Critiquing Comics returns with a look at three comics with connections to past DCP and CCP episodes:
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FLASHBACK! Takehiko Inoue’s Slam Dunk is easily mistaken for a serious sports manga. Pick it up, though, and you’ll find instead a hilarious ensemble comedy that just happens to involve basketball. Still, the series is credited with basketball’s 90s popularity in Japan, and led Inoue to create several other basketball-related series. But is oeuvre isn’t all hoops; he’s also the creator behind Vagabond, a sometimes-violent but intriguing take on the life of 17th-century historical figure Miyamoto Musashi. Tim and Kumar dig into both series.
Originally published February 27, 2012
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Inspired by the ’60s and a variety of British TV shows of a geeky variety (including The Prisoner), Japanese artist Question No. 6 is turning heads with her Dr. Who variant covers, and her drawings and articles on UK shows for Japan’s AXN cable network. This week Tim catches up with her to discuss her comic Cupcake and Astronaut, the reasons many Japanese creators use pen names, her plans for exhibiting and drawing in 2016, and more.
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This time, a comic about something with which both Tim and Mulele are intimately familiar: Life in Japan! The comic is by Victor Edison, who Tim just talked with at the International Comics Festival a few weeks back. Now we get a closer look at his four-panel daily diary comic…
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This week our coverage of Tokyo’s International Comics Festival concludes with creators from Finland, Brazil, France, Japan, Indonesia, and the U.S., including a chat with podcast co-founder Mulele on what he’s learned in the past year of convention tabling.
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Ogawa Burukku (a.k.a. Brooke Stephenson) has been enjoying great success with her magical-girl manga FaLLEN — both on the Web and in self-published books. This week she talks with Tim about her experience studying comics and being a manga studio assistant in Tokyo, why straight women get into a comic with nude women in it, why living in Japan is not like living in the future, tabling at Japanese comics events vs. American conventions, and more.
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Originating out of the same ’80s black-and-white/anthropomorphic boom that brought us the Ninja Turtles, Usagi Yojimbo is one of the few comics of that batch that are still going today. Stan Sakai’s work combines historical drama, understated violence, light comedy, and even some explanations of 17th century Japanese culture — and he can pack a surprising amount of story into a few pages. Tom Spurgeon joins Tim and Kumar to talk about the long-eared samurai.
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This week Tim travels just south of Tokyo to Yokohama to meet up with Chris Taylor (“Sketchfro”), creator of Relic Hunter: Riven, and James Stacey of Black Hook Press, which publishes Japanese translations of US and UK graphic novels. How do you prepare for conventions? Did you do comics differently back home? What’s different about tabling at German comics events? Why did Chris get in an argument with Archie Comics? That and more!
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What are some advantages and disadvantages of comics as a medium? How can you show lack of motion in a comic? Is the lack of sound in a comic ever an advantage? How do you keep yourself going when you’re afraid that your work isn’t good enough? This and more this week with three Tokyo-area artists: Grace Mineta, who’s having considerable success with her Texan in Tokyo comics and YouTube channel: Pei-in Wu, a Taiwanese artist who’s juggling comics with a day job; and Yu Ohmura, who self-publishes comics about his travel experiences.
Some samples of Yu Ohmura work:
On the left side of the photo below is the girl falling in the snow, described by Yu during our discussion of showing movement (or lack thereof)
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Critiquing Comics returns! Tim and Mulele dust off their neglected pile of submissions and look at Terra Kaiju, by Joe Badon and P.B. DeBerry — a comic with Japanese (and Chinese?) ideas, run through a Western filter.
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