
Tim attended CAT 2017 on November 25, with job one being a talk with Scott Pilgrim and Seconds creator Bryan Lee O’Malley! O’Malley answers some lingering questions from those books, and discusses the inconsistent censoring of cursing in Snotgirl, giving characters body language, why autobio comics are so popular, and what, if anything, he would change about his published work.
Tim also talked with a couple of other creators (many of the denizens of Artist’s Alley were the same ones we met at Kaigai Manga Festa in the past two episodes) and covered a workshop on Risograph Printing presented by Natalie Andrewson, Ryan Cecil Smith, and Grame McNee.
Also in this episode, we’ll hear from CAT co-organizer Adam Pasion about how this year’s event went, and lessons learned for next year.
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While some colorists’ work can be recognized no matter what kind of story it is,
Benji Ratliffe sent us his four-year-old unpublished work Fashionable Nonsense for critique. It’s a somewhat supernatural tale with a Scott Pilgrim tone. He wrote the script and hired an artist. While it does indeed have some problems — with clarity of the story, as well as storytelling and inking — why not put it out anyway? Tim and Mulele extol the virtues of putting your work out, even if you’re not 100% satisfied with it.
With a main character who “revolves” between a mundane world where he has a lousy job, and an alternate world where multiple terrorist attacks have thrown the average person into a bleak, violent survival mode, Revolver (by
FLASHBACK! With the Scott Pilgrim movie coming soon, we re-present Tim and Brandon’s review of two Canadian coming-of-age comics: “Scott Pilgrim’s Precious Little Life” by Bryan Lee O’Malley, and “Paul Has a Summer Job” by Michel Rabagliati (originally presented June 2, 2008)!
Longtime listener Jorge Muñoz sent us some comments on our Meta Episode, and also
Two Canadian coming-of-age comics: “Scott Pilgrim” by Bryan Lee O’Malley, and “Paul Has a Summer Job” by Michel Rabagliati!