look at the work of Graeme McNee, a Scottish/South African who makes his home in Kobe, Japan. With just a few lines, sometimes a complex idea or story can be communicated. This week Graeme talks to Tim about how he got into doing comics and developed both his simple style of drawing and his distinctive way of publishing them.

#419 “Seconds” and “Talbot Toluca”

Seconds and Talbot TolucaYou know that feeling when you love an artist’s work, but then you get their next one, and feel like… ehh, the magic’s gone? Tim was afraid that would be his reaction to Bryan Lee O’Malley’s Seconds but, as he discusses with Cassey this week, his fears were completely misplaced!

Also this week, a discussion with Kenneth Kit Lamug. His picture book A Box Story won a Moonbeam Children’s Book Award, Pinnacle Book Achievement Award, a Children’s Literary Classics Seal of Approval, and was a National Indie Excellence Book Award finalist, all in 2012. Now trying his hand at comics, he recently funded a Kickstarter project for The Tall Tales of Talbot Toluca: Quest for the Ore Crystals. Tim talks with him about the Kickstarter, moving from illustration to comics, not quitting his day job, and more.

#417 Rus Wooton wrote us some letters

Rus Wooton lettering

We turn our attention to comics lettering this week, and longtime letterer Rus Wooton. Rus worked on a lot of Marvel books in the 2000s, and his work can currently be seen on numerous Image titles, including Black Science (left). Tim talks with Rus about what makes lettering good or bad, how to get lettering work, the pluses and minuses of all-caps lettering vs “sentence case,” comics written and drawn by Rus, and more.