#528 Lenny Schwartz: Comics and the Theatre, Act III

Co-Creator

While we’ve talked before with Austin Tichenor and John Roberson about adapting comics to the stage, we’ve never talked about (or even thought about!) adapting the lives of comics creators to that stage! But Lenny Schwartz has done it, and more than once, writing and directing “Co-Creator” (about Bill Finger and his claim to the Batman legacy) and “The Man Who Saw Snoopy” (about Charles Schulz, of course!). And he has another in the works on Spider-Man co-creator Steve Ditko.

This week Lenny tells Tim about writing these plays, just how much credit Bob Kane and Stan Lee may actually deserve, how Schulz used Peanuts as his diary, and much more.

#068 “Black Hole”: That OTHER time we discussed it

Black Hole

FLASHBACK! Recently our podcast covered Charles Burns’ Black Hole for the second time. So what did the first time sound like? Here it is, featuring Tim and Brandon. In the style of the early episodes, we spend part of the show analyzing Burns’ book through the lens of Scott McCloud’s Making Comics, chapter three: The Power of Words.

Originally published March 26, 2007

Critiquing Comics #101: Eisenhorn: Xenos

EisenhornBased on the series of novels by Dan Abnett, Eisenhorn: Xenos is a one-shot comic book from TPub meant to lead into the new Eisenhorn video game. Tim and Mulele grab their swords and gird for a critique.

#527 Tom Spurgeon’s “We Told You So”

wetoldyouso

Fantagraphics is a comics publisher that got by on a shoestring for decades, in service of its mission to prove that comics could be equally as literary and adult as film, novels, or any other storytelling medium. Eventually, Fantagraphics’ flagship publication, The Comics Journal, became the go-to magazine for reviews of noteworthy comics and hard-hitting interviews of their creators.

After more than a decade of work, Tom Spurgeon and Michael Dean have published (through Fantagraphics, of course) a history of the company, called We Told You So: Comics as Art. This week Tom, himself the former Managing Editor of The Comics Journal, is here to talk about Fantagraphics and the work and decisions that went into writing its history.

#526 “Black Hole”

Black HoleIn Black Hole, Charles Burns examined coming of age, in a new and slightly creepy way. After losing their virginity, various teens are affected by something called The Bug. Does The Bug symbolize puberty, or something else? Kumar and Dana go back to take another look at this classic graphic novel.

#525 Comics and Politics

Comics and PoliticsIn the wake of the 2016 presidential election, with a result that many found unexpected and disturbing, Emmet and John discuss various comics that have commented on politics and on government gone bad, including V for Vendetta; X-men: God Loves, Man Kills; Ex Machina; Prez; Transmetropolitan; Nemesis the Warlock; American Flagg; Congressman John Lewis’ March; and more.

#524 “Assassination Classroom”

Assassination ClassroomHe’s taken a bite out of the moon! He’s threatening to destroy earth! He’s… teaching junior high? What is the many-tentacled Koro Sensei up to? Why is he up for letting a bunch of 14-year-olds try to kill him? Tim and Kumar talk about Yuusei Matsui’s Assassination Classroom – incomprehensible sound effects and all!

#523 Who is Wonder Woman?

Wonder Woman: Earth OneOf course she’s been around for decades, but when it comes to how the character’s been presented, there’s always been a tension between her feminist qualities and the pinup-y ones. Is she here to empower women or excite men? Can it be both?

This week Emmet and John are here to talk about the genesis of a DC marquee character and how she’s been presented by various creators, with an emphasis on Grant Morrison and Yanick Paquette’s Wonder Woman: Earth One, and a useful comparison of Wonder Woman comics and the movie Mad Max: Fury Road.

#522 “Give Me Liberty” and the 2016 U.S. Election

givemelibertyFrank Miller and Dave Gibbons’ brilliant Give Me Liberty features a surreal America in the near future that is falling apart. Their Martha Washington, a young black woman raised in a housing project, is a tough, resourceful, heartbreaking heroine who journeys through and ultimately survives this America.

Koom and Kumar reflect upon the neglected classic and its eerie ability to touch upon the spirit of America during this election season. They recorded this podcast after the third presidential debate, when Hilary Clinton seemed likely to win, and joked about the connections. Sometimes, reality has a way of outdoing fiction.

Critiquing Comics #100: Comics from Conventions!

Comics from conventions

Somehow, Critiquing Comics is up to 100 episodes! Tim and Mulele mark this occasion by discussing a bunch of comics picked up at New York’s MoCCA Festival and Tokyo’s Kaigai Manga Festa.

Continue reading Critiquing Comics #100: Comics from Conventions!