FLASHBACK! Tim and Brandon give their thoughts on Guy Delisle’s Pyongyang, DVD movie Justice League: The New Frontier, Spider-Man One More Day, and Writing for Comics with Peter David!
Originally published March 24, 2008
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Five hundred episodes?! Where’d the time go? As has been typical of recent “landmark” episodes, a topic discussion is in order, this time among Tim, Paul, and famed artist, writer, and comics educator Stephen Bissette.
Steve talks about favorite film versions of comics; Mario Bava’s Diabolik; and what would have been a better way to make a Dick Tracy movie? How have certain films utilized “comics” language — even if they weren’t based on actual comics stories? What were some of our most traumatic moments in childhood TV viewing/comics reading?
Then we move on to the struggles that creators of Marvel and DC characters and storylines have had in getting proper credit for the film versions of their stories — especially focusing on Frank Miller and Daredevil. And, why do some fans have so much vitriol for Miller?
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Kumar talks with both Emmet O’Cuana and John Roberson about Batman vs. Superman: Dawn of Justice. How does Zack Snyder see these characters, and how is his vision at odds with the established ideas about these characters? How can we think about the events in this movie in a way that makes sense?
Music:
“Superman’s Song” – Crash Test Dummies
“I Whipped Batman’s Ass” – Wesley Willis
“(Wish I Could Fly Like) Superman” – The Kinks
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Charles Schulz’s Peanuts is one of the most beloved comic strips of the 20th century. But while some prefer the hilariously cruel and despairing tone of the first half of the series, it seems that the public perception of Peanuts is more in line with the cute, commercial tone it took on in its second 25 years.
This week Tim and Kumar come back to Peanuts, more than seven years after reviewing the Schulz bio, to delve more into the strip itself. What is the nature of the Peanuts kids? What motivates them? How does Peanuts (especially in its first half) fit an existentialist view of the world?
Also discussed: the recent movie — what was good or bad. Was showing the Little Red Haired Girl a good idea? Plus, a nod to a few of Schulz’s more interesting panel compositions, and, what Peanuts strip does Tim want on his wall?
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A couple of years ago, when BOOM!’s imprint for kids, KaBOOM!, announced they would be publishing a Peanuts comic book of new material, I vowed not to touch it with a fifty-foot kite string. Never mind if it was good or not; that wasn’t the point. I just had no more interest in reading Peanuts-not-by-Schulz than I did in reading Watchmen-not-by-Alan-Moore.
This wasn’t just because I assumed that a great creation carried on by someone other than its original creator was just not going to be the same. I also knew that Schulz did not want any more Peanuts strips created when he was gone. (The family agreed to the creation of the KaBOOM! series by splitting hairs: Sparky wanted no one to make further Peanuts STRIPS, but nobody said anything about Peanuts COMIC BOOKS. Um, OK.)
So when The Peanuts Movie was released last year, my first impulse was to go no where near that, either. At first.
Yes, somehow it’s been ten whole years since Tim, Brandon, and Mulele sat down together and recorded the first episode of Deconstructing Comics! Rather than get the gang back together again, this time we present eleven past DCP interviewees all answering the same question: “Name an important development you see happening in comics now, good or bad, and say why you think it’s important.” Tim gets answers to this question from Stephen Bissette, Shaenon Garrity, Dan Jurgens, Chris Bachalo, Natalie Nourigat, and many more! (see entire list below)
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Tim and Kumar meet in person for the first time! This calls for a podcast, but… what to review? We discuss the movie Crumb, which features not only the expected discussion of R. Crumb’s work (including an objective look at the question of whether some of the … discomfiting subjects of his work should really have been published as “art”), but also a fascinating portrait of the dysfunctional family he grew up in.
Then, Tim and Brandon clash over Sean Murphy’s Punk Rock Jesus, in which a former Irish Republican Army member acts as a bodyguard in a reality show claiming to be creating the clone of Jesus Christ. Is it objective and well-written, or a promo brochure for atheism?
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Years ago, when the Scott Pilgrim series was only half-finished, Tim and Brandon discussed it on this show. Since the series was completed, we’ve discussed Bryan Lee O’Malley’s other books (Lost at Sea and Seconds), causing Tim to reconsider Pilgrim, what O’Malley did right (and wrong) in the series, and what it all means.
This week, Tim and Kumar take on the whole six-volume series. Was it really necessary for Ramona to have so many exes? Did Scott end up with the right girl? These questions and more!
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How does one (or two) go about selecting the best American comics from any 12-month period? Especially a challenge when many are by independent creators who aren’t used to submitting their work to publications like The Best American Comics. This week Tim talks with series editor Bill Kartalopoulos about the selection process, working with the 2014 guest editor Scott McCloud, the changing American perception of comics, and much more.
“Why Comics Are More Important than Ever” by Bill Kartalopoulos (Huffington Post, 10/28/14)
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It’s been over 25 years since DC published the completed story (which had been left hanging several years earlier when the title it appeared in in Britain was cancelled), and (can you believe it?) nearly a decade since the film came out. How does Alan Moore and David Lloyd’s V for Vendetta look now? Is there any tension to this story, or does the fact that every step of V’s plan seems to go off without a hitch make it a boring read? Tim and Kumar discuss this, the pivotal prison sequence, the well-developed supporting cast, and much more.
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