Benji Ratliffe sent us his four-year-old unpublished work Fashionable Nonsense for critique. It’s a somewhat supernatural tale with a Scott Pilgrim tone. He wrote the script and hired an artist. While it does indeed have some problems — with clarity of the story, as well as storytelling and inking — why not put it out anyway? Tim and Mulele extol the virtues of putting your work out, even if you’re not 100% satisfied with it.
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Mulele is back from New York Comicon! While he can’t talk about what might have transpired in terms of getting work (which is a whole lot better than saying “nothing happened”!), he has plenty to say about the experience of being there & his impressions of the comics industry, how his thoughts about it changed, and about New York, the city.
While at the con, he ran into Jordan Kotzebue, creator of Hominids, who Tim met at Emerald City 2011. Tim calls him up this week to catch up on his progress, including how our own critique of Hominids changed his approach to the comic.
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Tim and Mulele check out the smooth, sexy Peony Trivet #1, by Ed Greene and Jeff Sims.
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Tim and Mulele read mail from creators of comics recently critiqued on the show, as well as a couple of listener comments on Deconstructing Comics #328.
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Back in April, Tim talked to Brian Mitchell about his matchbook-sized comics. Recently, he sent us some samples, so Tim and Mulele have read through them and are here with their thoughts.
Brian’s site, where you can order his comics
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First up this week, an interview with Brandon Easton, creator of Shadowlaw and also writer of an episode of the new Thundercats series. Shadowlaw took well over a decade to come to fruition due to the nearly endless difficulties Easton had with finding a reliable artist. He shares his advice for finding a collaborator for your own project.
Our own Mulele had some problems as the hired artist for a couple of comics projects when he tried his luck in Los Angeles six years ago. The experience was a harrowing one — more so than we realized at the time. Mulele tells all, and also talks about his next career steps — including a trip to a convention!
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This week, Tim talks to three guys who participated in San Diego Comicon earlier this month, to see what their objectives were for being there, how it went, and their advice to SDCC newbies.
Dale Wilson, who wrote up his experience at BuyIndieComics.com, on why he left “unfulfilled” in some ways, but enjoyed it in other ways;
Justin Hall, who we last talked to in March of last year, on promoting his Fantagraphics book “No Straight Lines” and Prism Comics, as well as the sideline indie comics gathering Trickster; and
Robert Roach, a veteran of San Diego tabling, on his Japanese influences, networking, and more.
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Return of the Dapper Men, by Jim McCann and Janet Lee, is a great-looking book, all cloth binding and gold foil. It has an unusual feel for a comic, being a work of decoupage. And the story… um… iFanboy book of the month, you say? Eisner Award winner, you say? Um… Tim and Brandon just ain’t seeing it. Why is it so lauded?
Also, Tim is joined by Mulele and Paul to critique a small stack of mini-comics, sent in by our friend Dale Wilson:
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While technically a comic, The Legend of Spacelord Mo Fo attempts to be a bit of a comics/animation hybrid — not a “motion comic”, but something like manually flipping through the frames of a movie. Does the technique succeed? Does the writing back it up? Tim and Mulele ponder.
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Critiquing Comics retur
ns! Along with it, the work of Guy LeMay (“Z-Blade XX”) also returns, as he gives us a look at his more recent work. Listen to find out how Tim and Mulele evaluate “War Within” (written by Marcus Jones) and “Zombie Headhunter” (written by Guy and Tamey LeMay), both released under Guy’s Strong Guy Comics imprint!
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